I have attention deficit disorder. I’ve had it my entire life, and because of a heart condition, I can’t take medication for it. ADD makes staying focused one any one task for a long period of time very difficult (unless I’m really excited about the task — like reading a book from my favorite author).
In the past, I’ve tried setting goals in order for me to get my writing done. But word count goals didn’t work for me, especially when I was editing. Did I really write 1,000 words? No idea…too much cutting/pasting/adding. Plus, there were some days Continue reading
Are you sitting on your finished MS, dying-but-hating to send it out to the A-list of agents and editors you met at a recent conference? Perhaps you’ve signed up for a mentor program, but you’re anxious about putting your 60,000 word baby in the hands of someone else. Or, you found a great new critique partner, but you keep putting off sharing your chapters because “it’s just not quite right yet.”
You’ve got a rejection problem…or really, the fear of it.
Cue Jia Jiang, an entrepreneur and educator who formed an early association to rejection anxiety when he was six years old. Watch in this humorous TED talk as he explains how exposing himself to rejection for 100 days actually lessened the anxiety he felt about being rejected, and actually opened up opportunities he otherwise wouldn’t have had. It’s a lesson we can all learn from (although I don’t think I’ll be asking for “burger refills” at the local burger joint).
What is your worst rejection moment? Your best? What lessons can you share with writers who are afraid to put their work out there?
Regular readers of this blog will no doubt be aware that our Jeanne’s debut novel, The Demon Always Wins, is now available for preorder on Amazon and will be released for sale on 1 September. Squee!
Some of the 8 Ladies have been published before, so it’s not technically our first book, but it’s the one Jeanne was working on when we all first met (virtually) in class at McDaniel College. When she said it was a re-telling of the story of Job as a paranormal romantic comedy I remember thinking, “that’s interesting, and different.”
Because we spent a whole year in class talking about our stories and critiquing each other’s scenes, I think we all feel a certain sense of ownership of this book. We got to know Jeanne’s dark, snarky, funny voice. We saw her delete a fantastic opening scene only to replace it with one even better. We watched her polish her manuscript until it became a Golden Heart winner, and then take it up another level with the help of rigorous professional editing. Continue reading
A few weeks ago, I went through a rough patch in my writing life. More accurately, I started going through the rough patch, because I haven’t yet climbed completely out of that hole of writerly despair. At least now I’m close enough to the surface to catch a glimpse of sunlight filtering down from above me.
There were reasons I fell into the hole, of course. I had too many deadlines on multiple projects converging at once. I was running a low-grade fever (precursor to a virus that towered a whole weekend and then some). I came to the realization that I couldn’t stay on course for meeting my publishing deadlines and at the same time attend an amazing writers’ conference being held in paradise this coming fall. I bailed on paradise because it was the right thing to do, but sometimes the right think sucks.
But there were deeper reasons, too. Poking a stick into a story idea that’s not baked enough yet. Coming to the point in one of my stories where I realized it’s all complete drivel (this happens at several points per story for me; YMMV). Falling into the pit of despair known as imposter syndrome. I knew talking to someone would help, but I wasn’t ready to share with other writers (which makes up about 90% of my circle of friends and acquaintances IRL) for fear of hearing well-meaning advice or platitudes, neither of which would have worked for me in that particular state. In fairness, my wonderful friends who also happen to be writers would have known not to do that, but I was stuck down in that hole, not seeing things all that clearly.
Which left me with the small number of non-writers in my life, and led to the realization that not only did I not want to discuss the trials and tribulations of the writing life with them in that moment, I didn’t want to discuss those harsh realities with them ever. I really had to ponder my own reaction. These are good eggs, kind people, of the loving and caring sort. Why did I recoil from sharing these truths with them? Maybe I was afraid – to paraphrase Col. Jessup from A Few Good Men – they couldn’t handle the truth, because most conversations with non-writers that touch on writing reveal a lot of misunderstanding about what it means to pursue the writing life. Continue reading
A funny thing happened on my way to accomplishing my March goals: I was notified that the second book in my Touched by a Demon series, The Demon’s in the Details, is a finalist for RWA’s® 2018 Golden Heart® award.
I know that I can’t really claim that an event that didn’t occur until 3/4 of the way through the month constitutes a valid excuse for making so little progress on my goals, but it really was a complete distraction from March 21st onward.
Three years ago, when The Demon Always Wins was a finalist (under the title Demon’s Don’t), I got a request to see the entire manuscript from one of the final round judges. The book was far from ready for prime-time, and the anonymous editor or agent that requested the manuscript never followed up. Continue reading
When all else fails, you could try warming up the process with ‘a wee dram’.
Creativity is fleeting. Stories are ornery. Words are elusive. Writing is just damn hard.
Or so it seems on those days when the writing mojo is nowhere to be found. Diana Gabaldon refers to her approach to combatting this common writing problem as her cold start process, which she discusses in this clip. This week, we ladies are discussing our own cold start processes. So here’s Nancy’s guide to unsticking when stuck, in 4 simple steps.
Avoidance. When it comes to bad writing days, I’m a firm believer in an ounce of prevention being worth a pound of cure. In other, words, I try to avoid them. At least, I do my best to avoid one of the leading causes of these creativity blocks: not knowing where to go next.
One of the things I found fascinating about the Gabaldon clip is that at the end, she announces that she realizes where her character is physically for the next scene. If I didn’t know where my characters were going to be for each scene of the next act, let alone the very next scene, I would spend most writing days crying in a corner. The joy that some creators find in writing in the dark and tunneling their way to their story would break my brain. It simply Is. Not. My. Process. Continue reading
You’ve probably heard some writers say their books are like children. If that’s the case, my current WIP is definitely in the cranky teenager stage.
In it’s nascent stage, I was content to nest and let the story incubate, finally letting it hatch when I knew the idea was ready to come out of my head and onto the page. Then there were the heady, frenetic days of discovery, of getting to know this baby story, of giving it guide rails and parameters as it grew from a blob of words to a someday-could-be-a-readable book, in the form of a weirdly gawky and awkward (I will not use the word ugly!) first draft. Then I assessed and worked and sculpted some more, until I had a reasonably stable story world and through line. In that process, I’d weeded out some unnecessary subplots and exposed some minor plot holes. (And had begun to mix my child metaphor with a gardening one, but stick with me!)
So now my book is on the brink of adulthood. The story is pretty well-formed. It’s easy to see what it will be when it’s finished and where it will find its niche in the world. But there’s stuff still to be done. This is akin to the stage of parenting where we have to nurse broken hearts and teach safe driving and prepare our almost fully-grown progeny for life in the real world. But we’re so close. Easy peasy!
Said no parent of teens or writer of books EVER. Continue reading