When we read romance books, we know that, by definition, the couple will get a happily ever after (HEA). The joy isn’t the destination; it’s the journey. Not the what, but the how and, as Lisa Cron would remind us, the why.
But one thing I’ve been pondering as I finish my final round of revisions on the next Harrow’s book (Two Scandals are Better than One) is whether part of that journey should be the sense that this couple’s obstacles are so great, they just might not make it. Two Scandals doesn’t have that burning question. One of my beta readers listed it as a problem, although she liked the overall story. And as the writer/god of this story universe, I can thank her for that input and then choose to ignore it. But that bit of critique has stuck in my brain, because I think she might be onto something. Continue reading
Later this week, I will finish the final pages of the first draft of Three Husbands and a Lover. While I will then walk away from it for a few to several weeks before starting on revisions, there is one change I already know I have to make: changing the name of the hero’s sister. Percival (Percy) Carlyle, Captain Lord Granville, is an earl with three younger sisters. The younger two are sixteen-year-old twins named Lily and Iris. The oldest is eighteen and is named Priscilla, Prissy for short.
You can see the problem. Percy and Prissy. As much as the sister just felt like a Prissy, as much as the name suited the character, even I started getting confused and typing one name when I meant the other. Now this character, who plays an important secondary role in this story and who might get a story of her own someday, needs a new name.
This oldest sister is chatty, bubbly, and hopelessly romantic. She is has fallen head over heels for her first earnest suitor, who doesn’t really deserve her affections. And she welcomes her brother’s new wife with open arms, thrilled to have an older sister to balance out the two younger ones. She is tallish for a woman, and has pale freckled skin and light reddish-blonde hair like her brother, and unlike her mother and sisters who are petite, dark-haired, and dark-eyed.
The two younger sisters are named after flowers, obviously. Flower names became very popular in the 19th century, and it wouldn’t be too big a stretch to imagine a family naming all their daughters after symbols of prettiness and sweetness. So, like her sisters, the character formerly known as Prissy will be named after a flower. I’ve narrowed down the list to the following three, with their meanings, and the pros and cons of each from my perspective. Continue reading
Recently, I had the absolute pleasure of reading Behind These Doors by Jude Lucens. This Edwardian polyamorous romance is one of my favorite reads of 2019 thus far.
Here’s a bit of an open secret of many authors, me among them: when we’re deeply entrenched in own stories, it can be hard to wrap our heads around other books in the same genre. I tell you this because – as I finish writing my fourth historical romance in a row and am about to start the fifth – for a book in the genre to turn my head right now, it has to hit all my HEA buttons. And, boy howdy, Behind These Doors does that. Here are the top five reasons I fell in love with this book.
Exquisite historical detail, deftly rendered. The Honorable Aubrey Fanshawe and Lucien Saxby meet in London in 1906. These men are from different classes and lead very different lives. Part of their journey is observing and learning about these overt and nuanced differences in each other’s lives, and understanding the fraught nature of being bi/poly men in that time and place. Of course, as these characters make these observations, so does the reader, which immerses us in this specific time and place. Continue reading
April might very well be my favorite month of the year. So many great things happen during this first full month of spring! My daughter has her birthday. Trees and flowers begin blooming for another year (allergies be damned!). Days grow longer and warmer, but not yet hot and humid (usually).
This year, in honor of this uplifting month, instead of just discussing my goals and plans on the April Monday accountability thread, I’m sharing the things I’m looking forward to seeing/having/doing this month.
Covers. It’s very exciting to open an email to find your new book cover design attached! Once again, I’m working on covers for the Harrow’s Finest Five series. This time, I’m waiting for the final version of the design for Two Scandals Are Better Than One, which has a book release date of late May. My newsletter subscribers will get the first sneak peek sometime in the next few weeks, and then I’ll share it here by the end of the month – a very exciting way to close out April!
