Michaeline: YouTube Boyfriend

I spend entirely too much time on the internet, but when it pays off, it pays off big. I stumbled upon a virtual boyfriend audio clip on YouTube today. (ASMR Roleplay: I’ll be your muse [Comfort for Artist’s . . . .  8:32)

It’s a ten-minute romantic interaction with a boyfriend. I find it a fascinating model, because it’s very direct and intimate with the listener (second person POV comes in handy for once, babies!), yet it’s got a distinct narrative. It’s almost like an audio book.

This particular story has some cringe in the beginning – I find the boyfriend too bossy and condescending (although, I feel some women and men might find him very caring and “doing it for my own good”). As the story goes along, though, the boyfriend is encouraging (the listener plays the part of an artist with creative blockage, and the boyfriend offers to be their muse), and there is a lovely part where he reminisces about “our” plans together.

Quite honestly, when I have writing blocks (which is ALL THE GODDAMN TIME), I would prefer NOT to be encouraged. It makes me feel guilty. However, when it’s a fantasy boy, and not a real person, it makes a lot of difference. And . . . if I wrote a story about a perfect lover who said and did all the right things, it might be quite comforting. More importantly, it could be comforting and fun for other people, as well.

I’d be very interested in hearing what you think about this format – the ten-minute short story, read aloud and then distributed through 21st century technology. Does it spark any ideas? Or would you just rather read a well-loved romance novel again for the umpteenth time?

(Nothing wrong with reading a well-loved romance novel again for the umpteenth time – I do it several times a year. It’s just that I’m so pinched for time lately that if I could find the niche “YouTube Boyfriend” that massaged all my buttons, and did it in ten minutes flat, I’d be ecstatic.)

Michaeline: A Love Story for Valentine Week

A stylish Japanese modern girl with a black bob, beautiful eyes and lips, and a stylish sheath dress. The art is titled "Tipsy".

Anna Kitt, on working holiday in New York City. (Image via Wikimedia Commons)

Every love story has its conflict, and weak lovers can see it. Their love is paralyzed, and eventually stillborn as they realize just how impossible it is to love this person at this time in this place. But true lovers don’t see the conflict. Love is blind, you see. The lovers are like two cats in a bag, struggling against this unsee-able confinement, but together for as long as it takes to make peace with the bag or get out. That’s why when I saw Anna for the first time, I fell in love instead of running away.

I walked into that bakery in Korea-town, looking for a little something sweet on a cold February day, and I saw her by the pain au chocolat. Black bob, perfect cat-eye liner capturing dark brown eyes, and she was elegant in something black and floofy around the hips with a red fur stole over her shoulders. I reached around to take the last piece of ganache cream cake, when she grabbed my wrist.

“I don’t think you want that, mister,” she said. “It’s mine.”

My first instinct was to back up, stuttering something like, “Of course, madam” and scurrying away but then she gave me the side-eye, and then I saw those red lips, and something funny happened in my chest, and I said, “Why don’t we share it?”

She smiled, and that funny thing in my chest turned into a raging, roaring fire. “My name is Anna,” she said.

“Ray Perez,” I said, and almost kissed her hand before remembering what century I was in.

So, that’s how we wound up sharing a little rectangle of chocolate cake while Continue reading

Michaeline: Review of the new Bujold “Knife Children”!

(Note: no spoilers in the post, but there may be some in the comments. You’ve been warned.)

It’s been a bad few years for reading for me. First, I blamed it on my eyes, but now that I’ve had my reading glasses for a little over a year, I have come to realize it’s only partly about my eyes. Next, I blamed it on the internet – short, addictive bits of reading that reward almost instantly – and if they don’t, well, there’s another post or article to read. And hand-in-hand with the internet is the absolute drama of the past two years in the real world. Trump, Brexit, #MeToo – all that drama, all that conflict. Do I really need a real story when I’m sated with cat pictures on the one hand, and gutted by all the real world on the other?

It turns out, yes, a real story does hit the spot, and Lois McMaster Bujold published another e-novella in her Sharing Knife series on January 24, 2019.

 

"Knife Children" cover

A new book from Bujold! (Cover via Amazon.com)

“Knife Children” has that easy-going rhythm that is part and parcel of the Sharing Knife series. It touches on old Bujoldian themes such as taking responsibility, and the ever-present possibility of redemption. It also deals with the “one damn thing happens after another” aspect of life, and “go lightly over the rough ground”.

On the surface, “Knife Children” is Continue reading

Michaeline: Music behind the words

I would define, in brief, the poetry of words as the rhythmical creation of beauty.” – Edgar Allen Poe (sourced from Goodreads)

We’ve talked many times on this blog about creating a playlist to help us get a better grip on character, setting or the feeling of a plot. And we’ve also discussed (here and among ourselves) the power of a good writing soundtrack that helps us tune out the world and dip into that trance state where good writing just flows.

And I believe we may have even mentioned the usefulness of reading a late draft aloud; we catch things we’d otherwise miss, and the spoken word highlights the underlying rhythms of the written text.

I suppose you could mark it out deliberately, and tell me just how many iambs I have in my pentameter. And a good writing teacher would say, when you put your rhythms in play, they should not mark the time, nor dally in rhyme, like a limerick on spring holiday. Those teachers probably have a point. On the other hand, using a series of short, sharp words to slap a guy in the face is legit, I think. Or flowing down a river of sounds and rhythm when you want to evoke a lazy mood is another thing.

