Nancy: There Is No Light Without the Darkness

A few weeks ago, I went through a rough patch in my writing life. More accurately, I started going through the rough patch, because I haven’t yet climbed completely out of that hole of writerly despair. At least now I’m close enough to the surface to catch a glimpse of sunlight filtering down from above me.

There were reasons I fell into the hole, of course. I had too many deadlines on multiple projects converging at once. I was running a low-grade fever (precursor to a virus that towered a whole weekend and then some). I came to the realization that I couldn’t stay on course for meeting my publishing deadlines and at the same time attend an amazing writers’ conference being held in paradise this coming fall. I bailed on paradise because it was the right thing to do, but sometimes the right think sucks.

But there were deeper reasons, too. Poking a stick into a story idea that’s not baked enough yet. Coming to the point in one of my stories where I realized it’s all complete drivel (this happens at several points per story for me; YMMV). Falling into the pit of despair known as imposter syndrome. I knew talking to someone would help, but I wasn’t ready to share with other writers (which makes up about 90% of my circle of friends and acquaintances IRL) for fear of hearing well-meaning advice or platitudes, neither of which would have worked for me in that particular state. In fairness, my wonderful friends who also happen to be writers would have known not to do that, but I was stuck down in that hole, not seeing things all that clearly.

Which left me with the small number of non-writers in my life, and led to the realization that not only did I not want to discuss the trials and tribulations of the writing life with them in that moment, I didn’t want to discuss those harsh realities with them ever. I really had to ponder my own reaction. These are good eggs, kind people, of the loving and caring sort. Why did I recoil from sharing these truths with them? Maybe I was afraid – to paraphrase Col. Jessup from A Few Good Men – they couldn’t handle the truth, because most conversations with non-writers that touch on writing reveal a lot of misunderstanding about what it means to pursue the writing life. Continue reading

Jeanne: March Progress Report

A funny thing happened on my way to accomplishing my March goals: I was notified that the second book in my Touched by a Demon series, The Demon’s in the Details, is a finalist for RWGH Finalist MedallionA’s® 2018 Golden Heart® award.

So, yippee!

I know that I can’t really claim that an event that didn’t occur until 3/4 of the way through the month constitutes a valid excuse for making so little progress on my goals, but it really was a complete distraction from March 21st onward.

Three years ago, when The Demon Always Wins was a finalist (under the title Demon’s Don’t), I got a request to see the entire manuscript from one of the final round judges. The book was far from ready for prime-time, and the anonymous editor or agent that requested the manuscript never followed up. Continue reading

Nancy: The Over-Planner’s Approach to Cold Starts

When all else fails, you could try warming up the process with ‘a wee dram’.

Creativity is fleeting. Stories are ornery. Words are elusive. Writing is just damn hard.

Or so it seems on those days when the writing mojo is nowhere to be found. Diana Gabaldon refers to her approach to combatting this common writing problem as her cold start process, which she discusses in this clip. This week, we ladies are discussing our own cold start processes. So here’s Nancy’s guide to unsticking when stuck, in 4 simple steps.

Avoidance. When it comes to  bad writing days, I’m a firm believer in an ounce of prevention being worth a pound of cure. In other, words, I try to avoid them. At least, I do my best to avoid one of the leading causes of these creativity blocks: not knowing where to go next.

One of the things I found fascinating about the Gabaldon clip is that at the end, she announces that she realizes where her character is physically for the next scene. If I didn’t know where my characters were going to be for each scene of the next act, let alone the very next scene, I would spend most writing days crying in a corner. The joy that some creators find in writing in the dark and tunneling their way to their story would break my brain. It simply Is. Not. My. Process. Continue reading

Nancy: When Your Book Is a Moody Teenager

You’ve probably heard some writers say their books are like children. If that’s the case, my current WIP is definitely in the cranky teenager stage.

In it’s nascent stage, I was content to nest and let the story incubate, finally letting it hatch when I knew the idea was ready to come out of my head and onto the page. Then there were the heady, frenetic days of discovery, of getting to know this baby story, of giving it guide rails and parameters as it grew from a blob of words to a someday-could-be-a-readable book, in the form of a weirdly gawky and awkward (I will not use the word ugly!) first draft. Then I assessed and worked and sculpted some more, until I had a reasonably stable story world and through line. In that process, I’d weeded out some unnecessary subplots and exposed some minor plot holes. (And had begun to mix my child metaphor with a gardening one, but stick with me!)

