Yesterday Michaeline shared the events of her week in rural Hokkaido, which began with a birthday celebration and ended with the coronavirus-related closure of schools, the declaration of a state of emergency, and a strong request that people should stay home.
Here in London the Sword of Damocles is still suspended, but probably not for much longer. So far there are 20 confirmed cases of the Covid-19 virus across the UK. Nineteen of those cases are people who have been abroad recently, but the latest one is a man who is the first person to be infected domestically. The source of his infection is currently unknown. He lives in Surrey, a populous area to the south of London, and attended his local doctors’ surgery before he was diagnosed.
We’re also starting to see precautionary measures taken by employers. Last week the oil multinational Chevron sent 300 staff home from its Canary Wharf offices after one of its employees, who’d spent the weekend ski-ing in Italy, became unwell. Media company OMD, which shares the same building, sent all its staff home after an employee who’d returned from Australia via Singapore reported symptoms. Transport company Crossrail, which shares a building with Chevron and OMD, sent all its employees home. And yesterday law firm Baker McKenzie sent home more than 1,000 staff from its Blackfriars office after a possible virus case was identified. Continue reading
The family tree of Cesky Sternberk Castle, Czech Republic (Library of Congress)
Novelists create characters. We give them names and personalities, families, backgrounds, and histories. We give them motivations and core values, often based on what they learned from their families or what’s important to their heritage, so they have reason to make the choices they do in our narratives.
Imagine my surprise when I learned from Ancestry that individual Americans actually know very little about their heritage.
Ancestry commissioned a survey from OnePoll, which canvassed 2,000 people in the United States. They found that many Americans don’t know or are unclear about their family origins.
- 25 percent don’t know from what countries their families came to the United States
- 40 percent of Americans polled are not certain from what country their last name originates
In 1946, J.B. Pick and Charles Neil, editors of Gangrel magazine, published an essay by George Orwell called “Why I Write.” Orwell’s essay became famous, and when I first read it, it was a revelation, from his early life that shaped his mind, to his military service and early jobs that focused his point of view. His thoughts and opinions are, shall we say, bracing. So, whenever I want to think about why I spend so much time by myself in a small room, I look to see what other people who do what I do think about it. Continue reading
Image courtesy of National Novel Writing Month
November is National Novel Writing Month. For the uninitiated, NaNoWriMo is a “fun, seat-of-your-pants approach to creative writing.” It starts on November 1 and ends at 11:59 p.m. on November 30. Participants attempt to write a 50,000-word novel in that timeframe. I’ve tried it before and was almost successful once.
So how does it work? The NaNo-er signs up and completes a profile, decides what to write, selects a “home region” (used for stats on the website and offers the potential to meet with others in your area for writing time or inspiration), and starts writing on November 1. During the month, stay tuned to the NaNo website to upload word count and check on others’ progress. Continue reading
From the Hot & Bothered podcast site
The first time I heard a feminist definition of a romance novel (female author writes a book celebrating values of love, compassion, community, and friendship, with a female protagonist who fights for what she wants and gets it), I was hooked. Those books were for me.
Can romance novels create a new feminist dynamic? I don’t know. But women and men read romances for the hope they offer, the comfort they give, and the values they aspire to. That’s good enough for me. And if they help create a new feminist dynamic, well, that’s just icing on the cake.
But there’s more! I recently read an article by Kimberly Winston in the Washington Post that suggests that religion can be reinvented through romance novels—that because of the themes and values romance novels showcase, they can be considered sacred texts. Holy bodice ripper, Batman! Continue reading
October is racing to an end, which means there is only 1 week left before the start of this year’s NaNoWriMo. Michille had a good post the other day about preparing to write and the NaNo website is full all sorts of good information, like the NaNo Prep Webcast.
Part of my prep-work has included finishing up a host of non-writing projects so they aren’t hanging overhead when I’m trying to write. I’m also wrapping up a big multi-year project at the Day Job, which should free up some much needed brain-cells. I will definitely need those to hit my daily writing goals. All that is left, other than those pesky story details, is to decide when to write and to stock up on motivational “reward-for-hitting-today’s-goal” treats. I have found that cupcakes are excellent in that role.
As I’ve mentioned that last few weeks, my writing specific preparation has included drafting a rough outline for my new story, figuring out the setting(s), and getting to know my characters.
That’s all I need to craft a great story, right?
Oh wait, those characters probably need some goals and motivations so they actually have something to do.
Guess that means this is a good time to focus on: Conflict Continue reading
The Wreckage of the Black Prince (fragment) by Ivan Constantinovich Aivazovsky, 1854.
Becoming an author requires a lot of work, from the writing to publishing and marketing. It’s easy to get caught up in writing-related activities that don’t yield much, if anything, in results. In the lingo of economists, this phenomenon is called the sunk cost fallacy—really a high-fallutin way of pointing out how you’re wasting your time.
I just read an article about the sunk cost fallacy, and it resonated with me since I’ve so recently fallen victim to it. So, what is it and how does it work?
In economics, a “sunk cost” is a cost that you’ve already paid, says Robert Wood on Standout Books. For writers, this payment can be financial, but usually the resources that you spend are time, energy, and emotional commitment.