Anyone interested in hearing Eloisa James, Ilona and Gordon Andrews, Alisha Rai, and Sarah MacLean discuss various aspects of romance writing?
I just spent almost three hours online watching a recording of a fascinating, funny and insightful seminar held last week at Duke University. I can’t tell you how much I enjoyed it. My plan was to skim it for the good bits and listen to the rest later, but it turned out to be all killer, no filler. The only bits I skipped were the rest breaks 😉 .
The event was called Gender, Sexuality, Feminism and the Romance Novel, and indeed all those subjects are covered in an intelligent and engaging way, but there was so much more.
Each author talked about their home environment and what led them to become a romance writer. After that, the Q&A session included: Continue reading
The birds are singing, the sap is rising, and we’ve been talking a lot here on the blog about writing great sex scenes.
Kay started the party by sharing her battle to reward her long-suffering hero and heroine with a gold-plated, caviar-coated, champagne-drenched, Lamborghini-driving, high-quality, meaningful one-on-one. Last Saturday Michaeline shared her thoughts on the sex scenes in Charmed and Dangerous, an anthology of short gay fantasy stories, and yesterday she told us about a pair of happy couplings she decided not to write. In between, Nancy gave us five points to ponder about writing sex in the romance genre.
I’d like to drop another suggestion into the mix.
“Y’all are fine right now, but as soon as my honey gets here, we’re a-shuttin’ this curtain and gettin’ through four sets of corsets.” (Image via Wikimedia Commons)
Last week, a lot of us had a lot to say about sex scene (Kay, me, Nancy on 8LW), and I had a major breakthrough. In romance, the sex is often supposed to show the POV character going in for orgasms or fun or comfort . . . and coming out with orgasms, fun, comfort AND True Love.
That explained a lot about the sex scenes that I haven’t written in the past.
Last year, I wrote a romantic short story where I quite firmly closed the bedroom door on the readers. There really was no point. As far as I was concerned, the pair had shown their Natural Compatibility through fighting to defeat the villain. They were on the same wavelength, and they gained mutual respect for each other through the fight scene. So, when they headed off for post-battle sex, there was really no point in showing that, I thought. (-: Pardon the pun, but it would have been anti-climactic. The sex was a reward for a job well done, and I left it to the readers’ imaginations to envision their own very satisfying happy ending.
In a different short story, my characters were having really great sex. And again, I Continue reading
Describe this dog, and you could have won a touristy tchochtke from Tokyo! LOL! (Photo by Michaeline Duskova)
Well, lessons learned all around this week! The contest was a miserable failure, but my thinking about description in fiction feels much more solid.
Failure analysis later. One of the reasons I ran the contest was because I found it very hard to describe my dog. Finally, finally, about Wednesday, I started to get a grasp of the words for him, and then today, I came up with this:
He is a fluffy, scruffy, flop-eared cream-colored mutt, but the kind of cream that has been crawling around in coal mines, with streaks of grey. His eyes have the soulful look of somedog who experienced extreme depression in a past life, and wasn’t expecting too much from this incarnation either. (Fifty words.)
I realized, though, with a description like that, the dog had better be playing the part of the Melancholy Messenger Of The Story. He’d better be super-important, and not just a passing dog on the roadside. I think as writers, there’s this somewhat arrogant or even control-freak kind of thinking where we believe we want to put the images we see in our brains directly into the brains of our readers . . . and the problem is that words and brains don’t Continue reading
Describe this dog, and you could win a touristy tchochtke from Tokyo! LOL! (Photo by Michaeline Duskova)
EDIT: Contest is now closed, but the comments are still open. Thank you for your likes and stars!
CONTEST! I’m in Tokyo right now, so I thought it’d be fun to run a little contest while I’m away from my computer. Your task: describe my dog (pictured here) in 100 words or less. Your prize? A cheap touristy trinket from Tokyo, sent anywhere in the world that the Japan Post Office will deign to deliver. Continue reading
Can you believe it’s December already? How’s your month looking? Busy?
May I add something to your schedule? Earmark a few minutes each day – five, ten, fifteen, whatever you can shoehorn in – to make sure your story doesn’t get lost in the seasonal brouhaha.
Even for a holiday humbug like me, December is a time sink. It was worse when I had a day job – closing the payroll ten days early with the extra headache of bonuses to calculate and pay; a year end to prepare for; and in the middle of the financial scramble, parties to organize and/or attend for staff, clients and suppliers.
I’m glad I don’t have to do that any more. My life is also relatively quiet on the family front, but my calendar is still filling up. Multiple catch-ups with friends and ex-colleagues who are home for the holidays. A birthday trip to see the Abstract Expressionists at the Royal Academy. A night at the theatre. A few days with my mum, even though she doesn’t really know it’s Christmas anymore. Visits on mum’s behalf to her friends and ex-neighbors. A haircut. Gift and grocery shopping. A rare opportunity to see my expat brother, who’s flying home for a couple of weeks.
In the midst of all this activity, my immediate writing priority Continue reading
Have you had enough politics yet? If the answer is no, please check out yesterday’s excellent post by Michaeline, The Election and the Future of the US Writing Market. Plenty of insightful, positive, actionable food for thought there.
If you’re ready for a break from world affairs, let’s discuss creating quality stories to sustain us through the challenging times ahead 😉 .
Last Sunday in Storyteller v Smooth Writer I talked about judging contest entries and understanding the difference between polished writing and addictive storytelling. I said I’d decided not to take any more classes or buy any more writing books until I’d figured out how to make the storyline of my WIP as powerful as it can be.
Yeah, but no. A couple of days after I put up that post I bought a writing book and I’ve been glued to it ever since. I have not been this excited about a craft book, ever.