You know how that journey begins: with just one step. While it’s a cliche, it can be a helpful one, especially when you’re staring down the barrel of a 100k-word novel, overwhelmed and blocked, ready to curl up on the sofa and get lost in ten hours of Netflix and a box of chocolate sea salt caramels. Not that anyone here has ever done that. (Ahem.)
I got a reminder of the importance of breaking down a long, difficult journey into do-able steps his past fall when I took a course called Get Your Scary Shit Done, taught by Jen Louden. We all need different motivators and encouragement at different points on our creative journeys, and fortunately for me, GSSD came at just the right time for me. I not only completed the project I’d identified for the 7-week course (writing an Act of one of my many writing projects), I finished early and started on the next mini-project (planning the next Act). As is often the case in a motivational program, it’s not so much that the material was brand-new, never-before-seen information; it’s that it was framed and organized in a way that made me use knowledge I already had in a different way.
I’ve recently returned to the 7-week course week to overcome the last mental obstacles I have in finishing my HFF series book 1 revisions. In the first week of the course, one of the core activities is Continue reading
A few weeks ago, Jeanne told us about her plan to release The Demon Always Wins in September (yay!). In the comments section, I asked about her publishing schedule, and then jumped back into some deadlines for the day job and never got back to the conversation.
But with Jeanne and Jilly nailing down their 2018 self-publishing plans, the need to batten down the hatches with my own plan has been looming large in my mind. Like many of the ladies, I’ve joined Marie Force’s self-publishing loop, followed the work of self-publishing guru Mark Dawson, and tried to keep up with the ever-changing book marketing landscape. I’ve also had another great resource in some friends who moved from traditional to self- or hybrid-publishing, including Mindy Klasky, whose book The Rational Writer: Nuts and Bolts I discussed in a writing tools and resources post.
The take-away from all of this data is I know a lot of the what of self-publishing, and a good deal of the the how. The missing data, though, is the when. Continue reading
There’s been a lot of buzz here on the blog lately about upcoming book releases from several of us here at 8LW, This includes my own Victorian Romance series, with the opening novella tentatively slated for a late October release. One of the realities of publishing these days, whether via the traditional route or self-publishing, is the requirement for authors to market their own books. With that in mind, expect to hear a lot about book marketing here on the blog over the next several months to a year.
Today, I’d like to look at one of the basic marketing building blocks every writer needs that has dominated my brain-space for the last several days: the pitch. You’ve probably heard of it. But what is a pitch? How do you use it? And is it really necessary?
That last question is the easiest to answer: YES!
I’m going to glom together the answers to the other two questions because, in reality, there are different types of pitches, and they’re used for different purposes. Continue reading
Sometimes basic is best. Getting back to basics. Basic black. Basic humanity.
And so it is with writing. Every now and then, often in one of the revision stages of a story, it’s time to get back to the basics – the point, the goal, and the conflict of a story. That means it’s time to reach into the writer’s basic toolbox and pull out some old favorites to identify festering plot holes, shore up weak conflicts, and fix leaky sinks. Okay, maybe not that last one.
This lesson presented itself to me when I recently found my Harrow’s Finest Five book 1 revision slowly circling the drain (what is it with me and sinks today?). I was dissatisfied with the story stakes. As I read the manuscript, they didn’t seem to be escalating, further complicating heroine Emme’s life, and leading her to an inevitable clash with consequences of her own making.
An author has options at such times. Crying. Chocolate. Booze. Cyring into chocolate and booze. But I’ve heard it can actually be more empowering to use TOOLS. Powerful, writerly tools. In this case, I opted for the tools and pulled the conflict box out of my toolbox to see why my revision had gotten stuck and my story felt flat. Continue reading
A few weeks ago, I told you about my quest to get my butt in the chair and words on the page, to re-engage with my WIP after long months away from it due to obligations of the dreaded ‘day job’. Getting my writing mojo back was not going well, and I need to take Nike’s advice and ‘just do it’. Just sit down and type.
At first, that approach seemed to work. I’d get down a few hundred words here and there. Then I realized some scenes were nothing like I remembered them, and I made notes about fixing them. After that, I realized some scenes I would have sworn I’d written were really just in my head, not on the page. Things were going from bad to worse.
But we are a tenacious group, we writers. So one night I sat down with a glass of wine (hey, tenacity sometimes needs a boost) and pondered how I should approach this mess of a WIP I’d made. Although it wasn’t so much that I’d made a mess of it. Stepping away from it for so long had allowed my subconscious to write a better story. It had fixed some plot holes and gotten to the deeper essence of my characters, which drives how they will act/react, which drives the plot. See, a glass (or maybe it was two) of wine can do wonderful things for perspective. Continue reading