I recently switched over my email service from MailChimp to MailerLite (for a detailed explanation of why, read this post by David Gaughran). Mind you, I hadn’t sent any emails to my 46 subscribers since last November, and I figured (now that my kitchen reno is done and the kids are back in school) it was time to saddle up the ‘ol marketing horse again.
At the same time, I’m planning some FB ads in the near future to spread the word about my free short story (which is also a backstory to my first upcoming book His Lady to Protect) and hopefully help drum up newsletter subscribers prior to its release later this year.
However, before I go gung-ho on the FB ads, I wanted to make sure I had a drip campaign–also know as “automation”–set up for my new subscribers. Continue reading
On Friday I sent out my seventh newsletter.
When I started sending out newsletters last summer, just before releasing The Demon Always Wins, I planned on once a quarter. Current marketing wisdom says weekly, but who has something to say that often? Even book-factory authors who spit out books like they’re running an assembly line take six weeks or so to write and release a book. Also, I personally loathe getting author newsletters that frequently. And anything more often than once a week I consider spam and quickly unsubscribe.
Still, over the last few months, I’ve fallen into a monthly pattern because I have had news to share—contest finals, new covers, good stuff.! And now that I have a few newsletters under my belt, I feel like I have some useful ideas on what works.
- A header/template that reflects your brand. Here’s mine:
2. News. This goes back to what I was grumbling about earlier. It’s only a newsletter if it contains news. In this case, it was the news that The Demon Always Wins won Best Paranormal Romance and Best First Book in the Detroit RWA Booksellers’ Best contest. It included a picture of my (very hard to photograph) awards: Continue reading
As regular readers my know, my first book continues to win prizes but it’s not not selling like I’d hoped.
Feedback from experts suggested that my original cover wasn’t working for me.
A local bookseller had an issue with the snake. “People are afraid of snakes,” she said. “They won’t pick up something with a snake on it.”
A couple of author friends who sell a lot of books had a more basic criticism. “Your cover doesn’t say romance.”
And I never did like the fact that it was so hard to read the title.
When I had that first cover made, a marketing friend who had read an early draft suggested going with an “object cover”—that is, a cover with an object rather than a person—with the intention of trying for cross-genre sales. Continue reading
Happy holiday weekend to everyone in the US, and happy weekend to the rest of us 😉
Here in England the weather has turned gorgeous. It’s Wimbledon time, and usually I’d be on my sofa, indulging in a two-week tennisfest accompanied by the obligatory Pimms and strawberries. Not this year. I’m deep in the edits for Christal’s book, and if I’m to have any chance of publishing her on time, I have to keep my nose to the screen and my hands on the keyboard.
The edits for The Seeds of Power may not be finished yet, but the cover is ready, and here it is. What do you think? I hope you like it as much as I do.
I’d love to know what signals it gives you. Does it look like your kind of book? If you noticed that cover as you were browsing on the Zon, would you click it to check out the blurb?
Thank you in advance for your comments, whatever they may be 😉
Oh—and big thanks to the lovely people at Deranged Doctor Design who did all the hard work!
Do you listen to audiobooks? What do you like or dislike about them?
I adore fiction, but my medium of choice is the written word. Dead tree or e-book, either works for me. I just love the way reading loads a story directly from the page into my brain, allowing me to imagine and interpret the author’s words in the way that’s most personally powerful to me.
I enjoy visual media like movies, TV, and the theater, but I’d choose a book over any of them, any day. My subconscious clearly wants to be the sole interpreter of the story. I guess it’s no surprise that I’ve never even thought of listening to an audiobook.
That may have to change. I’m planning to publish my debut novel, The Seeds of Power, later this year, followed by other stories in the same world and series. I’ll start with e-books and print, but then I think I should add audiobooks. Partly because people who know more than I say that audio is a fast-growing sector, less crowded and thus offering more discoverability to a new author. Mostly, if I’m honest, because it would be something new to learn and I think it would be cool 😉 . Continue reading
There’s a new Twitter marketing strategy that caught my eye recently. List a bunch of tropes that describe your book, and then add the links for purchase or preorder.
Jackie Lau caught my attention with the ice cream, and the foodie six-year-old was a joy, and not just a plot moppet.
I haven’t seen this before, but then again, I don’t get around much, so maybe it’s a thing. Maybe everyone is doing it, and I just haven’t seen it before. But . . . it looks like a really good idea, and I’m going to pretend that you are as in the dark as I was.
I first noticed when Jackie Lau did it for Ice Cream Lover. Jackie just showed up suddenly on my phone Twitter feed, and I was in the mood for ice cream and romance . . . and that’s how I ended up following her. She had me at ice cream; add in an #AsianRomCom, and I bought her book. And boy, it was good! Ice cream, sexy scenes of the like I’ve never seen in romance before (do note: I don’t get around much), a bi-cultural heroine and Continue reading
Photo by Leonardo Quatrocchi from Pexels
My long-term project (probably years long, the way I’m going) is to read all the books on the bookshelves in my office and then afterwards, move them, and eventually the shelves, out of the house. I’m going to need the space for other things.
The first book I assigned myself was a Virago Modern Classics reprint. These are books by female authors, originally published at other houses, some from many decades previously. Virago has published its Modern Classics imprint since the 1970s, and the [many] books I own are all from this period. So far, they’ve been rather hit-or-miss in terms of how well they’ve held up to #MeToo and #TimesUp sensibilities. Continue reading