As regular readers my know, my first book continues to win prizes but it’s not not selling like I’d hoped.
Feedback from experts suggested that my original cover wasn’t working for me.
A local bookseller had an issue with the snake. “People are afraid of snakes,” she said. “They won’t pick up something with a snake on it.”
A couple of author friends who sell a lot of books had a more basic criticism. “Your cover doesn’t say romance.”
And I never did like the fact that it was so hard to read the title.
When I had that first cover made, a marketing friend who had read an early draft suggested going with an “object cover”—that is, a cover with an object rather than a person—with the intention of trying for cross-genre sales. Continue reading
Happy holiday weekend to everyone in the US, and happy weekend to the rest of us 😉
Here in England the weather has turned gorgeous. It’s Wimbledon time, and usually I’d be on my sofa, indulging in a two-week tennisfest accompanied by the obligatory Pimms and strawberries. Not this year. I’m deep in the edits for Christal’s book, and if I’m to have any chance of publishing her on time, I have to keep my nose to the screen and my hands on the keyboard.
The edits for The Seeds of Power may not be finished yet, but the cover is ready, and here it is. What do you think? I hope you like it as much as I do.
I’d love to know what signals it gives you. Does it look like your kind of book? If you noticed that cover as you were browsing on the Zon, would you click it to check out the blurb?
Thank you in advance for your comments, whatever they may be 😉
Oh—and big thanks to the lovely people at Deranged Doctor Design who did all the hard work!
Do you listen to audiobooks? What do you like or dislike about them?
I adore fiction, but my medium of choice is the written word. Dead tree or e-book, either works for me. I just love the way reading loads a story directly from the page into my brain, allowing me to imagine and interpret the author’s words in the way that’s most personally powerful to me.
I enjoy visual media like movies, TV, and the theater, but I’d choose a book over any of them, any day. My subconscious clearly wants to be the sole interpreter of the story. I guess it’s no surprise that I’ve never even thought of listening to an audiobook.
That may have to change. I’m planning to publish my debut novel, The Seeds of Power, later this year, followed by other stories in the same world and series. I’ll start with e-books and print, but then I think I should add audiobooks. Partly because people who know more than I say that audio is a fast-growing sector, less crowded and thus offering more discoverability to a new author. Mostly, if I’m honest, because it would be something new to learn and I think it would be cool 😉 . Continue reading
There’s a new Twitter marketing strategy that caught my eye recently. List a bunch of tropes that describe your book, and then add the links for purchase or preorder.
Jackie Lau caught my attention with the ice cream, and the foodie six-year-old was a joy, and not just a plot moppet.
I haven’t seen this before, but then again, I don’t get around much, so maybe it’s a thing. Maybe everyone is doing it, and I just haven’t seen it before. But . . . it looks like a really good idea, and I’m going to pretend that you are as in the dark as I was.
I first noticed when Jackie Lau did it for Ice Cream Lover. Jackie just showed up suddenly on my phone Twitter feed, and I was in the mood for ice cream and romance . . . and that’s how I ended up following her. She had me at ice cream; add in an #AsianRomCom, and I bought her book. And boy, it was good! Ice cream, sexy scenes of the like I’ve never seen in romance before (do note: I don’t get around much), a bi-cultural heroine and Continue reading
Photo by Leonardo Quatrocchi from Pexels
My long-term project (probably years long, the way I’m going) is to read all the books on the bookshelves in my office and then afterwards, move them, and eventually the shelves, out of the house. I’m going to need the space for other things.
The first book I assigned myself was a Virago Modern Classics reprint. These are books by female authors, originally published at other houses, some from many decades previously. Virago has published its Modern Classics imprint since the 1970s, and the [many] books I own are all from this period. So far, they’ve been rather hit-or-miss in terms of how well they’ve held up to #MeToo and #TimesUp sensibilities. Continue reading
Circus tapestry by Ambesonne
I’m not one for multi-tasking. For me, it doesn’t work. I can toss junk mail while I’m on hold, but I have no illusions that I can do two tasks at once and do justice to either.
So while I’ve sometimes envied authors their giant traditional publishing contracts, I’ve never envied them their workloads: the writing of a complete book in three months, during which time they make revisions on the previous book, proof the galleys of two books ago, and plot the next book. I could do all that sequentially, but not concurrently.
Imagine my surprise when I found myself, as an indie author, in a similar situation.
I finished my three-book series about the haphazard CIA agent—when? Last winter? It’s only been months, but it feels like years ago. I have the revision letters of all three books from my dev editor sitting on my hard drive. I have begun changes on the first book. I’m about 10% in on that one. Continue reading
I’m working on the cover design questionnaire for The Seeds of Power (Christal’s book), and I’d appreciate your advice. I know she should be on the cover, but should she face the reader or should we see her back?
We’ve been talking a lot about covers lately. The choices are different depending on the sub-genre and the flavor of the book itself. It’s harder than you might think to tempt the reader to take a closer look while also giving them a clear promise of the kind of story you’re offering. For a taste of the challenges involved, click here to read more about covers for Jeanne’s complex, brain-teasing demon paranormal series; here for Kay’s attempts to update the cover of her Las Vegas contemporary caper; here for Justine’s historical suspenseful adventure and here for Nancy’s historical elegant battle of wits.
My books are epic fantasy romance, so they have to look historical but with a legendary-adventure kind of feel. They are predominantly romance, and the primary character is the heroine. So I know there will be castles and horses and Princess Bride-type stuff in the background. I’m clear that I want a person (the heroine) on the cover, if I can make that work given the challenges of working with stock photography.
What I can’t decide is this: assuming I can make it work in practical terms, should the heroine have her face or her back to the reader? There are excellent examples of both styles within the genre. I’m thinking the pros and cons are as follows: