Jilly: Sleep Is My Superpower

Do you find that a good night’s sleep helps you with problem solving?

This week (finally!) I settled down to work on my current WIP, The Seeds of Destiny. I already had some ideas written down and a couple of scenes sketched out, but I put the project on hold while I published The Seeds of Exile and uploaded my freebie novella The Pulse of Princes.

The heroine of The Seeds of Destiny is a healer called Annis Benkith. She belongs to an elusive, nomadic, mountain-dwelling tribe. The Kith are highly attuned to their environment and have some unusual elemental powers. Their abilities affect many aspects of their culture and are particularly important for healers.

So I need to understand and be able to describe clearly how the Kith’s powers work. And I need to think through the wider implications. I know how those powers create the crisis that launches Annis into the story of The Seeds of Destiny, but that leaves a whole world of related questions to be answered.

How, exactly, does Annis do what she does (avoiding spoilers here)? How do I show it so that a reader can see it in her mind’s eye? I’ve always thought that it would involve colors, but this week, when I created a chart for the colors I imagined and considered all the possibilities, I got a palette of outcomes that made the concept look like the aftermath of a paintball game. Argh. So not what I needed.

Also, what’s the difference between what healers do and what other Kith can do? If Annis’s mentor is the Kith’s greatest healer, how come she never discovered this problem before? And if these healing skills are so useful, why don’t the Kith just use them the whole time? I need Annis’s problem to arise in the now, and to be a shock, not an oversight. I need it to lead to difficult and dangerous choices, because that’s a great test of character—for Annis and all the other characters affected by her choices. If the problem can easily be solved, there is no story 😦 .

I wasted a whole day and a good few pages of my newest Moleskine notebook trying to brainstorm answers to these and other fundamental world-building questions. Then I gave up and went to bed. The following morning, in that wonderful semi-conscious relaxed state between sleeping and waking, I realized that I had all the answers.

This happens to me quite often. I guess it’s my subconscious, working on the problem with nothing else to distract it, but it feels more than a little magical. I never take it for granted or try to direct it—I’m just thrilled and amazed whenever it works.

Does sleeping on a problem work for you? Exercise? Knitting? Watching TV? Or some other method that often does the trick, even if you don’t quite know why?

Jilly: Incubating in Caldermor

Happy New Year, all!

I had plans for my first post of 2021, but my brain seems to be off on a frolic of its own. Whether I’m asleep, cooking, tapping at my laptop, or walking around Hampstead Heath, my gray matter is in Caldermor, mulling over Annis, Daire, and my new WIP. Not working out specific plot points, just noodling around what kind of people they are, what they want in their deepest, most private selves, why there would be a deep/unique connection between them, and what would make a true HEA for their love story.

I get this distracted feeling from time to time, and I’ve learned from experience that when it happens, I should relax and give my subconscious free rein. I’m reassured by the idea that creative incubation appears to have some scientific basis 😉 .

Nancy Andreasen is a leading neuroscientist and psychiatrist at the University of Iowa whose specialty is research into the creative mind. She was originally a professor in the English Department, and her research was partly informed by her proximity to the talented writers participating in the famous Iowa Writers’ Workshop.

I’ve linked before to her one-hour Aspen Ideas presentation titled “Secrets of the Creative Brain,” but not since 2017. I revisited it today and thought it an hour well spent, so I’m sharing it again.

Among many other things, Ms. Andreasen says that there are four stages in the creative process:

  • Stage 1, Preparation: the assimilation of basic information to build on.
  • Stage 2, Incubation: a relaxed time when connections are made, often unconsciously.
  • Stage 3, Inspiration: the Eureka! Moment
  • Stage 4, Production: putting the insights or concepts into a useful form, or something that can be communicated to others.

I need to get The Seeds of Exile into Production soon, so I’m hoping all this Incubation will lead to Inspiration. I’ll keep you posted 😉 .

Wishing you all a happy, healthy, and creatively satisfying 2021.

