Regular readers of this blog will no doubt be aware that our Jeanne’s debut novel, The Demon Always Wins, is now available for preorder on Amazon and will be released for sale on 1 September. Squee!
Some of the 8 Ladies have been published before, so it’s not technically our first book, but it’s the one Jeanne was working on when we all first met (virtually) in class at McDaniel College. When she said it was a re-telling of the story of Job as a paranormal romantic comedy I remember thinking, “that’s interesting, and different.”
Because we spent a whole year in class talking about our stories and critiquing each other’s scenes, I think we all feel a certain sense of ownership of this book. We got to know Jeanne’s dark, snarky, funny voice. We saw her delete a fantastic opening scene only to replace it with one even better. We watched her polish her manuscript until it became a Golden Heart winner, and then take it up another level with the help of rigorous professional editing. Continue reading
Is anyone up for more discussion on the evergreen topic of Alpha Male heroes in romance fiction?
Mr. Alpha has been on my mind recently, thanks to a combination of circumstances. I lost a chunk of writing time earlier this year following the death of my mum. Dealing with her estate has been a time suck, so the books I had hoped to self-publish this year are now rescheduled for 2019. Which means that I will still be unpublished at the end of 2018. That’s frustrating, but the upside is that the RWA has decided to run the Golden Heart contest for one more year, and now I will be eligible to enter. I would love, love, love to final in the Golden Heart, to join the supportive and welcoming sisterhood that Jeanne described in her recent post, The True Heart of the Golden Heart.
In planning my final assault on the contest, I decided that in addition to entering my Alexis paranormal stories, I’d dust off the English/Scottish contemporary romance I worked on at McDaniel and which I haven’t read in the last three years or so.
I got fairly close to snagging an agent with that manuscript, and it finaled in a number of local RWA contests, so I thought it should be relatively easy to tweak.
O.M.G. I am sooo glad I never sold that book. It didn’t need a quick edit so much as a comprehensive rewrite. I think the general premise, the characters, the community and most of the plot points are solid, but among other things, the hero (who is, obvs, a very good guy) made me cringe. He was guilty of arrogant asshattishness rather than the kind of consent offences Jeanne discussed in her excellent post The Thin Line Between Alpha and Predatory, but still. Even if his BDE showboating was a persona rather than his true self, the patronizing way he interacted with the heroine was simply not okay. I had to give him a thorough makeover.
The thing I found curious is Continue reading
Where do you stand on public marriage proposals?
I’m a sports fan, and I had the England v India cricket match playing in the background as I sat down to write today’s post. Normally I find cricket commentary provides the perfect background for writing, but today there was a break in the action, the cameras focused on a tense-looking young man in the crowd, and the TV presenter said “That’ll be Martin*. He’s here today with Suzanne*, and I believe he has something to say to her…” Martin went down on one knee and fished out a ring box. The giant TV screens said DECISION PENDING. Suzanne cried and kissed him. The screens switched to SHE SAID YES! The crowd went bonkers.
The whole episode made me cringe so much I turned the coverage off. Then I started wondering if I’m a grouchy curmudgeon who’s incapable of appreciating a heartfelt romantic gesture.
What do you think?
I’m not talking about a spontaneous proposal that occurs in front of other people because Circumstances. I love those, in life and literature. My problem is with a carefully orchestrated piece of showmanship set up with the intent to share a serious, potentially life-changing decision with as many strangers as possible, without the decision-maker’s knowledge or consent.
Why might you do that? The best answers I could come up with were:
- The young man, his beloved, or both, are narcissistic exhibitionists;
- The young man sees the public proposal as a grand gesture, a demonstration of the strength of his love;
- The young man is afraid the object of his affections might refuse him, and he is relying on public pressure to tip the scales in his favour;
- The young man is so thrilled and giddy at the prospect of marrying his beloved that he wants to share the moment with the whole world.
Which brings me to my next question. Generalizing here, but do you think a public proposal of marriage is something the twenty-first century bride dreams of? Continue reading
How well do your favorite authors use local knowledge to give their stories depth and authenticity? What would you use in a story about your hometown?
