Ideas disappear if you don’t capture them. (Image via Wikimedia Commons)
As readers may have noticed, there is a particular blog that I really like (which I’m not naming here because I am going to bash a recent post). So I was extremely disappointed when said blog recently had a post about 10 Things Every Romance Writer Needs. At least one of the blog owners is a romance writer. Apparently the writer of this post is not. At least I would find it hard to believe if he is because the content of the post bordered on insulting to the writers of the genre that essentially pays the bills for the whole fiction market. It is a well-known phenomenon, this casual dismissal of the romance genre, and one that prompted the creation of the International Society for the Study of Popular Romance, the partnership of the Romance Sociologists, and was recently explored by Laura Kahn in her documentary Love Between The Covers.
Not all of the 10 things were insulting. Some of the ‘things’ apply to all fiction writing like surrounding yourself with good books to help keep your head in the good-fiction game, to spend some time reading like a writer, and to take encouragement from the success of a well-written book. Some of them apply to all fiction writing, but used cutesy sexy titles like “Quickies,” which is essentially advice to keep your eyes open and a notebook handy so you can jot down the ideas that come to you at unexpected times. The “Shoulder to cry on” thing emphasizes the importance of community – find a fellow writer or a good friend you can bounce ideas off or lament to when your writing stalls, someone to believe in us, encourage us – a good thing for all writers, not specific to romance, but would you suggest that CJ Box find a shoulder to cry on?
Then there are the ridiculous, like: Continue reading
Do you like your romance novels to be tightly focused, or do you prefer a wider, more complete view of the main characters and their lives?
I read a book last weekend that was passed to me by a friend of a friend. It was a romance, by an author I hadn’t read before, in a subgenre I don’t normally read. I’ve been on a fantasy/urban fantasy/steampunk kick for the last few years, with excursions into historical, paranormal and suspense. This was a contemporary romance with dashes of suspense and adventure.
My friend has high standards, so I was confident the book would be well-written. It was, but I found it enjoyable and frustrating in equal measure. The heroine and the hero were engaging, complex characters. They both had strong personalities, interesting careers, strong goals and challenging backstories. The setting was exotic and spectacular. The conflict was a little iffy, but both characters faced tough external obstacles and had to overcome some level of internal conflict in order to earn their Happy Ever After.
Sounds good, right?
What drove me nuts Continue reading
Thomas Samson/AFP/Getty Images
How does this picture make you feel? It depresses me.
It’s a photo of the wives of the G7 leaders, currently meeting in France. (I don’t know who the dude is on the right, but I’ll bet dollars to doughnuts that he’s an aide. Although he looks a little bit like Justin Trudeau.)
So the First Ladies and Dude are watching a performance by Basque dancers, although the First Ladies don’t look like they’re enjoying it much. They got dragged to a bunch of stuff on this cultural tour, including an inspection of the locally grown peppers, which they ate at dinner. I bet inspecting those peppers was a lot of fun. However, they did go to a wine tasting, so maybe they copped a few bottles for the hotel room later. Continue reading
Do you enjoy books and authors that make you uglycry?
I’m currently participating in an online workshop offered by Jeanne’s RWA Chapter (Central Ohio Fiction Writers). It’s called Inside Out: Crafting Your Character’s Internal Conflict, taught by Linnea Sinclair. So far, so very good—the class is challenging me to dig deep into my characters’ innermost selves. It’s also making me think about how best to use the discoveries I’m making to tell the kind of stories I want to tell.
This week Jeanne, who is also taking the class, raised a question about her WIP. One of the other students offered a suggestion that brilliantly fits the heroine’s situation and is so gut-wrenchingly powerful it would hurt my heart to read it. I know this kind of storyline makes a book unforgettable. I believe it would earn reviews and might potentially win awards. I think it could make lifelong fans of readers who seek out this kind of emotional torture and the catharsis that follows when the heroine triumphs and everything turns out okay after all.
That’s not me. I find that the emotional distress of the tense build-up makes me feel miserable long after the relief of the satisfying resolution has dissipated.
I’m still scarred by the ending of Gone With The Wind, and I last read that when I was a teen 😉 .
Or take Loretta Chase (love, love, love Loretta Chase). I happily read and re-read Lord of Scoundrels, The Last Hellion, and all her Carsington family books, over and over. Those books pack a powerful emotional punch, but the story momentum always heads in a positive direction, and humor balances the serious undertones, so I never feel distressed. I can relax and enjoy the ride. Conversely, her first Dressmaker book (Silk is for Seduction) knotted my heart in my chest. The writing is brilliant. The black moment is one of the best sex scenes I’ve ever read, and it made me uglycry. Continue reading
I have attention deficit disorder. I’ve had it my entire life, and because of a heart condition, I can’t take medication for it. ADD makes staying focused one any one task for a long period of time very difficult (unless I’m really excited about the task — like reading a book from my favorite author).
In the past, I’ve tried setting goals in order for me to get my writing done. But word count goals didn’t work for me, especially when I was editing. Did I really write 1,000 words? No idea…too much cutting/pasting/adding. Plus, there were some days Continue reading
Do you read contemporary stories set in countries other than the USA? What kind of stories are they? What do you especially like about them?
