Jilly: Sleep Is My Superpower

Do you find that a good night’s sleep helps you with problem solving?

This week (finally!) I settled down to work on my current WIP, The Seeds of Destiny. I already had some ideas written down and a couple of scenes sketched out, but I put the project on hold while I published The Seeds of Exile and uploaded my freebie novella The Pulse of Princes.

The heroine of The Seeds of Destiny is a healer called Annis Benkith. She belongs to an elusive, nomadic, mountain-dwelling tribe. The Kith are highly attuned to their environment and have some unusual elemental powers. Their abilities affect many aspects of their culture and are particularly important for healers.

So I need to understand and be able to describe clearly how the Kith’s powers work. And I need to think through the wider implications. I know how those powers create the crisis that launches Annis into the story of The Seeds of Destiny, but that leaves a whole world of related questions to be answered.

How, exactly, does Annis do what she does (avoiding spoilers here)? How do I show it so that a reader can see it in her mind’s eye? I’ve always thought that it would involve colors, but this week, when I created a chart for the colors I imagined and considered all the possibilities, I got a palette of outcomes that made the concept look like the aftermath of a paintball game. Argh. So not what I needed.

Also, what’s the difference between what healers do and what other Kith can do? If Annis’s mentor is the Kith’s greatest healer, how come she never discovered this problem before? And if these healing skills are so useful, why don’t the Kith just use them the whole time? I need Annis’s problem to arise in the now, and to be a shock, not an oversight. I need it to lead to difficult and dangerous choices, because that’s a great test of character—for Annis and all the other characters affected by her choices. If the problem can easily be solved, there is no story 😦 .

I wasted a whole day and a good few pages of my newest Moleskine notebook trying to brainstorm answers to these and other fundamental world-building questions. Then I gave up and went to bed. The following morning, in that wonderful semi-conscious relaxed state between sleeping and waking, I realized that I had all the answers.

This happens to me quite often. I guess it’s my subconscious, working on the problem with nothing else to distract it, but it feels more than a little magical. I never take it for granted or try to direct it—I’m just thrilled and amazed whenever it works.

Does sleeping on a problem work for you? Exercise? Knitting? Watching TV? Or some other method that often does the trick, even if you don’t quite know why?

Jilly: Free Novella – The Pulse of Princes

Another year, another Elan Intrigues novella, except this one’s a freebie 😀

You may remember I changed my plan for The Seeds of Exile, the novella I published last month. It’s a sibling rivalry story about Prince Daire of Caldermor and his brother, Prince Warrick. It can be read as a standalone quick read, but it also links the first Elan Intrigues book, The Seeds of Power, with the last one, The Seeds of Destiny.

My initial plan was to offer Exile as a free read to my newsletter subscribers, until I realized the story wasn’t the best choice to introduce new readers to the world of Caldermor and elan. Instead, I wrote a new prequel story about Daire just before he becomes crown prince. He gets a reality check and has to decide whether to challenge the status quo in Caldermor or follow meekly in his father’s footsteps.

This week I finally linked that novella, The Pulse of Princes, to my newsletter sign up page. Yay!

I decided not to offer it for sale, so I won’t be loading it to Amazon or the other e-tailers. I want to keep it as a thank-you for new (and existing) mailing list subscribers. I probably spent more than I should for a freebie—Deranged Doctor Design for the cover, Karen Dale Harris for developmental editing, Anne Victory for copyediting—but I wanted the novella to be of the same quality as my paid Elan Intrigues stories. It is!

Here’s the blurb:

What is a woman’s life worth?

Daire Edevald, heir apparent to the principality of Caldermor, knows his duty. He must make elan, mysterious golden bean-shaped curatives that bring the Edevald family wealth and power. Then he must relinquish the precious pulses to Princess Irmine, his formidable mother, to fund Caldermor’s governance.

But when Daire discovers that the stable-master’s wife is gravely ill after gathering swamp truffles for a royal feast, he feels obliged to help. Twelve pulses of elan would cure her. Daire has made thousands, but he owns none—and Princess Irmine won’t waste a single pulse to save a hireling.

The maidservant’s survival becomes a critical test of Daire’s fast-approaching sovereignty. If he wants to change the principles that drive the Edevalds’ elan use, he must start now. Even if he has to challenge his fierce mother, his dying father, and most dangerous of all, the shadowy immortal guardian of Caldermor.

Here’s an excerpt from the opening scene:

Daire crossed to Lightning and scratched the stallion’s favorite spots around his neck and ears, thinking hard. The answer, when it came, was embarrassingly obvious.

