One of the most interesting changes at this year’s RWA National conference was the increased focus on indie publishing. For me, the timing was excellent.
Four years ago, when I attended my first Nationals, I was only vaguely aware of self-publishing. I fully intended to pursue a traditional publishing career and I found plenty of workshops to help me understand the role of agent and editor, to perfect my pitch, and to polish my query letter.
As I started submitting to agents and entering contests with my dream industry judges, I also began to seek out sources of information to educate myself about the industry I was planning to join. To my amazement I found a freely available treasure trove of solid, actionable information and over the last couple of years I’ve gradually come to believe that independent publishing will be a better match for my personal priorities, timelines and ambitions.
I attended a number of the indie-focused workshops in Orlando, and I was surprised to discover how much I already knew. So instead of recapping my learnings from the conference, I thought perhaps I should share the online resources I find most valuable: Continue reading
How do you handle enforced inactivity? Do you have any tips for making the most of it?
I’m more than happy to spend a few days on the sofa with my TBR pile, or working on a puzzle, or soaking in a tub of bubbles, as long as the downtime is my choice. It might be a long-scheduled holiday or a spontaneous mini-break because I’m feeling shattered—either is fine, so long as the break isn’t forced on me. When that happens, I’m not good at making the best of it.
I had a fabulous time in Orlando with Jeanne, Kay, Elizabeth, Michille and Kat. I loved brainstorming, especially playing the Damon Suede game of choosing a verb to describe each of our main characters (see Elizabeth’s post for more about this invaluable trick). I attended a few excellent workshops, heard a brilliant keynote speech from Susan Wiggs, posed for an author photo, made new friends, had a great discussion about Alexis with Jeanne’s editor, listened to a hilarious Q&A from Ilona Andrews, Gordon Andrews and Jeanine Frost, and returned to the UK tired but inspired.
After a couple of good nights’ sleep I was feeling refreshed and raring to get to work—and I couldn’t, because I’ve somehow tweaked my shoulder and it hurts like hell when I write or type. It’s my own stupid fault. Continue reading
How was your week?
I’m writing this post in advance, as today is the day after RWA Nationals. If all has gone to plan, I’ll have spent a day with Jeanne, Kat, Kay and Elizabeth being dazzled by the Louis Comfort Tiffany exhibits at the Charles Hosmer Morse Museum of American Art. Then we’ll have joined Michille to take turns in brainstorming some aspect of our current or planned WIPs.
I’ll have attended workshops on writing craft, writing life and the business of being an author. I’ll have heard presentations by publishing industry experts, glammed up for at least one party and awards ceremony, had my photograph taken, swapped stories with lots of new people, and fueled my body with seafood, ice cream and cocktails 😉 .
If all has gone well, I’ll be fried. I’m sure I’ll have much to report. Later. Today my plan is to sleepwalk to the airport, board the nine-hour flight home, close my eyes and let my mind wander.
While I’m decompressing, here’s a neat piece on the value of allowing time for ideas to incubate. I linked to it after last year’s RWA, but I think the subject is well worth revisiting. Continue reading
Have you made a major step change recently, in your writing, or your work, or any other part of your life, big or small?
Shortly after this post is published, I’ll be packing my bags ready to fly to Orlando for my fifth RWA National conference. I’m really looking forward to it, but I’m also expecting it to be my last, at least for a little while.
Partly it’s the expense. I think the conference itself is excellent value at $500 for three full days of quality workshops, keynotes, pitch sessions, awards and so on. Likewise, hotel costs of just over $100 per night for a shared room is reasonable. The problem is that when I add on a transatlantic airfare, plus an extra night or two for recovery time, plus meals, transfers and other incidentals, I’m looking at a fairly significant investment, and I feel as though I’m now at the point where I could make better use of that kind of money.
If you’d told me four years ago that by July 2017 I’d still be unpublished and unagented, I don’t think I’d have believed you. The biggest lesson I’ve learned Continue reading
Think about your favorite authors. What are the hallmarks of their writing? Jenny Crusie writes fabulous, snappy, snarky dialogue. Loretta Chase is the goddess of subtext—she’s brilliant at creating powerful emotional bonds between her heroes and heroines, who hide their feelings behind carefully constructed facades that fracture at the perfect, critical, moment.
What about you? In your writing, or any other aspect of your creativity, or your life in general, do you know what your strengths are? If you’re anything like me, I bet you’d find it far easier to list what you’re not good at, where you need to improve, where others have a skill that far surpasses yours.
Have you ever been to a signing or other author event at a bookstore? Would you recommend it?
As I may have mentioned 😉 I’m a huge Ilona Andrews fan, and I especially like the Hidden Legacy series, because the books are romance in an urban fantasy setting, rather than urban fantasy with strong romantic elements. All Ilona Andrews books have the same basic components: lashings of imagination, fabulous world-building, characters to care about, strong community, sparkling dialogue, underpinned by kindness and humor, but I love them most when there’s a double helping of romance in the mix.
I was already excited about the upcoming release of Wildfire, the third and final (maybe) book in the series, which will be on sale next month, on 25th July. Then I discovered Continue reading
I’d really, really like to find a different form of address for the gentlewomen in my WIP, especially my heroine.
Lately I’ve been working on a sequence of set piece scenes toward the end of the book. The setting is a fantasy world, historical, before the invention of guns. Horses ‘n swords. Vaguely Tudor-ish, with a few creative liberties taken. The action takes place at the most important event in the city’s calendar. Everyone who’s anyone is present: royalty, aristocracy, military, and a lucky few gentlefolk. All the guests are addressed formally, even (especially!) when they’re hurling deadly insults at one another.
The problem is my heroine, Alexis Doe. She’s 25. Unmarried, but old enough to be a wife and mother. Of no acknowledged family (her name indicates she’s illegitimate), but invited as a guest of the Princess Dowager, scary and powerful grandmother of the Crown Prince. Alexis has no title, but her connections would carry a certain level of cachet and she would be addressed with respect. As far as I can see, she would be called Mistress Doe.
I did a fair amount of reading around, looking for possibilities, and I found a fascinating article describing research done by Dr Amy Erickson at the University of Cambridge (click here to read more about Mistress, Miss, Mrs or Ms: untangling the shifting history of titles).
Apparently both Mrs and Miss are abbreviations of Mistress. Continue reading