Alliance of Independent Authors Indie Author Fringe–London Book Fair, March 2017
Big thanks to Kay for alerting me to this great resource: the Alliance of Indpendent Authors (Alli) is holding an online conference this weekend to tie in with the London Book Fair.
By 10am London time today, they will have uploaded 24 hours’ worth of great presentations on topics like understanding the writing process, perfecting your first 50 pages, identifying and eliminating the biggest mistakes most fiction writers make, and all kinds of advice about self-publishing including writing better book descriptions, advertising, and audiobooks.
Best of all, the sessions are archived for you to view at your own convenience, and they’re totally free.
Check out the conference agenda here.
And find the links to the presentations here.
I’ll be catching up on some of the technical ones later today, but I already watched and really enjoyed fantasy author KM Weiland’s one-hour talk: Are You Making These Common Fiction Writing Mistakes?
It’s worth noting that Alli will be hosting a further two conferences this year, to coincide with the major book fairs, so if you find these presentations useful, it might be a good idea to sign up to be notified of future events. I did 😉
How many authors are on your mental auto-buy checklist? How many are on your keeper shelf? And how long have those authors been at the heart of your reading universe?
I’ve been noodling around with these questions for some time—a couple of years, probably—ever since I first read about Dunbar’s Number. If you’re not familiar with the concept, Wikipedia describes it as a suggested cognitive limit to the number of people with whom one can maintain stable social relationships. Or, to put it crudely: there’s a limit to the number of people your brain has space for.
Dunbar’s Number has been around since the 1990s, but I came across it when I started writing fiction with an eye to publication and realized that meant I’d have to get to grips with social media. If you’d like to know more about the idea in the context of online relationships, click here for a Youtube link to anthropologist Robin Dunbar’s 15-minute Tedx talk: Can The Internet Buy You More Friends?
If you’d prefer the short version, it goes something like this: we humans maintain social relationships at various levels of intimacy, and the number of people we have the capacity to manage at each level is more or less predictable.
- We have a very inner core of intimate friends and relations, people we would turn to in times of deep emotional stress. Typically there are about five of them.
- We have a group of best friends, people we know well, confide in, trust, spend time with. That group would likely be about fifteen people, including the inner five.
- The next closest layer, good friends, would be about fifty people (including the first fifteen);
Does the description Bestselling Author positively influence your book-buying decisions? Especially New York Times Bestselling Author?
I ask the question because as a non-American I’m trying to get my head around the furore over the recent decision by the New York Times to eliminate a number of categories, including mass-market paperbacks and e-books, from its bestseller lists. Click here for Publishers’ Weekly’s report on the changes. As far as I can tell, going forward only one list (Top 15 Combined Print and E Fiction) will include novels in e-book format.
Romance Writers of America, Horror Writers of America, Mystery Writers of America, Science Fiction & Fantasy Writers of America, Sisters In Crime and Novelists, Inc. have released a joint statement condemning the decision and describing it as a “tremendous mistake.” Click here to read the full statement.
I have to say it seems rather counter-intuitive. Continue reading
Happy New Year! Here’s wishing you all a happy, healthy and fulfilling 2017 😀
If you had to choose one single word to epitomize your approach to the coming twelve months, what would it be?
A watchword is more flexible than a goal or a resolution. More like a theme, defined as an idea that recurs and pervades.
I last played this game in 2014, when I chose MORE (click here to read that post and the comments, where you’ll find some interesting choices). I already had a specific, measurable writing goal for the year—to finish my contemporary romance WIP—but I knew I was letting my inner editor hold me back. I kept under-cooking the conflict, emotion, action, tension, everything…so I chose an intangible, aspirational word to remind me to go for it.
This year I want my watchword to be a call to action, so Continue reading
“The future is escapist fantasy.” If the shoe fits, wear it. (Image via Wikimedia Commons)
“It was the best of times, it was the worst of times . . . .”
Think about it. Fifty-nine million people got the lesser of two evils. Fifty-nine million people got the greater of two evils. America is divided about evenly, and there’s a whole spectrum of thought and opinion. So, if you want to write a white hero-guy who kicks poor, brown ass and enjoys his Budweiser, there’s a market for that. If you want to write a diverse cast of characters, fighting The Man like time-travelling hippies and enjoying a little recreational marijuana, there’s a market for that. I predict that escapist fantasy is going to have a heyday. Why? Continue reading
Is there a maximum price you’re prepared to pay for a novel?
Is it different for an e-book or a dead tree version?
Would you pay the same for a newbie as you would for a much-loved auto-buy author?
Before the digital revolution I considered it perfectly normal to pay $7.99 or even $11.99 for a book, but I realized recently that I don’t feel that way any more.
I think there are a number of reasons: Continue reading
Kate Bush captured this photo of an exciting new genre! that is so NOT a genre.
A few weeks ago, this bit of news hit the twitterverse, in which musician Kate Nash called out a record shop for categorizing widely disparate music by one unifying characteristic: being made by possessors of vaginas. I shouldn’t have been so shocked to learn of a whole store selling vinyl records (those crazy, retro millennials are no doubt driving this trend). I wish I had been more shocked that said store had reduced a collection of such wide and varied artists to the not-a-genre genre of ‘females of all description’.
This incident brought my own thinking back to a subject I’ve been pondering over the past few years: that of Women’s Fiction. As regular 8LW readers might know, one of the writing tribes I proudly claim is that of WF writers. The manuscript I wrote for our Jennifer Crusie-taught McDaniel writing program was a WF story (with an ever-changing title) that has three women friends at its core. I have plans for two more books that I would categorize as WF, and another that might be more mainstream/general than women’s fiction, because it includes male POV characters, but that I still might consider WF because one of the female POV characters is really at the heart of the story. I belong to WFWA, have pitched my manuscript as WF, and plan to continue doing so.
But should I? Should I be so quick to align to a ‘catch-all’ genre about the female experience, with books written primarily by women? While I have sought out the camaraderie and intelligence of these fellow writers and have enjoyed being in a creative space that embraces the feminine and celebrates a female view of the world, have I been too quick to overlook the built-in bias that attaches to my work by being dropped into what, on its surface, appears to be a default category? Am I, despite my own yearning for gender parity and inclusiveness, hanging a ‘no boys allowed’ sign on my books? Continue reading