And speaking of covers, I was amused but not surprised when two of the ladies posted about them last week. We do seem to be a little obsessed with them here at the 8LW blog. But now more than ever, covers are integral to categorizing, branding, and marketing books. Maybe sad, often stressful, but definitely true. That’s why I’m also working on a cover update for the novella Too Clever by Half. Continue reading
This might or might not be an accurate depiction of me upon realizing I’ve done it again.
I like to say that I can be taught. That I can learn from my mistakes. That writing, like life, is a process, and part of that process is continuous improvement. Yes, I like to say I’m getting better, but then I do things that make a liar out of me.
Case in point: I’ve been working on the next book in the Harrow’s Finest Five series, Three Husbands and a Lover, for those of you keeping track at home. This is Percy’s story (Captain Lord Granville), who is the group cut-up, thrill-seeker, and all around flirtatious cad. But I knew, from the inception of the series, that all his light frivolity was hiding a dark inner life. This is crunchy stuff, the kind a writer likes to sink her teeth into. But it took a few bites for me to get there.
In the pre-discovery phase of the book, which is when characters with some vague motivations, snippets of conversations, and partial scenes float around in brain, untethered from each other and any kind of story logic, this was a very different story from what it is today. And that’s fine. That’s why I do discovery work – to excavate and sift and reveal a few tiny gold nuggets per metric ton of crap.
Turns out our heroine, Finola, had a goal in the initial story iteration. It was a good, strong, “close-your-eyes-and-you-can-see-it” goal. But it didn’t have anything to do with Percy, who didn’t yet have a raison d’être of his own beyond “get Finola in bed.” Continue reading
Like some of the other ladies on the blog, this year I was a judge for an RWA contest, the RITA. I was tasked with reading seven published books in different contest categories (read: not competing against each other) and given approximately two months to complete and score them. Easy peasy. I would read one contest book per week, record my scores online, and be done in plenty of time.
Er…Um…Well, you know how it goes. I got behind on writing here, picked up books off my TBR pile there, got distracted by a shiny object across the room, and the next thing I knew, I only had two weeks left to read all seven of my entries. Goal: seven romance books in seven days, with a week of wiggle room. Outcome: seven books in ten days. Deadline, schmedline. I finished with four days to spare.
Because I’ve always read in diverse genres and like to mix it up, I’m not sure I’ve ever read that many books in a row in romance or any other single category. This unusual (for me) approach to reading allowed me to compare and contrast the books as a reader and as a writer. Three of the books were quite good. If I’d been reading them in the wild, I would have stuck with them and probably given up some sleep and, for one or two of them, possibly even some writing time to finish the stories. A fourth was also good and I would have finished it, but it would have taken me a few days and several reading sessions to do so. A fifth was just ‘meh’ for me, and absent the requirement to read it for the contest, I might have wandered away from it if I’d had another book waiting. (And honestly, who doesn’t always have another book or ten waiting?) As for the last two books, oy! They would have been DNFs for me if I’d had a choice.
Following are my top takeaways from going all romance, all the time, for seven books and ten days, starting with the good, moving to the bad, and ending with the ugly. Continue reading
Last week, Jeanne wrote about needing help figuring out how the characters in her book progressed to a second date in their years’-earlier relationship. In the comments, there were some great suggestions for how she could figure out how the hero convinced the heroine to go out with him after a less-than-stellar first date. In addition to the brainstorming, I liked some other things about Jeanne’s post, such as 1) an excerpt – yay! and 2) some love for the backstory she’s creating for her characters.
We’ve discussed backstory on the blog before. I wrote about it here and here, giving some examples of where you’ve seen and why it’s not such a bad thing. As I’m deep into a story that depends on multiple levels of backstory, and juxtaposed with Jeanne sharing her bit of backstory she’s writing for her WIP, I thought it a prescient time for a reminder of how important this nifty little element of fiction is. According to writing teacher extraordinaire Lisa Cron’s philosophy, backstory is the backbone of story itself. Continue reading