Jilly: Dialect, Slang and Cant

Daft Apeth. Does the slogan on one of my favorite mugs (see picture, left) mean anything to you?

The internet (yourdictionary.com) defines it thus:
apeth. Noun. (plural apeths) A halfpennyworth. (Northern England, informal) An affectionate term for a silly or foolish person.

My mug was made by a company called Dialectable. I saw it in a shop window in rural Derbyshire and knew I had to buy it, because daft apeth was one of my dad’s go-to descriptions. It’s definitely English, unmistakably Northern, and while you might occasionally hear it today, it’s dated. The half-penny in question is pre-decimal, a coin that was de-monetized almost fifty years ago.

Told you that to tell you this: if I read the phrase daft apeth in a novel, I’d be immediately transported to 1960’s Derbyshire. For me, those two small words would be more effective than a page of description. For you? I’m guessing not so much. Continue reading

Jilly: Ten Great Indie Publishing Resources

One of the most interesting changes at this year’s RWA National conference was the increased focus on indie publishing. For me, the timing was excellent.

Four years ago, when I attended my first Nationals, I was only vaguely aware of self-publishing. I fully intended to pursue a traditional publishing career and I found plenty of workshops to help me understand the role of agent and editor, to perfect my pitch, and to polish my query letter.

As I started submitting to agents and entering contests with my dream industry judges, I also began to seek out sources of information to educate myself about the industry I was planning to join. To my amazement I found a freely available treasure trove of solid, actionable information and over the last couple of years I’ve gradually come to believe that independent publishing will be a better match for my personal priorities, timelines and ambitions.

I attended a number of the indie-focused workshops in Orlando, and I was surprised to discover how much I already knew. So instead of recapping my learnings from the conference, I thought perhaps I should share the online resources I find most valuable: Continue reading

Jilly: Hands Off

How do you handle enforced inactivity? Do you have any tips for making the most of it?

I’m more than happy to spend a few days on the sofa with my TBR pile, or working on a puzzle, or soaking in a tub of bubbles, as long as the downtime is my choice. It might be a long-scheduled holiday or a spontaneous mini-break because I’m feeling shattered—either is fine, so long as the break isn’t forced on me. When that happens, I’m not good at making the best of it.

I had a fabulous time in Orlando with Jeanne, Kay, Elizabeth, Michille and Kat. I loved brainstorming, especially playing the Damon Suede game of choosing a verb to describe each of our main characters (see Elizabeth’s post for more about this invaluable trick). I attended a few excellent workshops, heard a brilliant keynote speech from Susan Wiggs, posed for an author photo, made new friends, had a great discussion about Alexis with Jeanne’s editor, listened to a hilarious Q&A from Ilona Andrews, Gordon Andrews and Jeanine Frost, and returned to the UK tired but inspired.

After a couple of good nights’ sleep I was feeling refreshed and raring to get to work—and I couldn’t, because I’ve somehow tweaked my shoulder and it hurts like hell when I write or type. It’s my own stupid fault. Continue reading

Jilly: Incubating Redux

How was your week?

I’m writing this post in advance, as today is the day after RWA Nationals. If all has gone to plan, I’ll have spent a day with Jeanne, Kat, Kay and Elizabeth being dazzled by the Louis Comfort Tiffany exhibits at the Charles Hosmer Morse Museum of American Art. Then we’ll have joined Michille to take turns in brainstorming some aspect of our current or planned WIPs.

I’ll have attended workshops on writing craft, writing life and the business of being an author. I’ll have heard presentations by publishing industry experts, glammed up for at least one party and awards ceremony, had my photograph taken, swapped stories with lots of new people, and fueled my body with seafood, ice cream and cocktails 😉 .

If all has gone well, I’ll be fried. I’m sure I’ll have much to report. Later. Today my plan is to sleepwalk to the airport, board the nine-hour flight home, close my eyes and let my mind wander.

While I’m decompressing, here’s a neat piece on the value of allowing time for ideas to incubate. I linked to it after last year’s RWA, but I think the subject is well worth revisiting. Continue reading

Jilly: RWA Retrospective

Have you made a major step change recently, in your writing, or your work, or any other part of your life, big or small?

Shortly after this post is published, I’ll be packing my bags ready to fly to Orlando for my fifth RWA National conference. I’m really looking forward to it, but I’m also expecting it to be my last, at least for a little while.

Partly it’s the expense. I think the conference itself is excellent value at $500 for three full days of quality workshops, keynotes, pitch sessions, awards and so on. Likewise, hotel costs of just over $100 per night for a shared room is reasonable. The problem is that when I add on a transatlantic airfare, plus an extra night or two for recovery time, plus meals, transfers and other incidentals, I’m looking at a fairly significant investment, and I feel as though I’m now at the point where I could make better use of that kind of money.

If you’d told me four years ago that by July 2017 I’d still be unpublished and unagented, I don’t think I’d have believed you. The biggest lesson I’ve learned Continue reading

Jilly: Tips for Creative Problem Solving

What do you do when you’re chewing on a problem, any problem, and you can’t seem to find your way to an answer?

I’m just back from a routine trip to visit my mum in Derbyshire. The return journey involves a minimum of six hours driving, closer to eight hours this weekend. It almost always results in some brainwave, useful insight about my WIP, or some other problem if Real Life is getting in the way of my writing.

I don’t consciously use my driving time to problem solve—I try to keep my eyes on the road and my wits about me—but somehow when my surface concentration is fully occupied watching the traffic, the deeper levels of my mind feel free to work on knottier problems.

I write sequentially, which means that I use each scene I write to provide the impetus for the next one. The good thing about my process is that the story grows organically. The downside is that when I hit a problem, I grind to a halt and spin my wheels. I can’t move forward until I resolve it.

Over the last few years I’ve tried various tactics to rescue myself when I get stuck. Here are a selection of the ones which work best for me, though your mileage may vary. Continue reading

Jilly: Play to Your Strengths

Think about your favorite authors. What are the hallmarks of their writing? Jenny Crusie writes fabulous, snappy, snarky dialogue. Loretta Chase is the goddess of subtext—she’s brilliant at creating powerful emotional bonds between her heroes and heroines, who hide their feelings behind carefully constructed facades that fracture at the perfect, critical, moment.

What about you? In your writing, or any other aspect of your creativity, or your life in general, do you know what your strengths are? If you’re anything like me, I bet you’d find it far easier to list what you’re not good at, where you need to improve, where others have a skill that far surpasses yours.

Continue reading