See you next Sunday!

Jilly: Seeking Playlist Recommendations

Anybody up for a playlist recommendation or two? I’d truly appreciate it. 😉

It’s only two weeks since I posted my plan for the rest of the year, and I’ve already made a significant change. I sent off Alexis Book 1 to be edited, (yay!), but when I sat down to start work on the prequel, I realized that wasn’t the story I wanted to tell…not yet, anyway.

The prequel is the story of Alexis’s parents, Daire and Annis. It explains how Annis ends up running for her life, carrying little more than her unborn child and the most powerful jewel in the history of Caldermor. But, but, but… that story stems directly from Daire’s failure to secure the hand in marriage of a very different woman. All the characters from the debacle are major players in Alexis’s story, and I’ll need a novella to give away next year when I finally hit ‘publish,’ so I decided to write Kiran and Christal’s story now, and (hopefully) let the momentum carry Daire and me into the prequel.

I know where the novella is set (Darrochar, the kingdom adjoining Caldermor). I know how it ends, and I know the main characters. I’ve made a few pages of notes, but I need a playlist to really get my imagination working.

The story so far:

  • One arranged political marriage;
  • One clever, rich, handsome, spoiled princeling who’s too busy having a good time to stand up to his ambitious, power-mad mother;
  • One elegant, clever princess, determined not to waste her life and talents on a golden loser.
  • One scheming, murderous Princess Dowager (the mother-in-law from hell);
  • One plainspoken, upstanding career soldier turned princely bodyguard-slash-advisor who’s wondering what the hell he’s let himself in for.
  • Fighting (physical and metaphorical), in-fighting, hard truths told, harder lessons learned, risking all, expecting to lose all and (spoiler alert!) somehow the good guys emerge triumphant.

I’ll add to the list as I build up the story, but here’s my first stab at a few tunes: Continue reading

Jilly: Tips for Creative Problem Solving

What do you do when you’re chewing on a problem, any problem, and you can’t seem to find your way to an answer?

I’m just back from a routine trip to visit my mum in Derbyshire. The return journey involves a minimum of six hours driving, closer to eight hours this weekend. It almost always results in some brainwave, useful insight about my WIP, or some other problem if Real Life is getting in the way of my writing.

I don’t consciously use my driving time to problem solve—I try to keep my eyes on the road and my wits about me—but somehow when my surface concentration is fully occupied watching the traffic, the deeper levels of my mind feel free to work on knottier problems.

I write sequentially, which means that I use each scene I write to provide the impetus for the next one. The good thing about my process is that the story grows organically. The downside is that when I hit a problem, I grind to a halt and spin my wheels. I can’t move forward until I resolve it.

Over the last few years I’ve tried various tactics to rescue myself when I get stuck. Here are a selection of the ones which work best for me, though your mileage may vary. Continue reading

Kay: Kill Your Darlings

This word cloud was built from the text of this post.

Last week my critique group talked about “empty” words—the words we don’t need and don’t notice we use too often. My go-to favorite unnecessary word is “just,” a word I discovered that I’d used 368 times in a 127-page (so far) manuscript. By the time I finished searching and replacing it with a blank space, I’d cut 250 words from my text. Other favorite empty words we found: really, actually, and well.

The problem with finding empty and overused words is that unless you know your favorites and keep a diligent eye out for them, you don’t really (see what I mean?) notice them as you type. They’re in there before you realize it, and they’re invisible to you when you reread your work.

A fun way to discover what words you’re using a lot is to build a word cloud, which shows you at a glance which words you’re using most in your text. Scrivener has a built-in feature for this purpose, but if you’re not a Scrivener user, there are other ways to do it.