There is a rhythm to writing, good or bad. I recently ran across an interesting clip of Steve Allen playing jazz piano while Jack Kerouac gives a short reading. They go well together, and if you’ll give it seven minutes of your time, you may find yourself meditating on the music behind the language.

https://www.youtube.com/watch?v=3LLpNKo09Xk

And I’ll leave you with this quote.

 “I’m very much aware in the writing of dialogue, or even in the narrative too, of a rhythm. There has to be a rhythm with it … Interviewers have said, you like jazz, don’t you? Because we can hear it in your writing. And I thought that was a compliment.” – Elmore Leonard (sourced from Goodreads)

Michaeline: Welcome to Riverdale

Puff pastry with a layer of cream, more pastry, more cream, more pastry . . . more better! Strawberry on top.

The many layers of a Japanese mille feuille (by Miya, via Wikimedia Commons)

Over the holidays, I binge-watched Riverdale, which is a live action reboot of the 75-plus-years-old Archie comics, and I loved it. I always love a good soap opera, because they are layered like a mille feuille, but Riverdale? Riverdale has layers in five dimensions.

First, artistically speaking, I was struck by the Twin Peaks vibe from the first shot. We open on the tragic drowning death of campus hero, Jason Blossom. In some ways, it feels like a prologue, but it is exactly where the season’s story starts. We’re given a gorgeous backdrop of river and mountains, somewhere near the Canadian border, and the stunning contrasts of all that summer green, and the Blossom twins’ pale skin and red hair. (Tone alert: Riverdale has Twin Peaks’ striking look, but there’s 50 percent less mumbo jumbo. The story references Twin Peaks as an influence, but it’s got better pacing, in my opinion.)

When I headed back to the DVD menu to click for my next hit, the episode names reminded me of old movies and short stories. Stuff like “Heart of Darkness” and “Faster, Pussycats! Kill! Kill!” I bet a reading/watching program of these references would provide quite an education in how to set up murderous fictional situations. But even if you’ve never read or seen most of these classics (and I haven’t), you’ve heard of them. They are in a million pop references, and you get it. It’s a little touch that re-inforces what you know about this series: it’s a pop rendition of some of the best of the twentieth century. That cult-hit vibe makes it even more cool and mysterious.

The next thing you notice is the stars. I’ll circle back to the younger stars in a paragraph or two, but the older stars? If you are a woman of a certain age, Archie’s dad (played by Luke Perry ((!))) and his mom (Molly Fucking Ringwold! THE red-headed sweetheart of my generation!) will provide all sorts of other feelings and memories. They don’t particularly Continue reading

Michaeline: Short and sweet

SparkNotes.

My friend texted me and asked if I’d heard of them? “Aren’t they like Cliff Notes?” You remember, the condensed versions of the Great Books we were made to read in high school? The ones with summaries and arguments, and were always considered just a bit like the cheater’s way out?

She told me to check out their Twitter feed.

And the first thing I saw was this:

It turns out the SparkNotes people are witty, concise and economical with 280 characters, just like a good summarizer should be.

Oh, boy, I’m excited by the possibilities! Not only are they hip and funny, but there are all sorts of applications for the modern writer. Continue reading

Michaeline: New Stories from Bujold and Crusie!

A lady reading at a desk in her bedroom. She's wearing a warm robe.

It’s going to be a good year for reading! (Image via Wikimedia Commons)

Since Christmas, I’ve been on internet half-rations – I’ve only checked the news, the blog and some YouTube. Yesterday was my first day back, visiting my usual haunts, and boy, the stuff I missed! (Trigger warning: FOMO!)

On December 25, 2018, Lois McMaster Bujold announced a new novella on her Goodreads blog! The story, set in her Americana Wide Green World universe, features Lily and Barr. She says it will be a stand-alone, but since she’s aiming to self-publish the story in “late January”, there’s time for long-time fans to have a leisurely re-read of the four Sharing Knife novels (starting with Beguilement; link to Amazon here). Whoo-hoo!

And on January 1, 2019, Jennifer Crusie wrote on her blog, Argh Ink, “Happy 2019, everybody. I’m gonna finish a book this year.” Well, a happy new year to all of us fans, too! I’ve been following the book-in-progress on her blog from its conception, and the first act promises a lot of fun: demons, cops, murder mystery, romance and some really excellent vicarious diner food. The Nick-and-Nita book may not be out in 2019, but at least it’s almost out of Jenny’s hands – she has excellent taste, and I think the biggest barrier to more Crusie out in the wild is that she doesn’t let ‘em go until she’s reached a point of satisfaction. It’s probably for the best. We fans are voracious, and the most frequent response to a new story is “more please”, which is simply not sustainable. At any rate, in a few weeks (according to an ETA on Jan. 4), it’ll be in her editor’s hands.

What a convergence of the stars! My two favorite living writers are going to release new stories! And I know a lot of my favorite bloggers (right here on Eight Ladies Writing) are also going to release new stories in 2019! (Please comment, Ladies!) And of course, keep an eye on the Friday writing sprints here on 8LW. Our readers are welcome to play, and of course, our Eight Ladies often put up a short, sweet nugget of fictional delight. Are there any new stories that you are keeping your eye on?

It’s going to be a good year for reading, y’all! Get your reading glasses polished!