Have you made a major step change recently, in your writing, or your work, or any other part of your life, big or small?
Shortly after this post is published, I’ll be packing my bags ready to fly to Orlando for my fifth RWA National conference. I’m really looking forward to it, but I’m also expecting it to be my last, at least for a little while.
Partly it’s the expense. I think the conference itself is excellent value at $500 for three full days of quality workshops, keynotes, pitch sessions, awards and so on. Likewise, hotel costs of just over $100 per night for a shared room is reasonable. The problem is that when I add on a transatlantic airfare, plus an extra night or two for recovery time, plus meals, transfers and other incidentals, I’m looking at a fairly significant investment, and I feel as though I’m now at the point where I could make better use of that kind of money.
If you’d told me four years ago that by July 2017 I’d still be unpublished and unagented, I don’t think I’d have believed you. The biggest lesson I’ve learned Continue reading
Do you read reviews when you’re thinking about buying a book? How do you use them to help your decision-making?
I never take account of the star ratings, but I used to spend quite a lot of time sifting through the reviews themselves, trying to find ones that I thought were written by a reader with tastes similar to mine, who’d bought the book with their own hard-earned money and reviewed it because they wanted to discuss what worked for them and what didn’t.
That’s become almost impossible of late, because reviews are so important that publishers and authors will do whatever they legitimately can to collect as many high-scoring, positive reviews as possible. Searching for the few that might be useful to me has become a needle/haystack exercise, and linking reviews to verified purchases has, if anything, made the problem worse.
Now, if I see a book with hundreds or even thousands of five-star reviews, it does not make me think the book is likely to be good. I start with the expectation that the book is very probably the beneficiary of a well-executed and possibly expensive marketing campaign, and that I should disregard most if not all of the enthusiastic endorsement.
So I’ve been trying a new tactic lately—if it’s a book I like the sound of, but there are so many unhelpfully positive reviews that I can’t use them to form an opinion, I read the detailed critical reviews instead. Perhaps that sounds odd, but it’s been working quite well, for three reasons. Continue reading
The quality of my TBR list has improved greatly of late thanks to Jenny Crusie. Last month she added a new weekly feature, Good Book Thursdays, to her blog, www.arghink.com, and invited her online community to recommend something good to read.
Jenny’s followers are a discerning group, so when Katherine Addison’s novel The Goblin Emperor collected a slew of recommendations, I bought it and bumped it up to the top of my list. I’m glad I did. The story is fantasy, which I love, arguably Young Adult (not so much my thing), and with only the barest smidgeon of the possibility of a future love story (bah!), but I really enjoyed it.
The Goblin Emperor is a coming-of-age story about eighteen year-old Maia, half-elf, half-goblin, who unexpectedly becomes Emperor of the Elflands following the death of his father and three of his siblings in an airship crash. He’s the only child of a political mixed marriage, raised in exile by his mother and after her death, by a bitter, bullying cousin. Maia comes to the dangerous, formal and highly politicized Imperial Court without friends or allies and has to decide whom to trust and just what kind of Emperor he wants to be—assuming he survives long enough to make his mark. He quickly discovers that his father’s airship was sabotaged, and he’s smart enough to realize the murderer is likely to be close at hand.
If you’re looking for Continue reading
I’ve been going through a reading phase lately, due in large part to the staggering size of the TBR pile that is threatening to swallow up my library. Since the story I’m working on is a mystery, I powered my way through a number of books in that genre this week, both for pleasure and for inspiration – Josephine Tey’s Brat Farrar, Dashiell Hammett’s The Thin Man, and P. D. James Death Comes to Pemberly. After all that murder and suspense however, I was in the mood for something a little lighter as a palate cleanser before (finally) getting back to work.
Lucky for me, I recently joined Tawna Fenske’s “street team” (aka grass-roots marketing team) , and had an Advance Reader’s Copy of her latest novel, This Time Around, just waiting to be read. Like Jilly’s novella squee on Sunday, it is a second chance romance and can be read in a sitting (well, it is if you stay up really late), but the similarity ends there.
Here is the official blurb: Continue reading
How many authors are on your mental auto-buy checklist? How many are on your keeper shelf? And how long have those authors been at the heart of your reading universe?
I’ve been noodling around with these questions for some time—a couple of years, probably—ever since I first read about Dunbar’s Number. If you’re not familiar with the concept, Wikipedia describes it as a suggested cognitive limit to the number of people with whom one can maintain stable social relationships. Or, to put it crudely: there’s a limit to the number of people your brain has space for.
Dunbar’s Number has been around since the 1990s, but I came across it when I started writing fiction with an eye to publication and realized that meant I’d have to get to grips with social media. If you’d like to know more about the idea in the context of online relationships, click here for a Youtube link to anthropologist Robin Dunbar’s 15-minute Tedx talk: Can The Internet Buy You More Friends?
If you’d prefer the short version, it goes something like this: we humans maintain social relationships at various levels of intimacy, and the number of people we have the capacity to manage at each level is more or less predictable.
- We have a very inner core of intimate friends and relations, people we would turn to in times of deep emotional stress. Typically there are about five of them.
- We have a group of best friends, people we know well, confide in, trust, spend time with. That group would likely be about fifteen people, including the inner five.
- The next closest layer, good friends, would be about fifty people (including the first fifteen);
The birds are singing, the sap is rising, and we’ve been talking a lot here on the blog about writing great sex scenes.
Kay started the party by sharing her battle to reward her long-suffering hero and heroine with a gold-plated, caviar-coated, champagne-drenched, Lamborghini-driving, high-quality, meaningful one-on-one. Last Saturday Michaeline shared her thoughts on the sex scenes in Charmed and Dangerous, an anthology of short gay fantasy stories, and yesterday she told us about a pair of happy couplings she decided not to write. In between, Nancy gave us five points to ponder about writing sex in the romance genre.
I’d like to drop another suggestion into the mix.
Has it only been a week? Feels like a life-time has flashed by since my last Wednesday post.
Nancy’s Writing is our Superpower post on Monday, with her message about using story to help people make sense of the world around them got me looking at real life from a storytelling perspective, which led me to thoughts about how people react to conflict.
If the events of the past few weeks were something we were reading in a story, then last Tuesday would have been that inciting incident or initial conflict that blasted our protagonists out of their stable-state existence on Monday and drop kicked them into a whole new world on Wednesday. Like “innocent, optimistic, naïve Nancy of November 7”, those protagonists can’t go back to the people they were before; they must now figure out what to do in what is their new reality. They can refuse to change, but they can’t un-change the world around them.
“No man ever steps in the same river twice, for it’s not the same river and he’s not the same man.” ~ Heraclitus
So, if this were just a story, once the shock and blaming were over, what would our protagonists do next? Continue reading