Several free programs will build word clouds for you. Continue reading

Michaeline: My Favorite Tip of the Year

A Venus Pencil advertisement

Grab your pencil! Let’s write for the love of the game! (Image via Wikimedia Commons)

My favorite trick of the year is a mind trick. Remember when I made a word puzzle full of happy words to prime my subconscious? If not, I talked about it and the scientific evidence supporting the technique here on Eight Ladies Writing. This is purely anecdotal evidence, but I had a great writing week after I did it (see results here on 8LW), and I meant to do it again. Can you believe it’s been just a smidge over 11 months since we tried this? Well, here’s trial two, just in time to give your new year a little writing boost.

Will it really work? Well, it depends on how you work. Priming experiments haven’t been reliably replicated, but . . . it may work. A Psychology Today blog here explains how priming may be the first step in “canalization”; in other words, the first step in creating a track for your thoughts to flow down. If you can channel your thoughts in the same direction enough times, they will begin to flow in that direction naturally. But like the placebo that works if you think it will work (and there is scientific evidence to prove that it might), it just might work.

Here’s the game: I’ve jumbled up some positive words. Your task is to unjumble them, and then see what happens to your writing. I’ll report back next week with my results. Here we go: Continue reading

Jilly: Christmas and Community

christmas-and-communityJust three weeks of 2016 left!

The first few days of December are always the calm before the storm. I’ve been inching forward with my WIP; wrestling with my synopsis, which needs to be totally rewritten; working on the edit of my first 50 pages; and thinking some more about how to keep my story alive when the holidays are in full swing.

Last Sunday I put together a list of ways to stay in touch your story on a daily basis – quick tricks that could be squeezed into the most packed schedule. Then, on Thursday, Kay tracked down some productivity insights offered by the prolific film and TV writer-producer-director, Joss Whedon. I’m especially grateful for the tip about the importance of rewarding oneself early and often. 🙂

Yesterday, to my surprise, I added another strand to my holiday week WIP survival plan. Continue reading

Jilly: Don’t Leave Your Story in the Cold Over the Holidays

dont-leave-your-story-in-the-coldCan you believe it’s December already? How’s your month looking? Busy?

May I add something to your schedule? Earmark a few minutes each day – five, ten, fifteen, whatever you can shoehorn in – to make sure your story doesn’t get lost in the seasonal brouhaha.

Even for a holiday humbug like me, December is a time sink. It was worse when I had a day job – closing the payroll ten days early with the extra headache of bonuses to calculate and pay; a year end to prepare for; and in the middle of the financial scramble, parties to organize and/or attend for staff, clients and suppliers.

I’m glad I don’t have to do that any more. My life is also relatively quiet on the family front, but my calendar is still filling up. Multiple catch-ups with friends and ex-colleagues who are home for the holidays. A birthday trip to see the Abstract Expressionists at the Royal Academy. A night at the theatre. A few days with my mum, even though she doesn’t really know it’s Christmas anymore. Visits on mum’s behalf to her friends and ex-neighbors. A haircut. Gift and grocery shopping. A rare opportunity to see my expat brother, who’s flying home for a couple of weeks.

In the midst of all this activity, my immediate writing priority Continue reading

Justine: Slow Burn in Romance

11347342 - burning candle. an ancient candlestick, a dark background

This past Sunday, Jilly brought up a “blunder” with her recent contest entry. She’s writing a romance, but the relationship between her H&H is a slow burn. However, she got dinged by a few of the judges because there was little evidence of romance in her story (at least the first 50 or so pages) and none in her synopsis, yet this was a contest for romance writers.

I find it coincidental that Jilly got this feedback recently, because I’ve just read two books by Sarah MacLean (in her new Scandal and Scoundrel series) and one by Lenora Bell where there isn’t much evidence of romance right off the bat, either. Yet Continue reading

Justine: Foreshadowing, Part 2

shadows

About a year ago, I wrote this post about foreshadowing. My husband had started watching “Sons of Anarchy” and from the get-go, I knew who the bad baddie was going to be. I wasn’t much interested in watching the show, but I was even less interested when the obvious became TOO obvious.

I was disappointed again this weekend (there have been lots of disappointing Continue reading