Michaeline: Imposter

A countess in a cape hiding behind a piece of cardboard that only shows her eye.

Worried about others seeing the faker? Be too fast to take that test, and just do what makes you happy. Trust in the creative process, not the outside censors and judgers. (Image via Wikimedia Commons, some words by David Bowie)

I am a writer who isn’t writing.

Does this make me an imposter? Well, yes. A writer writes.

But on the other hand, is writing a little bit like being a genius? As Lois McMaster Bujold has her character Professor Vorthys say, “All the geniuses I ever met were so just part of the time. To qualify, you only have to be great once, you know. Once when it matters.” Having written, I’m a writer.

That’s not a very satisfying answer, though. It smacks of self-justification and resting on my laurels (which are rather small and unpublished). What am I doing in my free time that prevents me from being a writer on a more regular basis?

I’m a YouTube viewer and a ukulele player.

I have to admit, being a YouTube viewer is highly unsatisfying. It’s often very fun in the moment, but I don’t retain much. And it is such a lottery – for every five minutes of information and education, I get at least five minutes of utter pointlessness that looks like it is going somewhere, but winds up nowhere. I like YouTube, and I’m going to keep watching it. But do I want it down there in my obituary: “She watched a lot of YouTube”? No. I do not.

Being a ukulele player, on the other hand, feeds my heart. I’m going to admit to you that on a shallow level, it’s the kind of geeky cool that I’ve always aspired to be. I practice several times a week, and I can see my progression as a player. This week, my call to practice is, “Hey, I’m getting better at that Bb chord!” I like the challenge of getting to a goal – and I can see the goalposts. I can envision Continue reading

Michaeline: Crazy stories

Now here’s an example of structure combined with crazy — leading to an incredible body in motion. Strandbeest by Michael Frey, image via Wikimedia

We love structure and craft here on Eight Ladies – combined, we’ve spent thousands of hours on classes, and maybe tens of thousands reading about how to write, and listening to podcasts. Structure is important, and it makes a book great.

But . . . it’s not the only tool in the toolbox. There’s that big, blasted sword of Crazy that only shows up in this dimension when it wants to, and can disappear nearly as fast. It’s also only visible to certain readers, so whoever wishes to wield the sword of Crazy had better have a thick skin or numb ears: a lot of people are going to be telling the wielder that s/he is . . . well, crazy.

Crazy sometimes carries the day, though. I love Douglas Adams’ The Hitchhiker’s Guide to the Galaxy series – adored them as a teen and imprinted on them, and even read them as an adult and still loved them!

Adams had a gift for funny ideas, and was skilled at winding them up and letting them run into each other at full speed. Structure was more hit and miss – he was more like a jerry-rigger than an architect of literature. The Hitchhiker’s Guide has not just one, but multiple prologues. The climaxes seem to come regularly, but not in any particular order. And the dangling threads? Well, apparently that’s why this trilogy needed four sequels instead of the usual two.

Still – look at Adams’ impact on culture. Anyone in the English-speaking world who has Continue reading