I had originally intended today’s post (which is late…note the procrastination topic above) to be about another copy editing challenge you can overcome (here’s my last one on apostrophes), but this article caught my eye:
Procrastination is an Emotional Problem
Wait, what? All my life, my mother has hammered into me that procrastination is a time-management problem, and this article is suggesting otherwise?
I dove in and started reading. Because procrastination isn’t just a problem for me. It’s a skill I’ve unwittingly mastered. And I blame my procrastination on everything from attention deficit disorder to my two kids (I know, unfair, right?) to just plain having too much to do.
But it turns out, based on research, that procrastination is tied to your emotions. Continue reading
I know it’s a holiday weekend and the sun’s shining, but is anyone up for a quick game of world-building “what if”?
As regular readers of this blog know, I write fantasy. Stories of chivalry, rivalry, power, and love, set in a fantastic pre-industrial landscape. I love my weird, crazy world, but I’m currently working through developmental edits, and after some good discussions with my editor and beta readers (thanks, Jeanne and Kay!) I’m looking for ways to make my stories stronger. In particular, I’d like to find a few well-chosen details to amplify the fantastic feel of my world.
I write a very practical kind of fantasy. My stories have powerful jewels, miraculous golden beans, sinister talking rocks and uncanny, mystical monks, but all my otherworldly elements are solidly rooted in the everyday. I don’t have dragons or spells or magical woo-woo. What I need is to identify ordinary things that would be natural and useful in my world, but which would not be found in a regular historical story. Small details that don’t drive the plot but that would support and enrich the world of jewels, beans, rocks, monks etc.
This week, I think I found something useful hiding in plain sight. Do you know what apotropaic marks are? Me neither. Apparently they’re symbols or patterns scratched into the fabric of a building to keep witches out. They’re most commonly found in places that witches were thought likely to be able to enter a building, such as doors, windows, or chimneys. Continue reading
Author by day, copy editor by night. That’s me. To keep myself occupied in the evenings (I’m not much for watching television) and to help pay for my book cover habit, I take copy editing jobs from select writers. In my former life, I had a ten-year career as a technical writer. Combine all of this experience and one starts to notice particular consistent misuses of various grammar guidelines (I don’t like the word “rules,” because there are some rules made to be broken).
Over the next several posts, I’m going to lay out a few basic guidelines, abuses, and misunderstandings of grammar in the hopes that you, fair writer, will learn them and will put them to good use. If you’re paying for copy editing, this will not only make your copy editor love you more (trust me, it will), but it will reduce the time it takes your copy editor to work through your manuscript.
Disclaimer: I use the Chicago Manual of Style as my “bible” for anything grammar- or copy editing-related. There are other style manuals which may offer differing views. Continue reading
Last year I decided I wouldn’t buy any more writing craft books until I’d made better use of all the ones I already own and have at best cherry-picked my way through. A couple of months ago I broke my self-imposed rule, and I’m so glad I did.
Dreyer’s English is subtitled “An Utterly Correct Guide to Clarity and Style.” The author is the Copy Chief of Random House, so he should know a thing or two about cleaning up one’s prose. The wonder and the joy of it is that while some of his book is about The Right Way and The Wrong Way to write, as much again is about ignoring the so-called “rules” and making mindful, intelligent choices to optimize your story and amplify your own voice.
He had me at the introduction: Continue reading
This is the Facebook header for Caitlyn O’Leary’s Facebook group called Caitlyn’s Crew. You can get an idea of not only what she writes, but the general vibe of the group based on her group logo. Image copyright Caitlyn O’Leary.
A couple weekends ago, I attended the California Dreamin’ Writer’s Conference. It was a lot of fun, and, as I promised when I originally blogged about it, I have some goodies to share with you from some of the workshops I attended.
One of the most fun workshops was about creating Superfans, put on by Caitlyn O’Leary (who is devilishly funny and very sarcastic…she puts it all out on display, and I think it’s one of the things her readers love about her, besides good writing, of course!).
One of the first things Caitlyn talked about was creating an author “brand.” However, she didn’t quite mean it in the “what-do-your-business-cards-look-like” kind of way. Nor did she mean it as “book branding.” Rather, it’s a personality brand…what sort of person are you? Romantic? Whimsical? Practical and to the point? Funny vs sensitive? Goofy vs. serious? Whatever your personality brand, that’s what has to come out and shine in your interactions with readers.
I won’t get into the “how’s” of creating that author brand (because I don’t want to pilfer too much from her presentation), but when determining it, think about Continue reading
Do you enjoy books and authors that make you uglycry?
I’m currently participating in an online workshop offered by Jeanne’s RWA Chapter (Central Ohio Fiction Writers). It’s called Inside Out: Crafting Your Character’s Internal Conflict, taught by Linnea Sinclair. So far, so very good—the class is challenging me to dig deep into my characters’ innermost selves. It’s also making me think about how best to use the discoveries I’m making to tell the kind of stories I want to tell.
This week Jeanne, who is also taking the class, raised a question about her WIP. One of the other students offered a suggestion that brilliantly fits the heroine’s situation and is so gut-wrenchingly powerful it would hurt my heart to read it. I know this kind of storyline makes a book unforgettable. I believe it would earn reviews and might potentially win awards. I think it could make lifelong fans of readers who seek out this kind of emotional torture and the catharsis that follows when the heroine triumphs and everything turns out okay after all.
That’s not me. I find that the emotional distress of the tense build-up makes me feel miserable long after the relief of the satisfying resolution has dissipated.
I’m still scarred by the ending of Gone With The Wind, and I last read that when I was a teen 😉 .
Or take Loretta Chase (love, love, love Loretta Chase). I happily read and re-read Lord of Scoundrels, The Last Hellion, and all her Carsington family books, over and over. Those books pack a powerful emotional punch, but the story momentum always heads in a positive direction, and humor balances the serious undertones, so I never feel distressed. I can relax and enjoy the ride. Conversely, her first Dressmaker book (Silk is for Seduction) knotted my heart in my chest. The writing is brilliant. The black moment is one of the best sex scenes I’ve ever read, and it made me uglycry. Continue reading
I’m currently attending the Orange County RWA’s California Dreamin’ conference and am having a great time, learning a lot, and connecting with other great writers. I’ll have more to report in the coming weeks about such things as ACX/Audible, great ways to advertise your books for free, and other marketing and selling ideas. For now, though, my best takeaway is this, from Caitlyn O’Leary:
Consider your book a brick-and-mortar store
- Your cover is the storefront
- The blurb is looking in the window
- The sneak peek is going into the store to make a buying decision
- The ads get the reader to your store. (yes, the ads come last, because if your store is a mess, there’s nothing to get your reader in the door)
I’ll have more on this soon.
What are some of the best conferences you’ve attended?