Circus tapestry by Ambesonne
I’m not one for multi-tasking. For me, it doesn’t work. I can toss junk mail while I’m on hold, but I have no illusions that I can do two tasks at once and do justice to either.
So while I’ve sometimes envied authors their giant traditional publishing contracts, I’ve never envied them their workloads: the writing of a complete book in three months, during which time they make revisions on the previous book, proof the galleys of two books ago, and plot the next book. I could do all that sequentially, but not concurrently.
Imagine my surprise when I found myself, as an indie author, in a similar situation.
I finished my three-book series about the haphazard CIA agent—when? Last winter? It’s only been months, but it feels like years ago. I have the revision letters of all three books from my dev editor sitting on my hard drive. I have begun changes on the first book. I’m about 10% in on that one. Continue reading
I have attention deficit disorder. I’ve had it my entire life, and because of a heart condition, I can’t take medication for it. ADD makes staying focused one any one task for a long period of time very difficult (unless I’m really excited about the task — like reading a book from my favorite author).
In the past, I’ve tried setting goals in order for me to get my writing done. But word count goals didn’t work for me, especially when I was editing. Did I really write 1,000 words? No idea…too much cutting/pasting/adding. Plus, there were some days Continue reading
I am in the throes of editing my first novel. I’ve never done this before. I’ve written a first draft…numerous times. But I have never gone back through and cleaned it up to make it spit-shined, polished, and ready for the world.
My thoughts on the process? Editing sucks.
I finished my draft, read through the whole thing from beginning to end, and focused on the high-level changes that thought I needed to make. And about ¼ of the way into my first chapter, I was so overwhelmed by my perceived flaws that I didn’t think they were surmountable. I was ready to toss the whole story and start over. At a minimum, I wanted to play the avoidance game, doing such things as scrubbing tile grout or watching repeat episodes of The Queen while eating lots of chocolate.
It was bad. Continue reading
From the Hot & Bothered podcast site
The first time I heard a feminist definition of a romance novel (female author writes a book celebrating values of love, compassion, community, and friendship, with a female protagonist who fights for what she wants and gets it), I was hooked. Those books were for me.
Can romance novels create a new feminist dynamic? I don’t know. But women and men read romances for the hope they offer, the comfort they give, and the values they aspire to. That’s good enough for me. And if they help create a new feminist dynamic, well, that’s just icing on the cake.
But there’s more! I recently read an article by Kimberly Winston in the Washington Post that suggests that religion can be reinvented through romance novels—that because of the themes and values romance novels showcase, they can be considered sacred texts. Holy bodice ripper, Batman! Continue reading
I know several of the Eight Ladies (myself included) have used music playlists for writing, either because it “goes” with the book they’re writing or, like with me, there’s a certain Mozart playlist that generates a Pavlovian response within me to write. When I hear the music, my inner storyteller kicks in.
This is all well and good except the music I listen to is pretty upbeat (for Mozart, anyway) and I was having a hard time getting into the right mood to write some really dark, painful, sad scenes (not my typical mojo).
So I pulled up Google and searched “saddest classical music” and the first hit that came up was Continue reading
Are you sitting on your finished MS, dying-but-hating to send it out to the A-list of agents and editors you met at a recent conference? Perhaps you’ve signed up for a mentor program, but you’re anxious about putting your 60,000 word baby in the hands of someone else. Or, you found a great new critique partner, but you keep putting off sharing your chapters because “it’s just not quite right yet.”
You’ve got a rejection problem…or really, the fear of it.
Cue Jia Jiang, an entrepreneur and educator who formed an early association to rejection anxiety when he was six years old. Watch in this humorous TED talk as he explains how exposing himself to rejection for 100 days actually lessened the anxiety he felt about being rejected, and actually opened up opportunities he otherwise wouldn’t have had. It’s a lesson we can all learn from (although I don’t think I’ll be asking for “burger refills” at the local burger joint).
What is your worst rejection moment? Your best? What lessons can you share with writers who are afraid to put their work out there?
We’ve all had (or we likely will have) a situation where our writing has to take a back seat to life…whether it’s our own health that we must cater to, a family crisis or tragedy, or the care of a loved one.
The latter has been my situation for much of July. I had grand goals of getting the second half of my Beggars Club Series Prequel finished and ready for distribution, flipping the switch on my website for a go-live date no later than August 1st, and finishing the storyboard for my book His Lady to Protect so I can cultivate the 467th draft of it into something that resembles a book.
I got nothing done.
My mom’s health took a quick decline Continue reading