We just spent a week on Long Island at a birthday celebration for a friend’s mother. It’s a beautiful place, and we had a fantastic time, but thanks to our friends we also learned a thing or two and avoided some obvious pitfalls.
It got me thinking about how many opportunities there must be for a writer to use setting to distinguish locals from outsiders, and to create location-specific plot points or conflicts.
Based on last week’s discussions, here are some tells that marked us out as Long Island rookies.
Our friends chartered a boat and we went fishing in the bay between South Shore and Fire Island. Everyone else aboard was local, and they’d all been fishing since childhood. I had to be shown everything: how to hold the rod, how to let out the line and reel it in again. I didn’t know I should reel in my line when the captain was ready to move on. I didn’t know the difference between a sea robin and a fluke. I had no idea which fish should be thrown back or which were edible. The crew was friendly and helpful, but openly astonished at my ignorance of the most basic fundamentals.
My friend’s mum said that Fire Island supposedly got its name for the poison ivy that’s ubiquitous over there. Cue reminiscences from the family about how painful a poison ivy allergic reaction can be. Also poison oak. Eek. We don’t have either plant over here, and I have no clue what either one looks like.
We had to be warned that there are deer ticks in the long grass and dunes. They carry Lyme disease, so it’s an important thing to know. I have no idea what a tick looks like. They’re present in the UK, but it’s a relatively new problem for us, and right now seems to be a bigger problem for pets than humans. I have never seen one, nor do I know anyone who has. I have no idea how to check myself for ticks, how to remove one if I should find it, or what a tick bite would look like. Just writing this is making me itch. Continue reading
This week, Justine and Jeanne shared their reasons for deciding to opt for indie publishing instead of pursuing the traditional route. Next year I’ll be joining them on that journey, and I decided to use today’s post to explain why.
It’s interesting that none of us are doing it because we think we’ll make more money (though wouldn’t that be nice?). For Justine, it’s about having control of the process. For Jeanne, it’s about being master of her own fate. For me, it’s both of those things, but also—mainly—about the time and investment I think I’ll need to give myself the best chance of success.
I’ve never been much of a first impressions kind of person. In my business life, I rarely wowed interviewers or clients in the big meeting. I’m more of an acquired taste, though as I worked with people, I usually grew on them. Over time, I built up a network of trusted connections. In a thirty-year professional career I changed employer just three times, and all my opportunities came through personal recommendations.
The same pattern holds good in my personal life. I’m still married to the man I met aged 18, and I have a small group of close friends, accumulated over a long time. The 8 Ladies were classmates for a stressful, labor-intensive year. We knew each other pretty well by the time we started this blog.
Told you that to tell you this: I suspect my slow burn style is more suited to indie publishing than trad, and here’s why.
What’s your most tried-and-tested method of finding new authors to read? Do you ever use Amazon’s also-boughts?
I’m always checking out new search methods and new-to-me authors, but lately my selections have been especially hit-and-miss. The problem is that “I’ll know it when I read it” is not really searchable. I’m looking for a combination of qualities rather than neat pigeonholes like settings or subgenres.
I like upbeat stories with happy endings, romances or books with a strong romantic subplot. After that it gets tricky. I want heroes and heroines with intelligence, agency, and emotional depth. I love stories where strong characters deal honestly with one another, especially when that’s difficult. I prefer confrontation to secrets or lies or withholding information. My fave authors write series with strong communities. I actively seek out humor and kindness. I enjoy voice, but not when it tips over into look-at-me writing. I love a good sex scene, but only if it moves the story. I’ll try most subgenres.
I believe the Zon is one of the most powerful search engines in existence, but while it’s awesome at identifying reverse harem cowboy stories (not kidding), the search box is not my friend.
I’m writing this post on Saturday morning. I plan to be finished around 11.30am UK time. Then I’ll grab a cup of coffee, fire up the BBC’s live streaming and watch Meghan Markle marry Prince Harry and become Duchess of Sussex.
According to the BBC television commentators, the global audience for Harry and Meghan’s happy day may be more than a billion people.
A billion? Why? Continue reading