Kay: Agatha Christie’s Villains

We’ve been talking about plots this week—Jilly about what she likes; Jeanne, what she doesn’t; and Elizabeth, how many plot elements in a story are too many. In keeping with the theme (especially Elizabeth’s theme of murder mysteries), I found a great article by Dorothy Gambrell in Bloomberg Businessweek, of all places, that charted plot and character elements in Agatha Christie novels. It’s pretty cool.

I’ve read quite a few of Christie’s novels, and while I’m not a huge fan of her work any more, there’s no denying that she had a huge influence on the development of the mystery genre. So it was interesting and fun to look at these charts and see what characteristics Christie gave her killers, broken down by age, gender, occupation, method, motivation, and relationship to the victim—and how these elements changed over Christie’s working life. (I tried to post some of the charts, but alas—Bloomberg didn’t use a format that I could reproduce.) Continue reading

Jilly: Searching for Niol

I don’t know about you, but I’m digging in for the long haul. It would be lovely to think the world was starting to return to normal, but I’m not making any plans that involve spending significant time in the wider world. Fingers crossed for next year.

Luckily I have a new writing project to keep me busy. I just finished up the developmental edits on The Seeds of Exile and sent it off for copy editing. Yay! Now I need to get to work on the next Elan Intrigues book, The Seeds of Destiny. I have a pretty good idea of the central story (more on that later), but I’ve acquired an important secondary character and right now I know next to nothing about him.

The Seeds of Exile is about the relationship between twenty-six-year-old Daire Edevald, crown prince and ruler of the wealthy city state of Caldermor, and Warrick Edevald, his twenty-one year old brother and heir. As I wrote the novella, I discovered a third brother, eighteen-year-old Niol. He doesn’t appear in the book, but he features strongly in the battle between the brothers and at the end of the novella Daire sends a message to call Niol home.

Salient details about Niol: he was sent away aged eight, to be raised at a friendly court on a remote peninsula four days’ ride away from Caldermor. That was a decade ago and he hasn’t been back since, though he’s always known he might be recalled. His political value is as backup to Warrick, just as Warrick is backup for Daire.

I was talking through my edit report with Karen, my developmental editor. She said “So, Niol. What’s he been doing and what’s he like?” Er. Good question. Better figure that out.

All the Edevald boys have been brought up to do their duty, no matter the personal cost, but they have very different styles and personalities. Daire is showy and theatrical, totally OTT, with a talent for political maneuvring and a big heart. Warrick is scholarly, introverted, idealistic, a touch pedantic. So what is Niol? Physically he’s like his brothers– tall and whippy, with masses of curly hair and a cute smile. As a character he can be almost anything I want him to be except an out-and-out villain.

I’d like him to be very different from the other two sons, and since he was raised in a different country I can easily justify that.

Is he happy or resentful that he was sent away?

How does he feel about the family and/or tutors who were given the responsibility of raising him? Does he feel more loyal to them than to Caldermor?

What’s his personality like? What skills has he learned in the last decade?

How does he feel about being recalled? I think he could have visited over the years but has chosen not to, which suggests to me he doesn’t see Caldermor as his home. He has no reason to feel brotherly love for Daire or Warrick.

I’d like Niol to be fun to write, and to read about. What kind of young man do you think he’d be?

Justine: Making Your “Alpha Male” More Like Nature’s Alpha Males

We all know what sort of man an alpha male is…strong, usually buff, definitely tough, and the one who gives orders, not takes them. He typically gets what he wants when he wants it, and if he’s threatened, he’ll go up against that threat, even if it means getting physical.

The trope of the alpha male is alive and well in many romances these days. But is that what nature intended when she created alpha males? Continue reading

Kay: Fine Lines

from self.com

#MeToo is an awesome thing, the zeitgeist of our times. It’s put everyone on notice: the old ways/jokes/behaviors/assumptions are over! Including how you approach fiction, especially (maybe) romantic comedy, which is more or less what I usually write.

Two days ago the Washington Post published an article that revisited some old rom-coms, analyzing how male rom-com behaviors that 10 or 20 years ago seemed cute and fun now look stalker-ish in light of #MeToo. And yesterday Jenny Crusie wrote a blog about that article and how her books appear in the glare of 20/20 #MeToo hindsight. (Spoiler alert: She thinks mostly her books hold up okay, in part because her heroes aren’t alpha males out to conquer. There’s a lot more to the discussion, so check it out.) Continue reading

Kay: Time to Vote

What’s in a name? Photo via persnicketypoop on Reddit (2012)

I have to choose a name for a new character, and I wonder what you think.

Picking a name for a character is serious business. I’m sure every writer has a method s/he prefers. I usually go with a combination of the phone book for last names and baby name web sites for first names. When I want a name to sound particularly ethnic, I also search web sites for “common names” for whatever ethnicity I want my character to reflect. I usually go with fairly short names if it seems that pronunciation might be difficult for, say, me.