He gave Lightning a final pat and stepped away from his mount. “You said bloodsucker fever can’t be cured, but elan can cure even sharp fever. Surely it can help the body overcome bloodsucker poison.”

“Oh, elan. Elan cures everything.” The stablemaster dismissed Daire’s brilliant insight with a wave of his stubby hand. “Elan’s for people like you. Royalty. Aristocrats. Not for the likes of Vi.”

“Violet got sick hunting truffles for people like me.” Daire waved his own arm in the direction of the palace on the hill and the great houses that surrounded it. “If a few pulses will save her life, why wouldn’t we use them?”

Fisher turned around to stare at Daire, though he kept his arm around Dawn’s neck. He didn’t say a word, just made a kind of soft clicking noise with his tongue. He had a whole vocabulary of noises he used in the stables. This one usually meant one of his four-footed charges had done something unexpected.

“A pulse of elan is worth a year’s wages to a retainer. Two years to serving folk like us.” Fisher spelled it out as though he realized Daire had no idea what his servants were paid. “I couldn’t guess how many pulses it would take to cure Vi. More than a few. Maybe as many as a dozen.”

“A few, a dozen… Our dynasty is built on elan.” Daire spoke as much to himself as to Fisher. “What kind of rulers have we become if we can’t spare the price of a woman’s life?”

Fisher’s eyes opened so wide he looked as though he’d been throttled. His mouth seemed to be gasping for air too.

“I’ll have to speak to my mother.” Daire wondered what she’d say. She wouldn’t be pleased, but she was fair. Violet’s hurts were their fault. If he explained how the problem had come about, surely she should agree it was their duty to help.

Fisher finally found his voice. “Vi is worth the world to me. But Her Highness may not agree.”

Fisher’s misgivings were likely well grounded. Daire grimaced. “My mother bears a heavy load and makes hard choices every day. I hope she will grant me a favor. If not…” Well, they were about to top up the royal reserves with another month’s worth of pulses. And elan matters were the prerogative of the Edevald men, not the crown princess.

*****

If you’re not already a subscriber, I hope this tempts you to give my newsletter a try. If you’re interested, here’s that link again: Subscribe to Secrets & Treats.

Happy Sunday, everyone!

Jilly: 2021 In A Word

It’s 2021, at last!

In recent years, I’ve formed the habit of choosing a watchword to epitomize my approach to the coming twelve months. It’s less prescriptive than a set of resolutions. I see it as a theme. An idea that recurs and pervades.

My recent selections have been:

2017: PUBLISH

2018: TRIMMINGS

2019: CONCENTRATE

2020: WALTZ

With the benefit of hindsight I’d choose something very different for 2020, but a year ago I associated the word pandemic with history books and thrillers. I’d just published my debut novel, The Seeds of Power, and was trying to find my balance as an indie author. I chose WALTZ because I wanted to figure out how to write-publish-market, and a WALTZ is a three-beat dance of balance and elegance. It mixes technical skills and creative artistry. It’s relatively easy to learn the basic steps, but to achieve excellence takes time and application. If done well, it appears effortless and brings joy to both the onlooker and the performer.

I did not learn to WALTZ last year. From March, when the first Covid-19 lockdown was imposed in London, until May or even June, I spent more time following the news than putting words on the page. I worked on covers and other useful tasks until I felt ready to write again. In the second half of the year I published a novella, The Seeds of Exile. I wrote a prequel novella, The Pulse of Princes, which I will make free to my newsletter subscribers (more on that next week). And I acquired covers for The Seeds of Destiny (current WIP) and for an Elan Intrigues box set. So although I didn’t waltz, at least I walked. In the circumstances, I’m calling that a win.

So—what to choose for 2021? My past watchwords have all been under-pinned by the same philosophy—to maximize the joy and satisfaction I receive from my chosen vocation. In 2020 I did that by sheltering within my comfort zone. In 2021 I want to grow my comfort zone. I’d love to add some useful new skills, like formatting and graphics. If I can get better at them, it will make publishing and marketing much easier and I might even come to enjoy them. If I don’t, then I’ll know for sure that those are tasks I should continue to avoid or outsource, and if it takes a little longer or costs a little more—tant pis!

Drumroll…. My watchword for 2021 is EMBRACE.

Even if the first nine days of 2021 have been less than stellar, I choose to believe that there are good times ahead. I intend to EMBRACE them.

Have you made a plan for 2021? Care to share?

Jilly: Lighter Days Are Coming

Are you enjoying the holidays? It’s been a year like no other, but hopefully you’re managing to find a silver lining under all that cloud.

