We’re heading into a big holiday season for many. Personally, I celebrate Christmas. Even if you don’t celebrate something in December, you likely have other times of year when you do, like birthdays, Mother’s Day, etc. I’ve gathered a few ideas for the writer or reader in your life that are a little different than, say, an Amazon gift card. Last year’s edition of this included Aqua Notes. I have since found Eureka Shower Idea Whiteboard. Amazon also has The Writer’s Toolbox: Creative Games and Exercises for Inspiring the ‘Write’ Side of Your Brain and I love this bracelet. Continue reading
I decided a while ago that I wouldn’t spend any more money on writing craft—no books, workshops, courses or conferences—unless I come across something exceptional. It’s not that my writing is so good I don’t need it, but that I already have a great collection of resources at my fingertips and I’ve only scratched the surface of most of them.
Even if I write for another 20 years (and I intend to), I bet I could find the answers to 99.9% of my craft problems on my current bookshelf or the internet. My challenge is to digest all that great advice, evaluate it, select the bits that I need most in order to power up my strengths, bolster my weaknesses, and widen my skill-set, and apply those lessons until they become second nature.
I mentioned a couple of weeks ago in this post that I was surprised to discover how much I’ve absorbed about the process of self-publishing. I’ve also learned that some craft resources hit the spot for me, while other famous names slide through my brain and out again, leaving no trace. I had fun choosing my favorite indie publishing resources, so I decided to play the same game with the writing craft references. I found it surprisingly easy to pick the ones I believe will support my writing journey all the way to the pearly gates.
Your mileage may vary (I’d love to know!), but here are my choices: Continue reading
Four years ago, when I attended my first Nationals, I was only vaguely aware of self-publishing. I fully intended to pursue a traditional publishing career and I found plenty of workshops to help me understand the role of agent and editor, to perfect my pitch, and to polish my query letter.
As I started submitting to agents and entering contests with my dream industry judges, I also began to seek out sources of information to educate myself about the industry I was planning to join. To my amazement I found a freely available treasure trove of solid, actionable information and over the last couple of years I’ve gradually come to believe that independent publishing will be a better match for my personal priorities, timelines and ambitions.
I attended a number of the indie-focused workshops in Orlando, and I was surprised to discover how much I already knew. So instead of recapping my learnings from the conference, I thought perhaps I should share the online resources I find most valuable: Continue reading
I’m writing this post in advance, as today is the day after RWA Nationals. If all has gone to plan, I’ll have spent a day with Jeanne, Kat, Kay and Elizabeth being dazzled by the Louis Comfort Tiffany exhibits at the Charles Hosmer Morse Museum of American Art. Then we’ll have joined Michille to take turns in brainstorming some aspect of our current or planned WIPs.
I’ll have attended workshops on writing craft, writing life and the business of being an author. I’ll have heard presentations by publishing industry experts, glammed up for at least one party and awards ceremony, had my photograph taken, swapped stories with lots of new people, and fueled my body with seafood, ice cream and cocktails 😉 .
If all has gone well, I’ll be fried. I’m sure I’ll have much to report. Later. Today my plan is to sleepwalk to the airport, board the nine-hour flight home, close my eyes and let my mind wander.
While I’m decompressing, here’s a neat piece on the value of allowing time for ideas to incubate. I linked to it after last year’s RWA, but I think the subject is well worth revisiting. Continue reading
Shortly after this post is published, I’ll be packing my bags ready to fly to Orlando for my fifth RWA National conference. I’m really looking forward to it, but I’m also expecting it to be my last, at least for a little while.
Partly it’s the expense. I think the conference itself is excellent value at $500 for three full days of quality workshops, keynotes, pitch sessions, awards and so on. Likewise, hotel costs of just over $100 per night for a shared room is reasonable. The problem is that when I add on a transatlantic airfare, plus an extra night or two for recovery time, plus meals, transfers and other incidentals, I’m looking at a fairly significant investment, and I feel as though I’m now at the point where I could make better use of that kind of money.
If you’d told me four years ago that by July 2017 I’d still be unpublished and unagented, I don’t think I’d have believed you. The biggest lesson I’ve learned Continue reading
I’m just back from a routine trip to visit my mum in Derbyshire. The return journey involves a minimum of six hours driving, closer to eight hours this weekend. It almost always results in some brainwave, useful insight about my WIP, or some other problem if Real Life is getting in the way of my writing.
I don’t consciously use my driving time to problem solve—I try to keep my eyes on the road and my wits about me—but somehow when my surface concentration is fully occupied watching the traffic, the deeper levels of my mind feel free to work on knottier problems.
I write sequentially, which means that I use each scene I write to provide the impetus for the next one. The good thing about my process is that the story grows organically. The downside is that when I hit a problem, I grind to a halt and spin my wheels. I can’t move forward until I resolve it.
Over the last few years I’ve tried various tactics to rescue myself when I get stuck. Here are a selection of the ones which work best for me, though your mileage may vary. Continue reading
As most of you know, several of the Ladies will be attending the RWA national conference in a couple of weeks, and we’ve been busy plotting out how we’ll schedule our time. I’ve just started to look at the workshops, and one that looks interesting to me is “Blending Brand and Platform,” which promises to discuss how to integrate “brands” and “platforms” with one’s writing to “develop readership and sales while pushing the boundaries of the romance genre.” Sounds complicated, right? The speakers include Alyssa Cole, Sonali Dev, Beverly Jenkins, and Alisha Rai.
Okay. I’m not at all sure I could tell you what a brand or a platform is, or how they differ, or how to integrate them with one’s writing. What I do know is that I’ve heard Beverly Jenkins speak before, and she’s terrific, so I’m hoping to have fun there and learn something, too. Also I’ve been feeling that Alyssa Cole, Sonali Dev, and Alisha Rai should be occupying prominent spaces in my TBR pile, so I’m looking forward to hearing what they have to say, too.
All these writers are well-known for developing stories that feature characters of color, and that’s another thing I’m not sure I know enough about. My planned three-book trilogy, of which I’ve just finished book two, has a secondary character who figures prominently in all three books. This character is a person of color, and I’m concerned that he’s sufficiently well-rounded that he doesn’t come across as a stereotype. I’ve recently read a few reviews of books where the reviewers felt this issue was insufficiently addressed, and I want to do the best I can for the people I invent.
Speaking to this issue, Beverly Jenkins recently gave an interview to Salon, where she asked why readers can relate to werewolves and vampires, but not people who are of a different race. Good question. To read the full interview, go here.
What about you? If you’re going to any conferences this summer, what do you want to get from them?