Over the past month I took an online class on writing deep point-of-view with Linnea Sinclair.
I’ve taken several classes with Linnea and they are, hands down, the best online writing workshops I’ve ever found. If you’re looking to improve any area of your craft, you can do no better than one of her classes.
One of the things she does with her homework assignments is to ask each student to begin by mentioning any ah-ha! moment they from that particular lesson. Here are a few of mine from the class.
- Deep POV is like spice–you add in a little to intensify the flavor. You don’t have to create an entire dish from it.
This was news to me. I always felt like if I did any “telling” rather than “showing” I was being a lazy writer. Not true. Deep POV is most useful for moments of great impact. Telling, on the other hand, is good when you want to pick up the pace or for events that aren’t significant enough to belabor.
- When writing a deep POV segment, consider using this formula:
- Action (i.e. stimulus)
- Decision (i.e. response)
In this formula, you may think of Action as Stimulus and Decision as Response. So if you were writing a scene where a she-demon walks into her apartment to find it trashed, it might go something like this: Continue reading