My creativity has been ramping up lately. And it hit me while at RWA why that is. My Spirit Animal has been crossing my path almost daily. I’ve been walking/jogging in a park with nice walking trails near my house and I see a Great Blue Heron nearly every time I’m there. I live on a farm with several water sources nearby so we have herons in our neck of the woods as well. And while at RWA in Orlando, I jogged every morning and saw two every morning. Some of you are probably thinking, “Well, Michille has gone off the rails.” And if someone had seriously uttered the words My Spirit Animal to me before I took a Jungian psychology course for my master’s degree, I would have said the same about them. But that was before . . . Continue reading
July is quickly coming to a close, which means this should be my “July Short Story” post, but it isn’t.
As we may have mentioned a time or two here on the blog, we’re off to the annual Romance Writers’ of America conference in sun-drenched (aka hot and sticky) Florida this week. Today was a chance for several of us here at 8LW to spend some time together bonding, brainstorming, and recharging our creativity before the conference officially kicks off.
To do that, we headed off to Winter Park to the Charles Homer Morse Museum of American Art. The Morse, according to its website, houses the world’s most comprehensive collection of works by Louis Comfort Tiffany, including jewelry, pottery, paintings, art glas, leaded-glas lamps & Windows, along with his reconstructed chapel interior from the 1893 Chicago Exposition and art & architectural objects from Laurelton Hall, his Long Island country estate. Continue reading
I’m just back from a routine trip to visit my mum in Derbyshire. The return journey involves a minimum of six hours driving, closer to eight hours this weekend. It almost always results in some brainwave, useful insight about my WIP, or some other problem if Real Life is getting in the way of my writing.
I don’t consciously use my driving time to problem solve—I try to keep my eyes on the road and my wits about me—but somehow when my surface concentration is fully occupied watching the traffic, the deeper levels of my mind feel free to work on knottier problems.
I write sequentially, which means that I use each scene I write to provide the impetus for the next one. The good thing about my process is that the story grows organically. The downside is that when I hit a problem, I grind to a halt and spin my wheels. I can’t move forward until I resolve it.
Over the last few years I’ve tried various tactics to rescue myself when I get stuck. Here are a selection of the ones which work best for me, though your mileage may vary. Continue reading
I collect and hoard story starters from here, there and everywhere (Alexis grew from the juxtaposition of two fascinating anecdotes shared by my hairdresser), but my all-time favorite source is the BBC website.
Most weeks I stumble across something weird or wonderful that makes my brain fizz. I bookmark them in a folder called ‘story stuff’ and forget about them until I’m looking for ideas or inspiration or just something a little different to get the wheels turning.
I had one of those days today, so I took a stroll through my story stuff file. There are more than a hundred nuggets in there, but here are a trio of good ones.
A sci-fi classic: Continue reading
Michaeline’s post yesterday (Story Bites for When You Just Can’t) was exactly what I needed. I’m tantalizingly close to the end of my draft, and I know what I need to do, but this last handful of scenes is driving me bananas.
I’m not the fastest writer, but once I’ve figured out what’s supposed to happen in a scene, I can normally nail a decent draft in a day or two. Right now, each one is taking me a week or more: write, delete, rinse and repeat.
My problem is that all the key players are coming together and the stakes are high. In my head the scenes are great, but capturing that intensity on the page is hard. My lack of progress has been making me very cranky indeed, so I thought I’d take Micki’s advice and see if approaching the problem from a different angle would boost my spirits and improve my productivity.
I already have a playlist and a collage for Alexis, so I decided to try something different and write a haiku for each main character at this critical stage of the story.
I’m no expert on haiku, but what I know is this: they should be three lines long, comprising seventeen syllables in a five-seven-five pattern. And ideally they should provide an insight by juxtaposing two contrasting—or conflicting—ideas.
That sounds like the perfect structure for a brief story shot that aims to capture the essence of the character and their conflict.
I’m pleased to report that Continue reading
In my healthcare-related day job, we talk about “Mind – Body – Spirit” when addressing how to help patients (and communities) achieve long-term health and wellness goals. There is a big banner with those words on the wall of one of our buildings and the phrase often appears on PowerPoint slides, especially in strategy and planning meetings. While the idea is sound, I’m afraid the over-used phrase tends to inspire a bit of eye-rolling on occasion, though maybe that’s just me.
Anyway, the prevalence of the phrase at work explains why, when I came across an article the other day talking about how Writing improves your Mind, Body, and Spirit, my first response was an eye-roll. The article, however, had some good points, as did the variety of other related articles I found when I started googling the subject.
Turns out, writing doesn’t just result in stories that can be shared with readers, it also provides some tangible “mind, body, and spirit” related benefits for the writer. As a note: those benefits apply to creative pursuits in general, rather than being tied solely to writing. While it is by no means exhaustive, here is a list of some of the benefits of living a creative (writing) life: Continue reading
I’ve always been a morning person. I find that I do my best writing from breakfast time until early afternoon, when I slow down and eventually grind to a halt. Then I’m usually good for business or household challenges until dinnertime. After that I have an hour, maybe two or three, when my brain doesn’t seem to want to work, but is oddly susceptible to ideas and impressions. If I use this downtime well, it can be incredibly useful later.