I have a reason for asking.
I’m just back from a most excellent vacation in the States, including an action-packed weekend at the Writers’ Police Academy in Green Bay, Wisconsin with fellow 8 Lady Kay, followed by a few days in picturesque Door County (click here to read Kay’s description of our excursions to the Northern Sky Theater Company).
Before I met up with Kay, I spent an afternoon in Chicago talking all things writing with a developmental editor. Mostly we focused on Alexis, but we also talked about my English/Scottish contemporary romance, which I decided to dust off in time for the next (and final) RWA Golden Heart contest.
The editor gave me the same feedback I heard from a very respected agent a couple of years ago when I tried to shop this book: the writing is strong, but a contemporary British setting, with all British characters, is hard to sell outside the UK. She said that the story offered a kind of insider perspective on life in London and Scotland, which is not what the mainstream American romance reader is conditioned to expect.
In her view, when US readers pick up a foreign-set story, they expect the setting to be either
- glamorously urban; or
- small, close-knit communities where the culture is a large part of the appeal.
Is anyone up for more discussion on the evergreen topic of Alpha Male heroes in romance fiction?
Mr. Alpha has been on my mind recently, thanks to a combination of circumstances. I lost a chunk of writing time earlier this year following the death of my mum. Dealing with her estate has been a time suck, so the books I had hoped to self-publish this year are now rescheduled for 2019. Which means that I will still be unpublished at the end of 2018. That’s frustrating, but the upside is that the RWA has decided to run the Golden Heart contest for one more year, and now I will be eligible to enter. I would love, love, love to final in the Golden Heart, to join the supportive and welcoming sisterhood that Jeanne described in her recent post, The True Heart of the Golden Heart.
In planning my final assault on the contest, I decided that in addition to entering my Alexis paranormal stories, I’d dust off the English/Scottish contemporary romance I worked on at McDaniel and which I haven’t read in the last three years or so.
I got fairly close to snagging an agent with that manuscript, and it finaled in a number of local RWA contests, so I thought it should be relatively easy to tweak.
O.M.G. I am sooo glad I never sold that book. It didn’t need a quick edit so much as a comprehensive rewrite. I think the general premise, the characters, the community and most of the plot points are solid, but among other things, the hero (who is, obvs, a very good guy) made me cringe. He was guilty of arrogant asshattishness rather than the kind of consent offences Jeanne discussed in her excellent post The Thin Line Between Alpha and Predatory, but still. Even if his BDE showboating was a persona rather than his true self, the patronizing way he interacted with the heroine was simply not okay. I had to give him a thorough makeover.
The thing I found curious is Continue reading
Where do you stand on public marriage proposals?
I’m a sports fan, and I had the England v India cricket match playing in the background as I sat down to write today’s post. Normally I find cricket commentary provides the perfect background for writing, but today there was a break in the action, the cameras focused on a tense-looking young man in the crowd, and the TV presenter said “That’ll be Martin*. He’s here today with Suzanne*, and I believe he has something to say to her…” Martin went down on one knee and fished out a ring box. The giant TV screens said DECISION PENDING. Suzanne cried and kissed him. The screens switched to SHE SAID YES! The crowd went bonkers.
The whole episode made me cringe so much I turned the coverage off. Then I started wondering if I’m a grouchy curmudgeon who’s incapable of appreciating a heartfelt romantic gesture.
What do you think?
I’m not talking about a spontaneous proposal that occurs in front of other people because Circumstances. I love those, in life and literature. My problem is with a carefully orchestrated piece of showmanship set up with the intent to share a serious, potentially life-changing decision with as many strangers as possible, without the decision-maker’s knowledge or consent.
Why might you do that? The best answers I could come up with were:
- The young man, his beloved, or both, are narcissistic exhibitionists;
- The young man sees the public proposal as a grand gesture, a demonstration of the strength of his love;
- The young man is afraid the object of his affections might refuse him, and he is relying on public pressure to tip the scales in his favour;
- The young man is so thrilled and giddy at the prospect of marrying his beloved that he wants to share the moment with the whole world.
Which brings me to my next question. Generalizing here, but do you think a public proposal of marriage is something the twenty-first century bride dreams of? Continue reading
We all know what sort of man an alpha male is…strong, usually buff, definitely tough, and the one who gives orders, not takes them. He typically gets what he wants when he wants it, and if he’s threatened, he’ll go up against that threat, even if it means getting physical.
The trope of the alpha male is alive and well in many romances these days. But is that what nature intended when she created alpha males? Continue reading
For someone who doesn’t even have a Twitter account, I’ve encountered a lot of interesting tweets lately. Last week it was the By Age 35 thread and this week it was the tweet to the left from Comedy Central writer Jake Weisman about Jane Austen’s writing.
The tweet, as he may or may not have expected, stirred up a bit of a storm. Not by people who disagreed with the fact that Austen combined satire with spot-on social commentary, but that Weisman had felt the need to disparage the fact that her stories also included . . .gasp! . . . love and romance. The consensus seemed to be that he had read her work, enjoyed it, and was appalled that he might be thought to be a fan of romance.
Heaven forbid! Continue reading