This is your friendly reminder that this is the day Third Husband’s the Charm goes on sale, and at a special release day price to boot. If you get your copy today, you’ll be all set for your weekend reading. (It’s also available in paperback, but that will take a few more days to get to you.) Go to my book page to learn more and to find links to retailers.
Third Husband’s the Charm
An irreverent cad. An abandoned wife. A secret marriage. But is anything really what it seems? Percy, the Captain Lord Granston, and the widow Finola Simmons both have their reasons to pretend to be married. But living as husband and wife leads them into temptation, and they come to an agreement: they’ll keep each other’s secrets, embark on a brief affair, and both get what they want before their fake marriage ends. It will work like a charm, as long as neither of them falls in love.
A reasonable likeness of me this past month.
Well, hello there! Happy September!
It’s been a while since we’ve chatted. I’ve been in social media hibernation mode this past month. Not total hibernation, though. I spent August wrestling a new (and very stubborn) story to the ground, gnashing my teeth over a revision gone off the rails, planning a long-weekend trip for research and Bourbon-drinking purposes, and dealing with health upkeep (recovering from sports injuries and keeping all those pesky preventative care appointments). Today, I’m finally popping my head out of my writing cave to share a few things coming up in September. Continue reading
In the past couple of months, I have been out in the writing wilds, reviewing multiple manuscripts. I return to you now with disturbing news: someone has absconded with all the dialogue tags.
Or so I thought, when three of the last four manuscripts I reviewed had long passages of dialogue with no attributions. None of those innocuous “he said” “she said” phrases. No bodies in motion in the same paragraph to show who must have said it. Not even the slightly more annoying scene blocking some of us (ahem, are those three fingers pointing back at me?) tend to use, at least in early drafts, for variation. This lack of tags occurred in scenes with two people talking. And three characters. And even five! Yes, I read a scene with five people in a conversation, with no way to discern, from the words on the page, who was saying what.
I got a sinking feeling.
When a trend appears across manuscripts of writers who do not know each other (and therefore probably haven’t come up with a new technique themselves), I smell “advice” emanating from “professionals”. When I asked one of the writers about the lack of tags, she confirmed my fear. She had cut most of the dialogue tags from her manuscript after her writing group (that’s a whole other blog post, isn’t it?) told her she should stop using them. WHAT?!!! I wondered out loud where they had learned this…ok, I’m struggling not to use profanity, so imagine some nicer word for BS. According to my writer, they got the advice from agents. More precisely, from agents ranting on Twitter.
That loud thwack heard ’round the world was my head hitting my desk. Continue reading
Years ago, when I was in my previous life and profession and was using a white board for something other than character arcs and plot progressions, I kept a question on my board at work. It was, “What keeps you up at night?” This is a question used in sales in marketing to remind sellers to think about what the customer wants/needs/stresses about, NOT about the widget or service we want to sell.
Then about five years ago, I read an article that argued (rather convincingly) that we should stop asking what keeps our customers up at night, and start asking, “What gets you out of bed in the morning?” Do you see the shift from negative to positive? I brought that to the teams I managed with the goal of writing our business proposals with a different spin. We still needed to write about knowing the customer’s pain and how to solve it. But I started pestering my teams (and the business development execs who interacted with the customers) to learn about customer’s bigger-picture visions. I wanted to expand our message to say, “We support solutions, but also aspirations.”
By now you’re wondering, WTH does this have to do with fiction writing? I’m so glad you asked! Continue reading
Me, every writing day. Often, I am pushing the same damn boulder I’ve been pushing for weeks or months.
Last week, I had a conversation with a very creative person in a field other than writing. (Yes, it turns out there are creatives in the world who are not writers! I, too, was surprised.) We were discussing “living the dream.” Which is, apparently, what I, as a full-time writer, am doing. My creative friend, still working the day job, is not. And he had thoughts about that.
Actually, he has dreams of his own, which are wonderful things! He also has some misconceptions about what my day-to-day life of dream-living entails.
For those of you who have not met me IRL, I should explain that I have no poker face. Ergo, I could not hide my shock, dismay, and perhaps even amusement at his idea of my life. And while I have my own dreams of spending my writing days frolicking with unicorns and sliding down rainbows while the Best Story Ever Written magically appears on my computer screen, I’ve only had two, maybe three days tops, when unicorns have appeared. And those might or might not have involved whisky. That is to say, this dream gig is hard. Continue reading
Over the past 10 or so years, I’ve tried to get on the book club train three different times. Each time, I left the group after only one meeting. That choice wasn’t because I took issue with the people (they are readers, and therefore inherently lovely😊), their passion for the books, or even the wine. It was because I, as a writer, read so differently than non-writers that I was looking for things in a book discussion that the other members wouldn’t find interesting. Ergo, I had nothing to bring to the book club party (other than the wine, which is important! but not really the point).
The real problem I and many other writers have in joining book clubs is that we’re not looking for book discussions at all. We’re looking for book dissections. Writing craft deep-dives. Story geek deconstructions.
That’s why I’m so glad I agreed to join an online book club with one of my writing tribes. We are all long-time writers, with multiple years and manuscripts-worth of experience. Most of us either are or are in training to become book coaches who work with other writers on a regular and ongoing basis. That training has given us a common language and shared tools we use to evaluate writing. Last week, we had a one-hour online video chat to discuss our first group book, Where the Crawdads Sing by Delia Owens. Our discussion was wonky and geeky and made my little writer heart sing with joy.
Interestingly, though, when I found myself thinking about the book and our discussion in the days that followed, it was usually in the context of current writing career advice and “truths”, how Delia Owens ignored (intentionally or otherwise) much of it, and how none of it is applicable if it isn’t relevant to you and your process. Continue reading
This could TOTALLY be Percy and Finola if he were a strawberry-blond instead of a brunette.
Here on the blog, we spend a lot of time discussing the importance of book covers and branding in getting our books into the hands of the right readers, the ones who will love our particular genres and stories. It probably goes without saying, but in case it doesn’t, I’ll say it now: book titles are an important part of the overall package that positions books.
With that caveat, you can probably see where this post is going. Turns out, the title I selected for my next book, a title I’ve loved and attached to and had at the forefront of my brain while I wrote the book, might not work for my romance sub-genre. It all started when I was working on cover concepts with my new cover designer (this is designer number three, for those of you following along at home). After several discussions of the book with her, I woke up one morning to find an email in my inbox that changed the way I now see my beloved title.
As she had been setting up a design and working on fitting the title into it, it struck her that Three Husbands and a Lover sounded like a reverse harem erotica title. If you haven’t heard of the RH subgenre, it’s one woman with multiple male lovers, and tends to be erotica. Um, no. Not my genre, and not what I intended communicate with that name. If I thought it was just her opinion, well-versed as she is in the romance field, I could ignore it. But now that she’s put that thought in my brain, all I can picture when I see that title is my heroine surrounded by her four lovers. Continue reading