A couple of weeks ago I did a post on swag–the items authors make available to potential readers to lure them into checking out our books. The post generated a lot of discussion among the Eight Ladies in the comments, debating the pros and cons of rival items.
After sifting through all the great suggestions, I’ve decided to put out bookmarks with QR codes linking to the first three chapters of The Demon Always Wins. Those chapters give a good flavor of what the book is like, so if people read those, they’ll either decide to buy the book, or decide that they’re not my audience, which is okay, too.
Another suggestion that bubbled up during those discussions was the idea of setting out a basket of apples to get people’s attention. Apples, as you may remember, are part of my branding. There’s a lot of junk food available at Nationals, but not a lot of healthy stuff, so it’s good on that score, too. Continue reading
What a week it’s been in the romance writing world! In case you missed it, there is a huge uproar over #cockygate, or the trademark of the word “cocky” in a romance series.
Background: Faleena Hopkins, the author of several books that have the word “Cocky” in the title, recently received an official trademark of the word “cocky” in a romance series in both regular and stylized (meaning in a specific font) form from the US Trademark and Patent Office. You can view her filings here and here.
Ms. Hopkins’ stylized trademark of the word “cocky.”
Ms. Hopkins has threatened other writers whose book titles also contain the word “cocky” with a lawsuit if they don’t change their titles. She’s also reported some authors to Amazon, telling the Zon that the authors were in violation of her copyright. Amazon took down the offending books at once. Romance Writers of America has hired an IP attorney and has asked Amazon to reinstate the take downs pending a legal challenge (Amazon agreed), and former IP attorney-turned-writer Kevin Kneupper has come out of retirement to Continue reading
Years ago, when I started journalism classes at Indiana University, our professor told us this joke as a metaphor for interviews:
A tourist asks a professional gambler if there’s a roulette wheel in town.
“There’s one at the casino,” says the gambler, “but it’s crooked.”
“If it’s crooked, why do you play?” asks the tourist.
“It’s the only wheel in town,” says the gambler.
For self-published, debut authors with no established readership, Kindle Unlimited feels like it could be that roulette wheel. Continue reading
The Nightmare (Henry Fuseli, 1781)
Several of the Ladies have committed to pursuing indie publishing careers; others are more interested in a traditional path. Each strategy has its pluses and minuses, so whichever way is best for the individual, or whichever way opens to an author, will work.
We’ve given some thought here at Eight Ladies to what it’s like being an author, especially the difficulties thereof, but most of us don’t think very hard about the publishers’ side of the equation. I recently ran across a [hilarious] Twitter feed from an agent, describing the difficulties of her work. For those of you who’d like to read the original thread, go here. For those who don’t want to click through, I’m quoting the rest here.
The thread is from Ginger Clark, a literary agent at Curtis Brown. Continue reading
In July, thanks to my Golden Heart® final, I’ll be attending the 2018 RWA® National Conference in Denver. The conference will attract a couple of thousand romance writers, who are also romance readers. Because I’m planning to release my first books this fall, it’s time to think about swag for the Goody Room.
In case you’re unfamiliar with the term, swag are small, inexpensive items authors give away to publicize their work. (Also, apparently, it’s a new slang term for what used to be cool. The things you discover when you’re googling something else.)
Examples include: Continue reading
If you were stranded on a desert island or snowed up in an isolated cabin and you could have only one novel to read, would you choose shifters or aliens? You don’t know the author. You don’t get to see the cover or read the blurb, you just have to choose a sub-genre. Fantasy/urban fantasy, or sci-fi?
My question arises courtesy of an explanation I read this week on Ilona Andrews’ blog. Like many of their fans, I am super-excited about their current Innkeeper serial, a novel posted in free instalments every Friday.
Sweep of the Blade is a courtship story between Maud, a human who was previously married to an asshat vampire and has sworn off the species for good, and Arland, a swoon-worthy alpha male vampire of aristocratic lineage who’s unshakeably in love with her and makes no secret of it. He persuades her to accompany him to his home planet, and high-octane high jinks ensue. The story features hierarchical, militaristic vampire dynasties in space, family politics, deadly conspiracies, and some serious arse-kicking delivered by Maud and her young daughter, Helen. It’s clever, moving, funny, exciting, and kind.
Apparently fans have been writing to the authors to squee about the story and to ask why they don’t quit writing their other series so we can all have more Innkeeper. Among a handful of reasons, Ilona offered this explanation:
Innkeeper is a SF at its core. Aliens are a harder sell than werewolves. 🙂 A lot of people who would actually like Innkeeper, if they gave it a shot, read the description and walk away from it because it has Science Fiction elements.
Many, many months ago, I shared my cover blurb (aka the 150-word pitch) of my Victorian Romance series kickoff novella and got some great feedback. Since then, I’ve worked on the cover blurb for novel 1 of the series.
This time, I spent even more time on Amazon reading blurb after blurb on historical romance books. I took note of which rhythms and devices appealed to me. At its heart, the cover copy is sales copy; its job is to sell the story, so I gauged my own response to determine which blurbs had me itching to hit the buy button. Then came the hard part: applying those lessons learned to my own book.
As expected, a few hours into the agonizing process, I was pretty sure I’d written the first book in the history of publishing that absolutely would not, could not be captured in a cover blurb. But deep down, I was also pretty sure that every author who’d ever worked on cover copy’d had that same thought. And so I persisted, and came up with this early draft of the cover copy. I’ll work on it with my editor – who has helped write cover copy for decades – after she has edited the story. But for now, I’d love to get your feedback! Continue reading