Over the last few days I’ve started to feel really energized. It’s not Christmas (bah, humbug!). It’s partly the prospect of a new year—I’m all in favor of putting 2020 to bed, and I love the idea of a fresh start, even if my rational self knows New Year’s Eve is an artificial construct. Mostly I’m super-happy because we’ve passed the winter solstice.

Last Monday, 21stDecember, was the shortest day and longest night of the year for people living in the northern hemisphere. In London the day was a tad short of 7 hours 50 minutes. Contrast that with the 12 hours of daylight we enjoy on the Spring equinox, and more than 16 hours on the summer solstice.

Long summer days are lovely, of course, but for me trends and momentum are more influential. At some subliminal level I notice when every day is a little lighter and longer than the one before, and I start to feel amazingly empowered and creative. Almost superhuman. It doesn’t matter that we’re still in winter, that the weather may be grim and the nights will be longer than the days for another three months. We’re heading toward the light 🙂 .

I’ve experienced this excited, fizzy feeling almost every year for as long as I can remember. I typically get ever more inspired and enthusiastic until May or June, sometimes right up to the summer solstice. Then my subconscious tends to down tools for a vacation and resists like mad if I try to start new creative projects in the fall. I always do better working on housekeeping and closing out projects, which is why I’ve chosen to edit in the autumn and publish in December.

All of which means that right now, time’s a-wasting. I need to roll up my sleeves and get to work on the next Elan Intrigues book, The Seeds of Destiny, or Annis’s book, ASAP. I’ve been thinking a lot about it over the last week or so and I feel ready to settle down and start writing.

I still have a little more housekeeping to finish up—I need to get The Pulse of Princes, my Elan Intrigues prequel novella, formatted and set up as a free download for mailing list subscribers. I have a few tweaks to make to my website. And of course I will enjoy the rest of the holidays, right up until New Year’s Day. But I can feel my energy building, and I feel excited to make a new start.

Happy holidays, everyone! I hope you’re looking forward to good times ahead 🙂 .

Are you a seasonal creature? Do you have a favorite day or time of the year?

Jilly: Same Prince, Different Cover

Almost the end of October, and we’re inching toward the end of the weirdest, suckiest year of my life so far. Really hoping 2021 doesn’t turn out to be more of the same.

Regular readers of this blog will be familiar with my character Prince Daire of Caldermor—ostentatious, wealthy, and not half as empty-headed as he appears. He has a wild mop of curly hair and a love of showy clothes, which encourages people to underestimate him.

In my debut novel The Seeds of Power Daire is an important secondary character—the pointless princeling who’s supposed to marry a very useful princess (she’s older, fiercer, and determined not to wed him). In The Seeds of Exile, the new novella which is almost ready, Daire is the hero whose political skills are tested to the max in a power struggle with his younger brother. Stiff-necked Prince Warrick finds Daire’s flamboyant style unseemly. Warrick thinks he’d do a better job as crown prince, and challenges Daire for the throne. Battle is joined.

My plan was to make The Seeds of Exile a free read for newsletter subscribers, until I realized that giving away the middle book of a trilogy isn’t the best way to introduce new readers to Daire and Caldermor. So I decided to publish The Seeds of Exile and write a new novella to give to newsletter subscribers. That story will be called The Pulse of Princes.

The Pulse of Princes introduces Daire and elan, the mysterious golden beans that give Caldermor its wealth and power. It’s kind-of-sort-of Daire’s origin story, set in Caldermor just before he inherits the throne. He’s eighteen. His father’s dying, his mother is dying to take control of Caldermor. Daire has to assert himself or he’ll become Princess Irmine’s puppet before he’s even crowned.

I commissioned a cover for The Seeds of Exile way back in April. I found a great model for twenty-six-year-old Daire, thinking that would be his only cover appearance. In The Pulse of Princes he’s eighteen. I had to find a new image and ask Deranged Doctor Design if they could imagine the same character, but younger, skinnier, and altogether less experienced. Anne, my copyeditor, had previously suggested that he’d look great in purple, so that’s what I chose.

What do you think? I hope you like the new cover as much as I do.

I’d love to know what signals it gives you. Does it look like your kind of book?

Thank you in advance for your comments, whatever they may be.

And huge thanks to the team at Deranged Doctor Design, who are a delight to deal with, not to mention brilliant creatively and technically. I feel very privileged to be working with them.

Jilly: The Urge to Hibernate

Is your productivity affected by the change in season?

