That’s what I was asking myself yesterday. I’ve been working through a TBR list of new-to-me authors who write in sub-genres similar to mine—historical fantasy, low fantasy, fairy tale re-tellings, what Michaeline memorably described as cozy high fantasy. They’ve all had something interesting to offer: an engaging premise, charismatic heroine, fascinating world, compelling conflict, lovely word-smithery—but none of them put the whole package together in a way that had me transported, desperate to read more and sold on the next in the series.
After a dozen damp squibs I started to wonder if the problem was me, so I took a break and paged through my Kindle to refresh my palate with a guaranteed good read or two. I have a new-ish Kindle with all my purchases on it, but I also have a really old device where most of my library is consigned to the archive. It’s my Keeper Kindle. The only live titles are books which have really grabbed me (unputdownable) and those which I re-read again and again (re-readable).
As I scanned my options, I realized I need to narrow the selection even further. There are some excellent, compelling, well-written stories that I return to again and again. Others that I was glued to first time around, but somehow when I’m looking for a special read I always choose something else.
Take historical romance author Loretta Chase. She’s an excellent writer and a brilliant storyteller. I love Lord of Scoundrels, The Last Hellion, and her Carsington books. I particularly enjoy and often re-visit Miss Wonderful, thanks to its Derbyshire setting and Industrial Revolution-inspired plot. It’s clever, funny and energetically upbeat, so I root for the characters as they battle to overcome a seemingly insurmountable conflict. The book doesn’t just have a happy ending, it makes me feel happy as I read it. Contrast that with Silk is for Seduction, the first Dressmaker book. It’s powerful and emotional. It has a brilliant dark moment and one of the best sex scenes I’ve ever read. The problem is that for most of the book it’s impossible to see how the characters can find a happy ending together, even though it’s equally apparent that they’ll never be happy with anyone else. Even though Love Conquers all in the end, reading the book is an emotionally stressful experience. I bet loads of readers love being put through the emotional wringer, knowing it will all be OK in the end. Not me. On first read I found the book utterly unputdownable. I don’t want to read it again.
In the end my choices were Katherine Addison’s The Goblin Emperor followed by T Kingfisher’s Paladin’s Grace. I had a fabulous time. I’ve read both books multiple times but familiarity only enhanced my enjoyment—several hours of warm and uplifting feelgood, like catching up with old friends. I don’t think I’d describe either book as unputdownable, because even on first reading I took my time and savored every page.
The other question I asked myself was whether I’d like my own books to be unputdownable or re-readable. Obviously I’d love them to be both, but if I had to choose, I’d want to be re-readable. Unputdownable stories might bring bestseller status and greater financial rewards, but to stay with a reader over the years and bring them recurring pleasure would be my definition of success.
How about you? Do you have a preference, as a reader or a writer?