Seriously. There’s a pill. I heard an interview with Robert Anthony Siegel on NPR Radio in which he discussed a one-man open-label placebo trial he’d undertaken with John Kelley. Siegel is a writer and Kelley is a psychology professor at Endicott College and the deputy director of Harvard’s Program in Placebo Studies and Therapeutic Encounter, a program devoted to the interdisciplinary study of the placebo effect. The goal was to get rid of Siegel’s writer’s block, and the panic attacks and insomnia that went hand-in-hand with the writer’s block. The interview was a discussion about the research and subsequent article in the Smithsonian Magazine – “Why I Take Fake Pills: Surprising new research shows that placebos still work even when you know they’re not real.” Continue reading
Sometimes when writers are neck-deep in our own ideas and stories, we turn to other fiction for a mental reboot. Other times, it’s non-fiction, perhaps craft books. For the past week, I’ve been thumbing through Lisa Cron’s Wired for Story and Story Genius as I continue developing a novel with her brain science technique. For fun, I’ve been reading Stephon Alexander’s The Jazz of Physics. (Yes, that really is what passes for fun in my world.)
When I need a quicker fix, a quick shot of creative inspiration, or just a boost in the will to go on (because some writing days are just So. Damn. Hard.), I like to visit some familiar haunts on the web. A few posts have really struck a chord with me these past few weeks. If you feel yourself needing a boost, check out these articles for yourself, and poke around these sites – there’s so much good stuff to discover!
Arghink. This is the blog of Jennifer Crusie, mentor of the 8LW crew. Jenny’s blog is always chock full of great information, fun, and community, but recently, she’s also been sharing early drafts and revisions of her WIP. And it is as amazing as it sounds. Ever the teacher, Jenny is also sharing the way she approaches revisions. Continue reading
I might have mentioned a few (hundred) times here on the blog that I love a good physical challenge. A few years ago, I had an idea for one that would not only get me in better shape, but would also train me in self defense. So I started searching for Krav Maga classes. Before I could sign up and start kicking ass, I broke my finger.
Fast forward a year and a half. Did I mention it was a serious break? So yeah, a year and half later, I finally signed up for a 6-week introductory class to the fighting style developed by the Israeli Army. And hey, they developed it so anyone of any age and fitness level could learn defensive fighting quickly and easily! So said one of my instructors while he had us doing brutal sprints and one-arm planks at the end of hour-long, full-out hitting and kicking sessions, when I was pretty sure I was going to die of exhaustion.
After expending so much energy, sweat, and – not gonna lie – a few tears, though thankfully no blood, I feel stronger and maybe a little better prepared to take up a fighting stance and protect myself if it ever becomes necessary. But I like to get a big return on my investment, and I can find writing lessons in almost anything, so behold my Lessons from Krav Maga: Writing Edition.
1) Don’t be surprised; be prepared. If I had to boil my Krav Maga experience down to one line, this would be it. While the techniques do teach you how to fight (and flee!) effectively, there’s more to surviving a street fight than that. You have to be prepared for the unexpected and ready to fight the unknown. Continue reading
I was on public transportation the other day when two women—neither of them young, but both of them younger than I—sat down on the seat behind me. They didn’t hesitate to use their outdoor voices on the train, so consequently I learned that one of them is writing a novel, and the other envies her friend and wishes she could do the same.
However, she said, she’s too old to start now.
For any of our wonderful followers who might feel the same, or who know others who might feel the same, let me first draw your attention to Ida Pollack, who had a book out to her editor for revisions when she was 105. Helen Hooven Santmyer hit The New York Times best seller list and became a celebrity at 88 for her novel . . . And Ladies of the Club. And Laura Ingalls Wilder published the first of the “Little House” books, Little House in the Big Woods, when she was 65 and the last one when she was 76.
Clearly, as long as you’re not dead, you’re not too old to write a novel.
But the conversation between these two friends on the train made me think about the writing life—a slow and often tedious process filled with (sometimes years of) revisions and then years of submitting and rejections before the hopeful author finds the editor of his/her dreams. Continue reading
People like rituals. Some sports stars don’t wash their lucky socks during the season, or always eat the same meal before a game. Actors tell each other to break a leg. Spiritualists burn sage to cleanse a room of evil spirits.
Writers have their rituals, too. They sharpen their pencils and line them up. They crack open a new notebook. They put on the same playlist while working.
There’s a kind of magic that comes with habitually picking up a favorite pen or sitting down every day at sunrise (or moonrise, take your pick). Ritual is emotional preparation. It sets the stage for accomplishment and entices your muse to dance across it. Sometimes when things don’t go well, ritual can trick you into cooperating. But not always. Because ritual is tangential to actually writing, it doesn’t always work.
A few months ago, after we’d all realized the world had changed and turned our eyes toward the hellfires of Mordor, Michaeline and I got into a discussion about change in the comments section of this post about writing as our superpower. She mentioned she’d put a tarot card app on her phone and ‘change’ cards kept popping up. Around the same time, I’d had a tarot reading (I was in Salem, MA; it seemed appropriate to do something ‘other-worldly’) during which I’d gotten three change cards (which I gathered from the tarot reader was a lot).
The card reader told me so much change so fast would be…unsettling might have been the least disturbing word bandied about, and warned me I wouldn’t be able to control ALL THE CHANGES. I should learn to change and control what I could and learn to adapt to the rest. Which is definitely a life lesson I seem to need to learn over and over again.
Luckily for me (she said sardonically), Continue reading
I’ve started writing a scene that I think will be pivotal in my book. It’s a scene in which my hero and heroine have sex, but the sex will propel them into a new stage of their relationship. My critique partners have emphasized that it’s important that I show why my heroine has been unwilling to move forward quickly with the romance—she won’t move in with the hero—even though she must make a decision soon about whether to return to her old job across the country. If she goes, the relationship dies.
So to write this sex scene with as much sensitivity and weight as it needs, I wrote a scene that sets it up—my heroine tells the hero about her mother, and in so doing, reveals her feelings about family, home, and security. I wrote this scene from the hero’s POV, because I wanted readers to see his reactions to her story, and I wanted him to ask the questions I thought readers would be likely to ask if they’d been in the room with her. I spent some serious time on the scene, and it’s not bad. I’d give it maybe a B-.