Jilly: Sibling Rivalry–A Snippet

I had a list of possible topics for today’s post, but somehow none of them felt right. Instead I decided to offer a micro-distraction from our current real-world grimdark.

The snippet below is from Daire’s upcoming novella. I should have more information to share soon, including a title and a cover. The excerpt is a little spoiler-y, but no more than you’ll get from the blurb in due course. If you’d rather wait a month or three for the finished article, look away now 😉 .

Prince Daire is crown prince and sole ruler of the wealthy city-state of Caldermor. Prince Warrick is his brother and heir. The exchange below comes in the aftermath of Warrick’s death-or-exile attempt to challenge Daire for the throne.

Sibling Rivalry

Warrick was right, blast and blight him. He’d clearly spent as much time as Daire worrying about the future.

Time to turn the tables. “What would you have done? If you’d defeated me yesterday?”

Warrick cleared his throat. He had the grace to look abashed.

“Besides putting me to the sword.” Daire brushed that off with a wave of his hand. “Would you have married?”

A curt nod.

“Who would you have chosen?” He managed a grin, and a drawl. “Which blue-blooded brood mare meets with your approval?”

Warrick’s eyes blazed. He took a step forward, fists clenched, before he got hold of himself. “She’s no brood mare. She’s beautiful. Intelligent. Principled. Calderran. She knows our history.”

Daire watched his brother warily. “Does this paragon have a name?” Continue reading

Jeanne: Is That a Light I See at the End of This Tunnel?

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Megan, my secret-guarding novelist

This morning I went looking for the date I started on my current work-in-progress. The oldest document I found was a Scrivener project dated September of 2015 (?!). It says:

So the idea is that this book would contain three couples:

Lilith and Samael

Gabriel and Angela

Human1 and Human2

Each couple would have history that leaves them reluctant to re-engage with one another.

Lilith and Samael are charged with keeping Human1 and 2 from getting back together.

Gabriel and Angela are charged with getting Human1 and 2 back together.

The three stories play out against each other.

This, clearly, is just the kernel of an idea. I was still working on The Demon Always Wins at this point, and hadn’t even started The Demon’s in the Details, but I wanted to get the idea down on (electronic) paper before it got away. Continue reading

Jeanne: A Tale of Two Stories

Identical Twin Babies in Green BlanketsAbout a year and a half ago, I got an idea for what I planned to be the third book in my Touched by a Demon series. The thought was to write a Faust story–a tale of Megan Swensen, an author who sells her soul to the devil to make the New York Times Bestseller list. The romance would be a second-chance-at-love story. James, a third-year law student and her grad school boyfriend, helped negotiate the terms of the contract under the impression that he was helping her with a literary assignment for school. When he discovered the truth, they broke up. As the book opens, seven years have passed, the contract is coming due and Megan is panicking.

For its demon, the book would feature Lilith, the she-demon who was a player in the first two books, as Megan’s literary agent and Hellish customer service representative. I even had a title–The Demon Wore Stilettos. Continue reading

Michille: Write Your Novel in a Year

TypewriterAs so many people say, or in this case after I googled ‘write your novel in a year’, so many web pages say it. I’ve discussed Writers Write and Anthony Ehlers series called Write Your Novel in a Year. The blog very kindly consolidated all 52 posts here. I have Chuck Wendig’s infographicon my bulletin board (if you don’t like foul language, skip this one). And I’ve tried the NaNo method (although I knew I wouldn’t write an entire novel in a month). I don’t read these because I think any one of them will be the magic bullet, but I do regularly find motivation to keep writing. Here are some of the new ones I found: Continue reading

Nancy: Because Every Story Is a Special Snowflake

Writers love to talk about writing processes. We’re pantsers, or plotters, or ultra-plotters. We follow the hero’s journey, or Lisa Cron’s story genius method, or the snowflake method (no, seriously!), or one of a thousand either guru-inspired approaches. We write chronologically. Or out of order. Or by writing all the turning points first and filling in the interstitial spaces after that. We swear by writing every day, or binge-write a few times a week or a month.

By the time we’ve spent a few years on this journey and gotten a few completed stories under our belts, most of us have discovered our own process, our unique mix story theory and project organization and time management that ultimately results in a book. And once we understand our own approach, we learn to rely on it to get us through the next story deadline, and the one after that, and…you get the idea. And that can be a wonderful thing. It’s a well-worn path that becomes a shortcut to our creativity. An annotated roadmap to get us from nascent idea rattling around inside our bizarre writer brains to full-fledged story ready to go out into the world. A comforting guide to get us through the rough spots.

Until it stops working.

While every book requires tweaks and adjustments to our approach, every now and then there’s a book that so special (yes, that’s a euphemism for PITA) that we have to throw our trusty process right out the window. And so that’s where I find myself today, with the next installment in the Harrow’s Finest Five series, Harry and Adelia’s love story.

If this ever happens to you in your creative journey–and odds are, it will–it’s important to remember it’s normal, it’s surmountable, and it’s probably even good for you. After all, what good is creativity if it’s easy and stagnant and follows that same stupid rut-filled path every time, anyway? And in case you do ever hit that wall, I’ll tell you the same thing my wise writing friends have been telling me: Continue reading

Jeanne: A Body in Motion

I just finished reading a first chapter for a friend who’d been wanting me to critique for her. (Note: I’m pretty sure this falls under the heading of “Be Careful What You Wish For”).

Her writing is solid—clear, grammatical, easy to follow—and the character she introduced was sympathetic and likable. Great start.

The problem I had with the scene was that nothing much happened. And not only did nothing much happen, but the character in question didn’t even move around very much. He got out of his car, climbed the steps to someone’s front porch, dodged a bee, and knocked on the door.

That’s not a lot of activity for eight pages.

After I fired off my response email, suggesting she incorporate more action and present conflict, I hopped on Instagram, where I came across a meme on “8 Reasons Your First Scene Isn’t Working.” They were all good points, but the list didn’t include lack of action.

One of the things we learned at McDaniel was that readers judge characters, not by what they say, or even think, but by what they do.

All of that made me think about the motion/energy/activity level in my own new first scene. My scene has conflict, but there’s still a strong aura of “talking heads” about it—just two characters standing around yapping at each other.

Which, now that I’m aware of it, I can fix.

What are your thoughts on this? Is it okay with you if the first scene in a book is just people talking or thinking? Or do you want to see some bodies in motion?

Jeanne: The Year of Cooking Dangerously

Yesterday I started drafting The Demon Goes Hungry, which will be the third book in my Touched by a Demon series. (The Demon Wore Stilettos has been pushed out to the final book in the series. It made sense as Book 3 when I was planning a trilogy, but now that I’m planning an ennealogy it needs to be Book 9.)

The premise of the story is that heroine Katie Rose Landry owns a food truck called “Devilish Delights,” from which she sells Cajun-spiced food, including deviled eggs that Satan adores.

In fact, Satan loves them so much he orders Belphegor, the Demon of Gluttony and Master of Hell’s Kitchen, to recruit Katie to become his private chef.

Much silliness and danger ensues. I hope. Continue reading