In my long-ago, faraway dreams (reality check: when I started writing in earnest 5 years ago), I had always intended to be traditionally published. In fact, if you looked at my goal wall displayed prominently in my office, the goal right smack in the middle (after writing a good book and before being a bestselling author) was “traditional publication” with logos of some of the big publishing houses. I was always so certain of it…publication, that is, even knowing much of that decision was out of my hands.
Over time, I became a lot less certain. Things started happening…fellow Eight Lady Jeanne won the Golden Heart (which used to be carte blanche in terms of getting an agent/editor), but no one picked her up (she has since decided to go indie. Yay Jeanne!). Last September, I went on a writer’s cruise and the editor expounded on the genres that she couldn’t buy…historicals being one of them. I was unnerved by that, but didn’t let it deter me. Continue reading
This past Friday, I attended a free webinar by the folks who do Masterclass (I had previously taken James Patterson’s class on writing and Aaron Sorkin’s class on screenwriting). The topic of the webinar was protecting your intellectual property before you copyright it, and it was presented in large part by folks who work for the Writer’s Guild of America West (WGAW…there is a sister organization, Writer’s Guild of America East. They do the same thing, but the organizations do not share information with each other).
I had always thought the Writer’s Guild was for screenwriters only, but it turns out any artist – as long as they can put their idea/story/script/play/lyrics on paper – can have their intellectual property protected. This topic is relevant to me right now because Continue reading
I’ve been having a particularly nasty time with a chapter in my book. It’s an early chapter, the first in my heroine’s POV, and I’ve spent way too many hours editing and tweaking it. I’m struggling to get all the info I need to in order to lay the groundwork for the rest of the story without it being 6,000 words long.
There’s a lot of stuff I have to pack into it. Much of it revolves around my heroine’s misbelief…both revealing what it is as well as starting to tear it apart. This involves backstory reveals and confrontations – both character confrontations, as well as emotional ones within my character. Basically, truth versus perception, which upsets my character’s misbelief. (For more on misbelief, check out this post.)
After much consternation and gnashing teeth, I decided it’s time for a do-over. No more tweaking. Time to just rewrite it. And it turns out there may be science to back up my decision. Continue reading
My critique partner, Jenn Windrow, now teaches a class called “How to Be a Hooker,” which shows writers how to write an exciting hook for your book…basically the first 50-150 words. Catch your reader in those first few words, and they will hopefully keep reading. The idea is to lead with a hook. Something that gets the reader thinking, asks a question, or presents a challenge that the reader wants to figure out.
Back in the fall, I entered a contest for the first 50 words put on by the Ruby Slipper Sisterhood and Jenn helped me polish my entry. Below is our text conversation where I gave her intros and she gave me feedback, and I think it’s very insightful. At the end of this post, you can read the final version. Continue reading
I’m very fortunate to have two fantastic critique partners, Jenn and Lisa, that I meet with once a week. Every Tuesday, we hit the Red Robin in Scottsdale, AZ for lunch (because it’s close to Lisa’s office) and we talk about writing, swap critiqued pages, discuss story problems, or vent about our husbands and kids.
Jenn, Lisa, and I have all have a somewhat similar writing background. We’ve done multiple Immersions with Margie Lawson, so we all look for the same sort of rhetorical devices in our writing based on the lessons we’ve learned from Margie. We’ve also all taken similar plotting classes and while we none of us write in the same genre, we know each other’s stories well and we have a pretty good understanding of our respective writing styles so as not to suggest fixes that change each other’s stories into our own.
As good as that all is – and it’s really good – I think every writer needs Continue reading
A few weeks ago, fellow Eight Lady Jeanne shared with us a video of Diana Gabaldon’s cold start process…in other words, how she turns on her writing mojo when she’s stuck. Turns out, in this example, she used a Sotheby’s catalog to simulate her creativity.
Diana’s cold start process is vastly different from Jeanne’s, which gave her to think it would be interesting (and perhaps helpful) if all the Eight Ladies shared how we get going when the words just won’t come. So, starting today, for the next week, we’ll share the processes we use when we need to get writing. (No writer’s block for us!) Continue reading
As some of you may know, I’ve been on a hiatus for the last two years working as the PTA president for my kids’ school (Pro Writing Tip: If you want to make progress on your book, don’t volunteer for the prez position…or any other board position, for that matter). I’m grateful that I had a hand in getting their school up and running (it was just opening at the time), but now I’m learning to say “No.” A very valuable word if you want to make forward progress on any personal endeavor.
I will say that the hiatus from writing has allowed me to see my book, when I finally came back to it this fall, in a whole new light, and some advice from an editor I met on a writing cruise in October lent even more clarity…in particular to who my book was about, and indeed who and what the whole planned three-book series is about.
Background: My historical series had always intended to be about Continue reading