As I mentioned back in my New Year’s post, my watchword for 2017 is Joy. Now that January is over, it seems like a good time for a check-in to see how just how that’s been working out so far.
“There’s always room for a story that can transport people to another place.” ~ J.K. Rowling
January was a good month for new stories. Maddie and Dan from my holiday Mistletoe Reboot story got another installment in their “is it over or not relationship”; Jack and his brother Nick were featured in my January Short story; and Katie and Grant made their way around London on a team-building treasure hunt in last Friday’s Random Word Improv. Even better, as far as meeting some longer-term goals, Cassie and Nicolai traveled along with me on this week’s business trip and are slowly inching their way through Act 2. All of that is definitely “joy” inducing.
“Life is uncertain, eat dessert first.” Continue reading
The SuperHeroStuff official company logo by Brian Welch
I’ve been reading Julie Ann Long’s Pennyroyal Green series on the advice of Jilly, and they’re terrific books, even reading them out of order, which is what I’m doing. Currently I’m on The Legend of Lyon Redmond, which is the last book in the series. I had to put it down recently when the heroine and hero got into an argument, because their pain and anger made me too sad and upset to go on.
I wish I could write emotion like that. My critique partner has a completely justified and yet irritating habit of noting “more emotion!” at the end of way too many paragraphs, and I’ve been trying to improve my execution in this area. I’m working on my hero, an alpha male (of course) who wants to get the heroine more involved in his life, which she’s resisting. I’ve been trying to figure out not just what he feels but what he does—and how his actions reflect his feelings—to get what he wants. Basically, I want to write someone who’s bigger than life, the way Lyon Redmond is. Continue reading
A few weeks ago, I told you about my quest to get my butt in the chair and words on the page, to re-engage with my WIP after long months away from it due to obligations of the dreaded ‘day job’. Getting my writing mojo back was not going well, and I need to take Nike’s advice and ‘just do it’. Just sit down and type.
At first, that approach seemed to work. I’d get down a few hundred words here and there. Then I realized some scenes were nothing like I remembered them, and I made notes about fixing them. After that, I realized some scenes I would have sworn I’d written were really just in my head, not on the page. Things were going from bad to worse.
But we are a tenacious group, we writers. So one night I sat down with a glass of wine (hey, tenacity sometimes needs a boost) and pondered how I should approach this mess of a WIP I’d made. Although it wasn’t so much that I’d made a mess of it. Stepping away from it for so long had allowed my subconscious to write a better story. It had fixed some plot holes and gotten to the deeper essence of my characters, which drives how they will act/react, which drives the plot. See, a glass (or maybe it was two) of wine can do wonderful things for perspective. Continue reading
Do you have a favored technique for working out stubborn problems or kick-starting creativity?
I’ve read in the past that working on a familiar, routine task like cooking can work wonders – it gives the conscious mind a job to do that’s not taxing to the subconscious, so the Girls in the Basement can brainstorm the creative problem without being interrupted every few minutes.
Cooking works quite well for me, especially when I’m editing, but when I’m in the early discovery stage of a new story in a new world, when the possibilities are limitless and almost everything has to be invented, my favorite trick for getting myself unstuck is to do a jigsaw.
What’s been occupying your thoughts this week?
Last Sunday, I reported that I was the lucky recipient of a Bolt from the Blue, a story idea that’s very different from anything I’ve previously tried to write. After a few days of dithering, I decided to give myself a couple of weeks to apply myself and see if I can make anything of it. I’ve learned a lot this week and whether I decide to go forward or not, I’d say it’s been time well spent.
Process-wise, I’m not much of a planner. I’d like to create more detailed outlines, and I keep trying to develop the knack, but so far it’s eluded me. Once I’ve got the central characters, the spine of the story and the ending, I find I have to write the first draft to get to know the main players deeply enough to imagine their actions and reactions.
With the new story, Continue reading
So, just a warning for you…this post is deliberately short. I’m sorry to disappoint in case you were hankering for a thousand-worder, but I have a point to make and it won’t take long to do it. My point?
Sometimes the EASY answer is HARD to FIND!
An example: I have been stressing for months now that my book is WRONG in the eyes of the Historical Police. No matter how much I wish it otherwise, Susannah could not marry Nate (for real or pretend) without it being null and void from the get-go. And everyone would know it.
Here’s why: Continue reading
I’m embarking on another Immersion Master Class with Margie Lawson this coming weekend. I’m really excited to be working with her again and to get my head back into my story (where it hasn’t been for the last several weeks – pretty much since the last Immersion in November). Before it starts, though, there are a ton of things for me to do in a short period of time — to get the family ready, to get me ready, and to get my writing ready.
A complaint many of us in the writing field have is time (really, the lack thereof)…we’re not Nora Roberts or James Patterson, where writing pays our mortgage, car payment, and personal assistant/marketing guru. We’re typically balancing writing with husbands, families, full-time jobs, aging parents, and often more.
Something I’m learning about myself Continue reading