We’re only a few weeks past the equinox, but to me it feels like winter is here already. The days are dark, gloomy, rainy, and cold. The covid figures are getting worse again. Social media seems to think we’re headed for another bout of heavy restrictions if not a full lockdown, and they’re probably right 😦 .

I’ll be thrilled to see the end of 2020, but the downside is I have a long list of things I want to finish before 31 December. Publish The Seeds of Exile, make The Pulse of Princes available for free download, write at least the first act of The Seeds of Destiny. Submit my taxes and deal with a boatload of other grim-but-necessary administrative chores.

I’ll get them done, because I hate, hate, hate to start the new year dealing with unfinished business, but right now I’m fighting myself every step of the way. What I really want to do is go to bed early, curl under the duvet, rise late, and spend the hours in between lolling on the sofa with a hot beverage, a box of Belgian chocolates, and a good book.

I might give in today, and gird my loins again tomorrow.

How are you doing?

Jilly: Do You Believe In Love At First Sight?

I finished my draft of The Pulse of Princes, the novella that’s been gobbling up my time for the last few weeks. I sent it off to gobble up my editor’s time instead 😀 .

I’m so happy I chose to write this story. It turned out well, and best of all it made me think hard about the early life of Prince Daire, who’s turning out to be the most influential character in the Elan Intrigues stories. I gleaned some insights which have me really excited.

The Pulse of Princes shows Daire before he inherits the throne of Caldermor, when both his parents are still alive. I had to put them on the page. I had to figure out how they met, and how they each found a role in their marriage.

Here’s a snippet:

Princess Irmine’s dark gaze assessed Daire: the tidy queue that was making his head ache, his tense posture, carefully chosen clothes, and comfortable gray watersnakeskin boots. Her eyes narrowed. “You are so like your father. Do you know why he married me?”

That, at least, was easy. Daire relaxed his arms, used the question to restore his equanimity. A reprieve, though no doubt a temporary one. “He tells me the story, often. He loved you from the moment he saw you. He never saw a woman so strong. So beautiful. He forgot the biting cold. Forgot the furs he’d come in search of. Forgot everything except you.”

Just for a moment, his mother melted. Her dark eyes shone. Her lips softened and curled upward in sheer pleasure. Just for a moment, Daire saw the woman his father saw every time he looked at the crown princess.

“Well, yes.” Her smile faded. “But it’s more than that. Your father takes his vows seriously. His duty. He knows the best way to protect Caldermor is to have a strong, powerful country.”

“Father traded everything he had with him to carry off an unknown princess from a wild island nation on the edge of the ice fields, and you call it duty?” Daire rubbed a hand over the back of his neck. “Excuse me, ma’am, but you do yourself a disservice.”

“I say he did me a great honor.” His mother stood straight as a lance, every inch a princess. “I organized everything for my father the king. Our stronghold. Our people. Our fur trades. Desmond saw I could rule Caldermor for him. And better still, I’m not Calderran.”

“How so?”

“Because I can take the decisions he can not.” She relaxed, just a hairsbreadth. “Daire. I was traded myself. I understand everyone has a price. I’m not sentimental about Calderran people the way your father is.”

Daire winced. “And I am.”

“So it seems.” She leaned toward him, and for once he got the sense she was speaking from the heart, without calculation. “I strive every day to be worth the great price Desmond paid for me. I will do what I must to keep his country safe and strong. And I shall do so as long as I have breath in my body. Whether he is here to see it or not.”

I like this. It explains Irmine’s no-holds-barred mindset. It also led me to think about my new WIP, The Seeds of Destiny, which is Daire’s love story. I had imagined he’d be influenced by the events of the two previous Elan Intrigues books, where true love happens to people he cares about. Of course those events are important, but the bond between his own parents would be an earlier and stronger influence.

That got me to musing about love at first sight, in real life and in fiction. Lust at first sight happens all the time, of course, but I think sometimes it can be more than that. My father decided to marry my mother before he ever spoke to her. They would sit at bus stops on opposite sides of the street on working days. They spent months smiling at one another before heading off in different directions. That turned into fifty-something years of powerful togetherness.

I like it as a trope in fiction too, as long as it’s more than he’s so hot/she’s so beautiful. More like the fabulous first meet in Loretta Chase’s Lord of Scoundrels. Of course there’s immediate physical attraction between Dain and Jessica. He is hot, and she is beautiful. But there’s also a major battle of wits and an even bigger battle of wills between two smart, headstrong characters. We already know Dain is hyper-competitive. When he loses both battles we know he’s toast. I love that 🙂 .