In my new WIP (!), which is book three of my Phoebe trilogy (book two is finished! Cue fireworks!), I have introduced a character, a young man, who is taking the coursework necessary to become certified in protection driving—the kind of driving that celebrities and politicians hire when they feel threatened. Continue reading

Elizabeth: NaNo Countdown – 2 Weeks To Go

We’re halfway through the month of October, which means there are just a few weeks left before NaNoWriMo kicks off on November 1.  In order to prepare for what I hope will be a successful month of writing I’ve been doing a bit of prep-work these past few weeks.

As I mentioned in my first post in this series here, I began the countdown to November by working on the outline for the story I’m planning to write.  As the outline developed, I found I needed to clarify the setting, in order to get a big picture view of how the story will progress.  If you missed it, you can read that post, and the helpful suggestions from commenters, here.

With a general outline and the story setting(s) nailed down (kind of, sort of), I still have a pretty large gap that needs to be addressed before I start trying to put words on the page.  I need to know who these people are who will inhabit the story.  My heroine needs a hero.  My antagonist needs a supporting cast.  And I need to know who that random assortment of secondary characters is and what roles they are going to play.

Piece of cake, right?

Not surprisingly, this week my focus is on:  Character Continue reading

Elizabeth: Ah-ha Moments

Last week’s RWA Conference in Orlando was a bit unusual for me.  I’ve been to writing conferences before and I’ve even heard some of these same speakers speak before, but what was different this time around is that, when the end of the conference rolled around on Saturday afternoon, I was actually a little disappointed that it was all over.

That never happens.

A number of things made this conference a little different, not the least of which was that Michille and actually I got to meet one of our blog followers live and in person.  Writing here on the blog can feel pretty anonymous, so it was very exciting to have a follower recognize us and seem so pleased to meet us.  We only wish we had had the presence of mind to take a photo.

My primary reason for attending this year’s conference was to spend some quality time with the rest of the Eight Ladies, and we definitely did that.    Over the course of almost five days together, there was plenty of time to talk story, to brainstorm, and to plot and plan.  As I had hoped, that left me re-motivated to get back to work on my current mystery draft.  It was also nice to get some confirmation that the story seems to be heading in the right direction, especially since I was starting to feel like I was losing my grasp on the plot.

Equally helpful Continue reading

Kay: Writing Sex Scenes

Cupid and Psyche (1817), by Jacques-Louis David (1748–1825)

Cupid and Psyche (1817), by Jacques-Louis David (1748–1825)

I’ve been chugging along on my WIP for a very long time. For a while, Life intervened. But even after I got Life wrassled to the ground and stomped on, that WIP just didn’t cooperate. No matter how I tried to gas it up and drive it someplace, it went nowhere. And as I don’t have to tell most of you, nothing is more depressing than writing 500 new words and deleting 600 old ones every day. A person starts to wonder if she’ll end up with an empty tank and no place to go.

But over the last few months, things have turned around. The book’s going okay. It isn’t there yet, but these days I’m writing 500 words and deleting 50. That’s what I call progress.

Until yesterday. Yesterday I looked at my blank page with fear and loathing. I’ve come to that spot in the book where my characters need to have sex.

I hate writing sex scenes. I know they’re supposed to be like any other scene, where things happen and characters grow or change, or the plot moves (or maybe that’s the earth) and so on. Continue reading

Justine: Slow Burn in Romance

11347342 - burning candle. an ancient candlestick, a dark background

This past Sunday, Jilly brought up a “blunder” with her recent contest entry. She’s writing a romance, but the relationship between her H&H is a slow burn. However, she got dinged by a few of the judges because there was little evidence of romance in her story (at least the first 50 or so pages) and none in her synopsis, yet this was a contest for romance writers.

I find it coincidental that Jilly got this feedback recently, because I’ve just read two books by Sarah MacLean (in her new Scandal and Scoundrel series) and one by Lenora Bell where there isn’t much evidence of romance right off the bat, either. Yet Continue reading

Jilly: Hooked by the Olympics

Hooked by the OlympicsWhat have you been up to this week?

I got back from Scotland on Tuesday evening to a mountain of laundry and a couple of real life annoyances. Dealing with those took me until Thursday morning, and then the decks were clear for me to get back to my romantic fantasy WIP.

At least, that was the idea.

Elizabeth reported earlier this week that her Girls in the Basement had absconded and were presumed drinking Margaritas on a beach somewhere, leaving her to stare at a blank page. My Girls are here, but I can’t seem to get them under control. They spent ten days in Scotland spinning off idea after idea for my contemporary Gilded Lily series, which is exciting but doesn’t help with my long list of current story questions. Now they’re busy sparking off the Olympics, which is even less productive. Still, it’s a fascinating, once-every-four-years spectacle, so I’ve decided to go with the flow for one more day, until the end of the weekend.

The great thing about the Olympics is that it’s more than a showcase of world-class sports from the familiar to the mind-bogglingly esoteric. The event is built on human endeavor, triumph and disaster, which makes it a story masterclass. I’ve been thinking a lot about that. Continue reading