A friend of mine recently got pregnant, and told me she’s been having nightmares about wolves eating her baby and making her buy another child. It made me stop and think about wolves, and the power they have over our imaginations . . . largely a power that results from story.
I don’t think I’ve ever lived in an area where there were wolves; they were never an actual problem, but still, wolves loom large. They are themselves, but they are also a human-made metaphor for things that worry us greatly.
In “Little Red Riding Hood,” the wolf was a predator who ate little girls, as well as grandmothers. There was a moral to the story: don’t talk to strangers, or if you are sick in bed, don’t forget to lock the door.
The wolf as sexual predator was common in pop culture during the first half of the 20th century. Young women would call a problem male a “wolf.” Whistles at attractive young women were called “wolf whistles.” In cartoons, a male character when catching sight of a pretty girl would transform into a wolf . . . eyes bulging, two fingers in the mouth whistling.
Wolves didn’t have to be sexual predators, though. In “The Three Little Pigs,” the wolf was a force of nature . . . huffing and puffing houses down in an attempt to eat the pigs. In this story, the motive is spelled out: the wolf is hungry. So, it’s almost easy to sympathize with the wolf, but the moral of this story is that there are right ways and wrong ways to get a meal, and sliding down the chimney will land a wolf in hot water, not in front of the dining table.Continue reading
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