I’ve been having a particularly nasty time with a chapter in my book. It’s an early chapter, the first in my heroine’s POV, and I’ve spent way too many hours editing and tweaking it. I’m struggling to get all the info I need to in order to lay the groundwork for the rest of the story without it being 6,000 words long.
There’s a lot of stuff I have to pack into it. Much of it revolves around my heroine’s misbelief…both revealing what it is as well as starting to tear it apart. This involves backstory reveals and confrontations – both character confrontations, as well as emotional ones within my character. Basically, truth versus perception, which upsets my character’s misbelief. (For more on misbelief, check out this post.)
After much consternation and gnashing teeth, I decided it’s time for a do-over. No more tweaking. Time to just rewrite it. And it turns out there may be science to back up my decision. Continue reading
My critique partner, Jenn Windrow, now teaches a class called “How to Be a Hooker,” which shows writers how to write an exciting hook for your book…basically the first 50-150 words. Catch your reader in those first few words, and they will hopefully keep reading. The idea is to lead with a hook. Something that gets the reader thinking, asks a question, or presents a challenge that the reader wants to figure out.
Back in the fall, I entered a contest for the first 50 words put on by the Ruby Slipper Sisterhood and Jenn helped me polish my entry. Below is our text conversation where I gave her intros and she gave me feedback, and I think it’s very insightful. At the end of this post, you can read the final version. Continue reading
I’m very fortunate to have two fantastic critique partners, Jenn and Lisa, that I meet with once a week. Every Tuesday, we hit the Red Robin in Scottsdale, AZ for lunch (because it’s close to Lisa’s office) and we talk about writing, swap critiqued pages, discuss story problems, or vent about our husbands and kids.
Jenn, Lisa, and I have all have a somewhat similar writing background. We’ve done multiple Immersions with Margie Lawson, so we all look for the same sort of rhetorical devices in our writing based on the lessons we’ve learned from Margie. We’ve also all taken similar plotting classes and while we none of us write in the same genre, we know each other’s stories well and we have a pretty good understanding of our respective writing styles so as not to suggest fixes that change each other’s stories into our own.
As good as that all is – and it’s really good – I think every writer needs Continue reading
A few weeks ago, fellow Eight Lady Jeanne shared with us a video of Diana Gabaldon’s cold start process…in other words, how she turns on her writing mojo when she’s stuck. Turns out, in this example, she used a Sotheby’s catalog to simulate her creativity.
Diana’s cold start process is vastly different from Jeanne’s, which gave her to think it would be interesting (and perhaps helpful) if all the Eight Ladies shared how we get going when the words just won’t come. So, starting today, for the next week, we’ll share the processes we use when we need to get writing. (No writer’s block for us!) Continue reading
As some of you may know, I’ve been on a hiatus for the last two years working as the PTA president for my kids’ school (Pro Writing Tip: If you want to make progress on your book, don’t volunteer for the prez position…or any other board position, for that matter). I’m grateful that I had a hand in getting their school up and running (it was just opening at the time), but now I’m learning to say “No.” A very valuable word if you want to make forward progress on any personal endeavor.
I will say that the hiatus from writing has allowed me to see my book, when I finally came back to it this fall, in a whole new light, and some advice from an editor I met on a writing cruise in October lent even more clarity…in particular to who my book was about, and indeed who and what the whole planned three-book series is about.
Background: My historical series had always intended to be about Continue reading
2018 has gotten off to a busy start at the day job with priority projects, a packed travel schedule, and lots and lots of deadlines. Fortunately this week is ending on a slightly quiet note, so I’ll finally have a little time for myself and, more importantly, for some writing.
Hopefully you have had a little time for yourself and your writing this week too, whether it’s a few stolen moments or a luxurious block of time.
For those of you working away on a story (whether a first draft or a polished version on its way to publication), we’d love to hear a bit – whether it’s a scene, a paragraph, or even a phrase that you are especially pleased with.
For those without a story in progress, or those who just want to work on something new, feel free to give our weekly writing prompt a try. This week we’ve got a starting sentence and some random words to work with.
Ready? Continue reading
Cue the trumpets, toss the confetti, and raise your glass, it’s time to celebrate the rapidly approaching end of NaNo.
About an hour ago I typed my two favorite words – “The End” – and uploaded my final word count and manuscript for validation. As a NaNo “winner”, I have the lovely graphic you see over to the left and a 50,007 word manuscript that can best be described as “a big hot mess.”
My NaNo got off to a slow start this year (I may have slept through a few writing sessions), and there have been a few days with less than stellar word counts, but being off work last week gave me a chance to really focus on writing and get a large number of words on the page that can probably best be described as “quantity” rather than “quality.” There are most certainly plot holes you could drive a truck through, and it’s littered with notes like “something needs to happen here,” but the draft is done.
Once the excitement of finishing the draft cools, it’s time to think about what to do next. Continue reading