So now my book is on the brink of adulthood. The story is pretty well-formed. It’s easy to see what it will be when it’s finished and where it will find its niche in the world. But there’s stuff still to be done. This is akin to the stage of parenting where we have to nurse broken hearts and teach safe driving and prepare our almost fully-grown progeny for life in the real world. But we’re so close. Easy peasy!

Said no parent of teens or writer of books EVER. Continue reading

Jeanne: December Progress Report

My overarching goal, if you may remember, is to release a trilogy of paranormal romances in the fall of 2018.

At the end of last month, I was optimistic. I knew that to reach that goal, I needed to finish an editor-ready draft of the second book, The Demon’s in the Details, and be ready to start on the third book, a Faust story about a writer who sells her soul to the devil to make the New York Times bestseller list, in January.

I was feeling pretty good about meeting that goal.

Unfortunately, December proved to be one of those months that afflicts both men and mice–my plans went agley,.
Continue reading

Nancy: “I Really Should Be Writing, But…”

Maybe you’ve said those words yourself. Or maybe you’ve substituted some other creative endeavor for writing, to the same effect. You have a project you want to do, you plan to do, you’re passionate about doing. You’ve carved out a block of time for it, negotiating and juggling other priorities, you’ve showed up at your desk, and…you’ve reached the end of your writing time and you haven’t written a word. Or maybe you’ve written a few words or sentences or paragraphs, but then wandered off to look at something shiny, like a fab cat video on YouTube or the latest hot thing on Netflix.

You must not be a real writer. Better people, other creatives, real writers don’t get distracted this way. They get their shit done, no ifs ands or buts about it. They show up for their writing blocks and they get it done! Or do they?

For the past few weeks, I’ve been sharing some of my aha! moments that have come from my journey through Jen Louden’s Get Your Scary Shit Done course. One of the things Jen’s course teaches is that while we’re all special snowflakes, we’re not special when it comes to having fear, anxiety, or at the very least discomfort around our creative projects (or other ‘scary shit’ we want to do, like training for a triathlon or learning the ukulele). A nearly universal aspect of the human experience is that creativity requires growth and change, and those things rarely happen without pain and resistance.

Lisa Cron of Story Genius fame discusses this in reference to our characters. We’ve all heard we should chase our protagonists up trees and shoot at them. Why would we do such a terrible thing to our characters, whom we tend to love? Because at the heart of our stories, we’re exploring how our characters grow and change. But the force (of inertia) is strong! If we, and by extension our characters, can get by, survive, sometimes even thrive doing the same old same old, that’s what we’re going to do. Not because we’re bad people, lazy SOBs, or fake writers, but because evolution has hard-wired our brains to take the most comfortable, least resistant path to staying alive. Human evolution – the very survival of our species! – has depended upon not only the ability to adapt as quickly and efficiently as possible to change, but also the skill of recognizing a good thing when we have it and coasting on that as long as possible.

Phrased that way, goofing off on YouTube or binge-watching the first four hours of Stranger Things 2 on Netflix (not that anyone here has done that, right?) doesn’t sound so shameful, does it? “I know it looks like I was avoiding the next chapter of my WIP, but I was actually contributing to the survival of our species.”

That’s not to say you should embrace an everlasting state of inertia. Continue reading

Nancy: To Thine Own Process Be True

Write first thing in the morning.

Write last thing at night.

Carve out big chunks of time for writing.

Learn to write in 15-minute increments over lunch.

Learn to write 10,000 words a day.

Don’t end a writing session until you’ve written 1,000 words.

Write every day, every week, every weekend.

Set aside one weekend a month and write in a flaming frenzy.

If you’ve been writing for more than a hot second, you’ve heard some if not all of these words of wisdom. They are all true. Completely, utterly, 100 % true. They are also pure bullshit.

No, I haven’t been drinking. (Well, not enough to cause concern.) The reason all of those statements can exist at the same time without interrupting the space-time continuum is that they each come with a caveat: if it works for you. Continue reading