What do you think? Do you believe in love at first sight, on the page or IRL?

Jilly: Snippet

A couple of weeks ago I decided to write a new Elan Intrigues prequel novella as a giveaway for my newsletter subscribers. I’ve been in my writing cave ever since.

The Pulse of Princes will be 15-18,000 words, about the early life of recurring character Prince Daire of Caldermor. In this story he’s aged 19. His father is dying and Daire is likely to inherit the throne soon. It’s the first time he seriously butts heads with his domineering mother, the indefatigable Princess Irmine.

Here’s a snippet from the encounter that triggers Daire’s rebellion.

 

Request Denied

“This should prove an interesting test.” Daire’s mother folded the note and slid it back into her pocket. When she withdrew her hand, she was holding a small pouch. She bounced it in her palm, and even through the heavy padding Daire heard the familiar jingling sound. Elan. He made it every month, albeit in small quantities. He’d never kept a single pulse for himself.

The crown princess opened the pouch and drew out a single hard-shelled, bean-shaped nugget. She held it reverently between her finger and thumb, tilting it so that it shone pure gold in the morning light. He wasn’t close enough to catch the scent, but his mind supplied it: sweeter than the most delicious fruit pastry, richer and more complex than the finest tree-sap. He’d been making elan since he was ten years old, and the smell of it still made his mouth water.

A low wooden rail guarded the edge of the terrace. Inside the rail a narrow shelf offered enough space to place a pair of gloves or a cup of cordial. Princess Irmine dipped her hand into the bag and placed twelve pulses of elan on the shelf, one by one, spaced a handspan apart.

She stepped back, assessed her handiwork, and nodded in satisfaction. His mother never did anything without reason. What on the gods’ fair earth was she doing now?

She lifted a hand and waved toward the garden gate where Captain Bale waited, in her line of sight but out of earshot. He snapped a salute, opened the gate, and ushered in three servants in Edevald livery.

The first, a cleanshaven, skinny young fellow, Daire recognized vaguely as one of the clerks from the treasury. The boy looked bug-eyed and scared out of his wits. The second was a middle-aged woman he’d last seen in the kitchen, making apple pies. She’d smiled at him then. Now she looked as though she’d found weevils in the flour. The third was the couriers’ hostler, Sharp, who looked like his usual shifty self.

Prompted by Bale they lined up before the terrace and each made their obeisance.

“Ask them anything,” his mother encompassed the three with a wave of her hand. “Their work, debts, spouses, children. Whatever you need to know in order to decide.”

“Decide?” The sweet pastry Daire had devoured earlier roiled in his gut.

His mother shrugged. “Which one I should dismiss.”

She clearly expected him to ask, so he chose the line of least resistance. “Why must you dismiss any of them, ma’am? And why must I choose?”

“If I am to meet your request I need to find a saving elsewhere. The quickest and simplest way is by culling a hireling or two.” She glanced at the line of elan beans, glimmering on the shelf, and her lips tightened. “For a dozen pulses it should be all of them, and more, but as this is an unfamiliar challenge for you I decided to make it easy.”

Daire made himself look the servants in the eye. The boy was trembling so hard he could barely stand upright. The kitchen maid crossed her arms and stared back at him. She looked furious. Sharp met Daire’s gaze briefly, then fixed his eyes on Princess Irmine.

“No questions?” The crown princess held out her hand to Daire. On her palm sat the empty elan pouch. “Choose one servant, and you may take the pulses with you.”

Daire put his hands behind his back. “No.”

“No?” Princess Irmine asked softly.

“No.” He didn’t shout, but his confirmation was louder and more forceful than was proper.

“Very well.” His mother nodded to Bale. “They can go.”

Sharp bolted down the path and disappeared. The kitchen maid put her arm around the clerk. Bale followed the sorry pair as they left. He closed the gate behind them and stood at attention.

“Well?”

“You knew I wouldn’t choose.” Daire gripped his hands together behind his back, so tightly he thought his bones might crack.

“I thought you wouldn’t,” Princess Irmine corrected. “Now I know.”

“You terrified those servants to teach me a lesson.”

“It made a lasting impression, did it not?” His mother waited a beat, daring him to deny her assertion. “Simply explaining the problem would not have worked half so well.”

***

Whoo! I hope you enjoyed that.

Of course Daire knows he can’t allow Princess Irmine to get the better of him, or he’ll be under her thumb before he even inherits the throne. I’m having fun writing his counter-offensive 🙂 .

Have a lovely weekend, and I’ll see you next Sunday.