People like rituals. Some sports stars don’t wash their lucky socks during the season, or always eat the same meal before a game. Actors tell each other to break a leg. Spiritualists burn sage to cleanse a room of evil spirits.
Writers have their rituals, too. They sharpen their pencils and line them up. They crack open a new notebook. They put on the same playlist while working.
There’s a kind of magic that comes with habitually picking up a favorite pen or sitting down every day at sunrise (or moonrise, take your pick). Ritual is emotional preparation. It sets the stage for accomplishment and entices your muse to dance across it. Sometimes when things don’t go well, ritual can trick you into cooperating. But not always. Because ritual is tangential to actually writing, it doesn’t always work.
Al and Roey Stickles dancing at the trailer park: Sarasota, Florida 1946. Photo courtesy of State Library and Archives of Florida. www.flickr.com/photos/floridamemory/7157828142/
I’ve started writing a scene that I think will be pivotal in my book. It’s a scene in which my hero and heroine have sex, but the sex will propel them into a new stage of their relationship. My critique partners have emphasized that it’s important that I show why my heroine has been unwilling to move forward quickly with the romance—she won’t move in with the hero—even though she must make a decision soon about whether to return to her old job across the country. If she goes, the relationship dies.
So to write this sex scene with as much sensitivity and weight as it needs, I wrote a scene that sets it up—my heroine tells the hero about her mother, and in so doing, reveals her feelings about family, home, and security. I wrote this scene from the hero’s POV, because I wanted readers to see his reactions to her story, and I wanted him to ask the questions I thought readers would be likely to ask if they’d been in the room with her. I spent some serious time on the scene, and it’s not bad. I’d give it maybe a B-.
Twinkly lights make everything seem better
November is (almost) at an end. I had planned spend the next few days basking in the success of a second year of NaNoWriMo, but that turned out to be overly optimistic on my part.
As I mentioned last week, my writing progress stumbled around week two and never did get back on track.
Though I may have missed out on the satisfaction of getting to upload my 50,000 words and put that “Winner” icon on my profile, I’m still going to count this month’s effort a success, for a couple of reasons: Continue reading
Have you had enough politics yet? If the answer is no, please check out yesterday’s excellent post by Michaeline, The Election and the Future of the US Writing Market. Plenty of insightful, positive, actionable food for thought there.
If you’re ready for a break from world affairs, let’s discuss creating quality stories to sustain us through the challenging times ahead 😉 .
Last Sunday in Storyteller v Smooth Writer I talked about judging contest entries and understanding the difference between polished writing and addictive storytelling. I said I’d decided not to take any more classes or buy any more writing books until I’d figured out how to make the storyline of my WIP as powerful as it can be.
Yeah, but no. A couple of days after I put up that post I bought a writing book and I’ve been glued to it ever since. I have not been this excited about a craft book, ever.
Today, we’ve got a short interview with Lois McMaster Bujold about the writing process. Just in time for National Novel Writing Month’s first weekend! Lois writes the thrilling tales of the Vorkosigan family, the Wide Green World, and the World of the Five Gods. This week, the third story about Penric in the W5G came out: Penric’s Mission was published on November 2, 2016. (Announcement on her Goodreads blog, here.) Lois is a master of speculative fiction, and her liberal use of romance in these genres makes her worlds rich and real. Grab a cyber beverage from the Eight Ladies Writing fridge, and pull up a seat!
MD: So, National Novel Writing Month is basically about creating a first draft of at least 50,000 words. What’s your favorite thing about writing the first draft?
LMB: Finishing it. (-:
Starting it runs a close second, true. Then, probably, those moments when a sticky knot gets suddenly undone by some neat idea or inspiration that I didn’t have — often couldn’t have had — earlier. Continue reading
Who’s on your team?
About a year ago I had a discussion with a very kind US-based agent about how to find the best home for my UK-set contemporary romance. Among other things we talked about my writing process and my long-term goals. Several of her questions began: “Do you know anyone who…?” or “Do any of your writing friends…?” I managed to scrape up the occasional “yes,” but mostly the answer was “no.” After a while she said, “I see. You haven’t found your tribe yet.”
She was right.
Some of the other 8 Ladies have been at this writing gig much longer than I have, and their networks are much wider, deeper and stronger than mine, Continue reading
Photo by AntanO
The other day I got caught in a long wait without the new book I’d just started, so I pulled out my phone and started a book from my digital TBR pile. It was great! I liked the protagonist, a 20-year police veteran, now a PI, shattered from a tragic personal event, resisting the lure of paid clients. And then this dame walks through the door…
And I was off and running. I loved the PI, loved the dame, loved the premise. And then—on a stakeout, the PI leaves his gun on the passenger seat, his laptop on the back seat, his burglary tools and other equipment in an open bag on the floor…and doesn’t lock his car door.
Boom, just like that, I was done. What cop turned PI—anyone at all—wouldn’t lock their car with all that stuff visible? No one. Behavior like that is either a screaming Plot Device, or it foreshadows an investigator who’s too stupid to live. Either way, I didn’t read one more page.
Hooking the reader at the beginning of the story is difficult, but crucial for writers. My instant turnoff of this mystery reminded me of Nancy’s recent post, describing her many rewrites of her first chapter as she works to find the true starting point of her story. And Jenny Crusie, in a recent post of hers, wrote of her struggle to figure out who her hero is. A different character emerges with each draft, she says. Continue reading