Today’s originally planned post has been interrupted by a long work-day, a homework assignment that had to be completed by 11:59PM, a book that I was half-way through reading, and the need for at least a few hours of sleep.
Fortunately, Kay had an excellent post about the topic of revisions over at Writer’s Fun Zone that seemed perfect to share. Here’s a little preview:
Writing a novel—putting words on the page—leaves your work only half-done. You still need to revise it to make it as tight and as polished as you can. Even if you think it’s ready for the big time, try these four exercises to examine your manuscript with fresh eyes and spot areas that could be improved.
To read the full post, head on over to the Writer’s Fun Zone.
photo by DoubleDebtSingleWoman.com
I’ve been in the throes of revision for some time (and will be for some time to come). Recently, I was stuck on something my development editor told me to do: shorten the first three chapters by combining them in two. When I looked at the material, I saw she was right that the chapters were too long, and I deleted without qualms about 3,000 words—one-third of the material the editor thought needed to go. But how to combine the chapters? What else had to be cut? I didn’t see a way.
Enter Jilly. She read the pages and offered some great suggestions. When I looked at her comments, all I could think was, why didn’t I see that?
Revision is hard, maybe harder than writing the first draft. Continue reading
Author by day, copy editor by night. That’s me. To keep myself occupied in the evenings (I’m not much for watching television) and to help pay for my book cover habit, I take copy editing jobs from select writers. In my former life, I had a ten-year career as a technical writer. Combine all of this experience and one starts to notice particular consistent misuses of various grammar guidelines (I don’t like the word “rules,” because there are some rules made to be broken).
Over the next several posts, I’m going to lay out a few basic guidelines, abuses, and misunderstandings of grammar in the hopes that you, fair writer, will learn them and will put them to good use. If you’re paying for copy editing, this will not only make your copy editor love you more (trust me, it will), but it will reduce the time it takes your copy editor to work through your manuscript.
Disclaimer: I use the Chicago Manual of Style as my “bible” for anything grammar- or copy editing-related. There are other style manuals which may offer differing views. Continue reading
Photo by Leonardo Quatrocchi from Pexels
My long-term project (probably years long, the way I’m going) is to read all the books on the bookshelves in my office and then afterwards, move them, and eventually the shelves, out of the house. I’m going to need the space for other things.
The first book I assigned myself was a Virago Modern Classics reprint. These are books by female authors, originally published at other houses, some from many decades previously. Virago has published its Modern Classics imprint since the 1970s, and the [many] books I own are all from this period. So far, they’ve been rather hit-or-miss in terms of how well they’ve held up to #MeToo and #TimesUp sensibilities. Continue reading
Image from Electric Literature.com
Some time ago I heard a woman tell a story about how she’d sent a manuscript to her publisher, and her editor sent her a 17-page, single-space revision letter. That would be a revision letter approximately 12 percent of the entire length of the manuscript. Hearing that made me happy, not for the first time, that I didn’t have a publishing contract.
However, self-pubbing is not for the faint of heart, as most of us attest to every day in these posts. The other day I got the revision letter from my freelance editor, a woman with many years’ experience editing romance at a big publishing house, and it was a winner, as far as I was concerned: only six pages for a 269-page manuscript. Not nearly the work of my fellow writer from the first paragraph. Continue reading
Last week, Jeanne discussed critiquing manuscripts for newbie writers, and yesterday Justine talked about revising (and revising, and revising!) the opening chapters of the first book in her historical romance series. With both of these posts on my mind and no less than three (three!) revisions of my own to complete, from minor tweaks in one story to major revisions in another to something in between on the third, today I’m thinking about the best way to bridge the gap between getting back comments from a trusted critiquer and putting a revision plan into action.
We’ve discussed a lot of the steps I’m going to suggest here at 8LW in the past, and much of the way the Ladies approach critique work is based on the guidance Jenny Crusie* gave us while we studied with her in our McDaniel writing program. But with so many of us knee deep (or eyeballs deep) in the critique and revision process, let’s revisit some of the basics, ICYMI (or ICYNAR – in case you need a refresher). Continue reading
“The more we stur a tourde, the wours it will stynke.” So said J. Heywood in the 1546 Dialogue Prouerbes Eng. Tongue. How true is that? I have muddied around with the first several chapters of my book for MONTHS now, but as the Golden Heart deadline approached on Friday, I found myself having to follow the equally proverbial “fish or cut bait.”
In other words, I had to make whatever changes I could get done before the deadline, then send it off on its merry way. (I have few hopes of finaling, but I thought because it’s the last time RWA will hold the Golden Heart–the “Academy Awards” of romance writing for unpublished authors–I should give it a go.)
When I finished my submission, and in conjunction with my Word Of The Year (which is DEADLINES), I told my husband that I was not going to touch those first five chapters again. And he made me sign THIS:
So it’s moving forward, starting with Chapter 6 and going until it’s done and I turn it in to my editor.
Do you put a stake in the ground when it comes to your MS? Do you only allow a certain number of revisions to a given chapter?