The method that is used to design computer systems is described as “outputs, inputs, process.” That is, you first define what you want the computer system to do (outputs). Next you identify the data you have to feed into the system (inputs). It’s only after you complete the definitions of these two items that you think about processes—the steps that will translate inputs into outputs.
Because my career was in I.T., my plotting process looks a lot like that. My first thought is about outputs–how do I want my story to end? What kind of character arc am I looking for?
For example, in my current WIP, I want the story to end with the couple, demons Lilith and Samael, becoming a loving, human family. For this to happen in a believable and satisfying way, Lilith’s character needs to arc away from rebellion and resentment to trust and joy. Sam needs to arc away from workaholism and ambition to being a family man.
Then I think about the inputs that are required to create that kind of story—characters and setting.
In this case, the characters were delivered to me by the ancient Judaic legends contained in the Kabbalah. If you want to read more on my take on the legend of Lilith and Samael, you can download a free short story, “Original Sin,” by signing up for my newsletter on my website.
It’s only after I figure out these two “big picture” items that I turn my mind to the plot–the process of turning my inputs into the outputs I want to see at the end of the story.
That’s still a work in progress.
The backstory is that, 10,000 years ago, Satan decided Hell’s power couple, Lilith and Samael were a threat to his supremacy, so he demanded they split up. As the story opens, trade talks between Heaven and Hell are in the offing and he orders them to collaborate to ensure a good outcome for Hell (e.g. an increase in human misery).
Former human turned she-demon Lilith tries to refuse the mission, but when Satan threatens to take away her immortality, she decides to use the opportunity to sabotage her ex, whose career in Hell has far eclipsed her own.
Even though 10,000 years have passed, Sam has never gotten over Lilith. Figuring that what happens Aboveworld stays Aboveworld, he plans to seduce her back into his bed for the duration of the mission and then abandon her again.
On Earth, Sam leads Hell’s delegation while Lilith handles the administrative details. Her angelic counterpart turns out to be Gibeon, the very angel who predicted the death of her first baby (see aforementioned short story) and told her she’d never have a child that survived infancy. If she does, he will be branded a false prophet, thus ending his career in Heaven.
Then Lilith becomes pregnant, and she must figure out how to keep her child safe from an avenging angel, the lord of the Underworld—and its own father.
Settings play a huge role in my demon novels. All of the books spend some time in my take on Hell, which is a cross between the fire-and-brimstone Hell described by the terrifying Baptist preachers of my childhood and the equally terrifying large corporations I worked for during my career as a software engineer, but each of them also has a more mundane setting here Aboveworld.
In 
Last week I talked about designing your books to focus on the things that your readers value and to minimize the amount of effort you put into adding things that they don’t.
When the Eight Ladies were in class at McDaniel College years ago, our instructor, Jenny Crusie, used to talk about the Girls in the Attic. The Girls, she said, were the source of inspiration. What they handed down might be weird and totally not where your conscious mind wanted to go with your manuscript, but you should never disregard them.
About a year and a half ago, I got an idea for what I planned to be the third book in my Touched by a Demon series. The thought was to write a Faust story–a tale of Megan Swensen, an author who sells her soul to the devil to make the New York Times Bestseller list. The romance would be a second-chance-at-love story. James, a third-year law student and her grad school boyfriend, helped negotiate the terms of the contract under the impression that he was helping her with a literary assignment for school. When he discovered the truth, they broke up. As the book opens, seven years have passed, the contract is coming due and Megan is panicking.
As so many people say, or in this case after I googled ‘write your novel in a year’, so many web pages say it. I’ve discussed Writers Write and Anthony Ehlers series called Write Your Novel in a Year. The blog very kindly consolidated all 52 posts 
Eight Ladies Writing 
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