Elizabeth: Organizing Creativity

Yes, there is a chair hiding under that pile of fabric

As you’ve seen in recent posts, Jeanne is busy working away on her goal of releasing a trilogy of paranormal romances in the fall of 2018; Jilly is busy working away on her goal to publish her Alexis’s series this year, and Nancy is busy working away on so many projects it’s exhausting just thinking about it.  These Ladies are moving full steam ahead and I’m . . . not.

Now Jeanne and Jilly are fortunate to be writing full time, and Nancy seems to be the Energizer Bunny ™ in disguise, but lack of time isn’t really the problem.  Though my day job keeps evolving and expanding (despite my best efforts to remain invisible), I still have plenty of writing time available. Continue reading

Elizabeth: What are you reading?

With NaNoWriMo a fading memory, the holiday decorating done (mostly), and the sun setting earlier and earlier, evenings after work are the perfect time to curl up on the couch and indulge in a little pleasure reading.

Since conventional wisdom says that reading and writing go together like peanut butter and jelly (though fortunately not as sticky), I don’t even have to feel guilty (much) that my current manuscript is languishing over on my desk.

As my towering to-be-read stacks can attest, I have an embarrassment of choices available for my reading pleasure.  In addition, I’ve picked up a few advanced publication copies of books and some contest prizes, making the “what to read” decision more challenging than normal. Continue reading

Jilly: Birthday bon-bons

Happy Birthday to us, and cheers! to all our friends here on the blog: Eight Ladies Writing celebrated its fourth birthday yesterday, 2 September. Where did the time go?

I thought about selecting my favorite posts of the last four years, but it was just too hard to choose. If you have the time, and you are so inclined, check out our archive. We have a bank of almost 1,400 posts for you to browse and enjoy.

Instead, I decided to hold a traditional birthday celebration today, with champagne, cake, candles, ice cream, and gifts. That is, I picked my favorite fictional moments featuring each of those things 😉 .

If you’d like to join the party by suggesting other festive scenes or books, I’d love that!

Here are my choices:

Champagne
Without question, my favorite champagne-related story is Lord Lovedon’s Duel, a funny, feel-good short story by Loretta Chase. The trouble starts at the heroine’s sister’s wedding, where an excess of champagne leads the eponymous hero to amuse his drunken friends by making cruel and untrue suggestions about the royal groom’s reasons for marrying a wealthy commoner. Unfortunately he is overheard by the bride and her sister, Chloe, the heroine. Chloe is incensed on her sister’s behalf. She’s also more than a little tipsy, so she confronts Lord Lovedon in front of his idiot friends, slaps his face with her glove, dashes a glass of champagne in his face, and challenges him to a duel. Lovedon’s response is as kind and funny as his original remarks were hurtful. There’s a glorious epistolary exchange, culminating in pistols at dusk in Battersea. This story is a clever, perfectly formed hit of happy. I wish I could write something half as good. I love everything about it.

Cake
There’s a spectacular cake-fest Continue reading

Jilly: I’d Love to Read His Story

In her post last Saturday, Michaeline talked about subplots and secondary characters. We chatted in the comments about the movie version of William Goldman’s The Princess Bride, and Michaeline said she wished the whole story could have been about the master swordsman sidekick, Inigo Montoya.

Which got me wondering: which secondary character(s) would you like to see in a starring role?

In this era of series, especially in romance, many (most?) significant secondary characters are written and signaled as sequel bait. Usually I’m excited about that. I love the promise of more stories in a world I’m enjoying, and if I’m already invested in the characters, there’s a delicious frisson of anticipation whenever they do something that could come back to bite them later.

Sometimes the author dangles the treat but keeps the reader waiting through multiple books. Maybe even through an entire series, like Julie Anne Long’s Pennyroyal Green books, where it was always clear that the resolution of Lyon and Olivia’s romance arc would wrap up the series. That’s OK. I’m comfortable with deferred gratification. I know the story will come, eventually. If I care enough, all I have to do is stick with the author and series until it arrives.

Here, I’m thinking more about the cast of supporting players who people a fictional world but who are not set up to step into the limelight in due course. Take Christopher and Barabas, two characters from Ilona Andrews’ Kate Daniels urban fantasy series. Ilona put up a blog post a few days ago in response to a reader’s question about whether she would ever write their romance. Click here to read the post in full. In short, Ilona said the decision would not be a question of popularity, but one of inspiration.

If I had my way, I’d beg the story gods to Continue reading

Jilly: Dunbar’s Number for Writers and Readers

How many authors are on your mental auto-buy checklist? How many are on your keeper shelf? And how long have those authors been at the heart of your reading universe?

I’ve been noodling around with these questions for some time—a couple of years, probably—ever since I first read about Dunbar’s Number. If you’re not familiar with the concept, Wikipedia describes it as a suggested cognitive limit to the number of people with whom one can maintain stable social relationships. Or, to put it crudely: there’s a limit to the number of people your brain has space for.

Dunbar’s Number has been around since the 1990s, but I came across it when I started writing fiction with an eye to publication and realized that meant I’d have to get to grips with social media. If you’d like to know more about the idea in the context of online relationships, click here for a Youtube link to anthropologist Robin Dunbar’s 15-minute Tedx talk: Can The Internet Buy You More Friends?

If you’d prefer the short version, it goes something like this: we humans maintain social relationships at various levels of intimacy, and the number of people we have the capacity to manage at each level is more or less predictable.

  • We have a very inner core of intimate friends and relations, people we would turn to in times of deep emotional stress. Typically there are about five of them.
  • We have a group of best friends, people we know well, confide in, trust, spend time with. That group would likely be about fifteen people, including the inner five.
  • The next closest layer, good friends, would be about fifty people (including the first fifteen);

Continue reading

Jilly: Writing Flawed Sex and No Sex

The birds are singing, the sap is rising, and we’ve been talking a lot here on the blog about writing great sex scenes.

Kay started the party by sharing her battle to reward her long-suffering hero and heroine with a gold-plated, caviar-coated, champagne-drenched, Lamborghini-driving, high-quality, meaningful one-on-one. Last Saturday Michaeline shared her thoughts on the sex scenes in Charmed and Dangerous, an anthology of short gay fantasy stories, and yesterday she told us about a pair of happy couplings she decided not to write. In between, Nancy gave us five points to ponder about writing sex in the romance genre.

I’d like to drop another suggestion into the mix.

Continue reading

Elizabeth: The Call to Action

call_to_actionAs writers, we’re taught that a story rightfully begins with an inciting incident; an event that changes something for our hero/heroine, throwing them off their traditional path and setting everything in motion.   It can be as simple as meeting a cute guy in the bar, the death of a family member, or being transferred to a new job, or more complex, like being transported into a whole new world.  Typically, the inciting incident is something that happens to the hero/heroine, rather than something they actively do.

Simply put, before the inciting incident there is equilibrium.  Afterwards, the balance has been upset and there is a problem to be solved. Continue reading