Anyone interested in hearing Eloisa James, Ilona and Gordon Andrews, Alisha Rai, and Sarah MacLean discuss various aspects of romance writing?
I just spent almost three hours online watching a recording of a fascinating, funny and insightful seminar held last week at Duke University. I can’t tell you how much I enjoyed it. My plan was to skim it for the good bits and listen to the rest later, but it turned out to be all killer, no filler. The only bits I skipped were the rest breaks 😉 .
The event was called Gender, Sexuality, Feminism and the Romance Novel, and indeed all those subjects are covered in an intelligent and engaging way, but there was so much more.
Each author talked about their home environment and what led them to become a romance writer. After that, the Q&A session included: Continue reading
Mark Gottlieb, Trident Media Group
One of my favorite blogs did an ongoing bit last year called “Write Your Novel In A Year.” It ended with Week 52: Keep the Momentum Going. The goal for the last week is to work on ideas and strategies for your next book. And then the blogger says, take a break, immerse yourself in someone else’s stories, and do imagination exercises. The last ‘pin it, quote it, belief it’ of the year was “I oscillate between thinking I’m crazy and thinking I’m not crazy enough” (Joyce Carol Oates). Yep, been there. Continue reading
Do you agree that in the right circumstances a single kiss could be an emotionally satisfying and optimistic ending to the first book of a fantasy paranormal romance series?
No prizes for guessing which particular fantasy paranormal romance series I’m talking about 😉 .
This week, in between birthday and Christmas partying, I’ve been tweaking the first 50 pages of my WIP for entry into the RWA’s Golden Heart contest.
This story is very different from anything I’ve written before, and I want to make sure I don’t trip myself up on the GH deal-breakers.
In addition to assigning an overall score, first-round GH judges are asked to answer ‘yes’ or ‘no’ to the following questions:
- Does the entry contain a central love story?
- Is the resolution of the romance emotionally satisfying and optimistic?
If three judges answer ‘no’ to either question, the entry is disqualified. Which would be hugely disappointing, to say the least. Continue reading
Just three weeks of 2016 left!
The first few days of December are always the calm before the storm. I’ve been inching forward with my WIP; wrestling with my synopsis, which needs to be totally rewritten; working on the edit of my first 50 pages; and thinking some more about how to keep my story alive when the holidays are in full swing.
Last Sunday I put together a list of ways to stay in touch your story on a daily basis – quick tricks that could be squeezed into the most packed schedule. Then, on Thursday, Kay tracked down some productivity insights offered by the prolific film and TV writer-producer-director, Joss Whedon. I’m especially grateful for the tip about the importance of rewarding oneself early and often. 🙂
Yesterday, to my surprise, I added another strand to my holiday week WIP survival plan. Continue reading
I finally finished my last round of contest judging for this year. Not before time 🙂
I try to give all entries two or three reads and offer honest, constructive, actionable feedback. It’s time-consuming but from a purely selfish perspective it’s worth the effort. I learn something valuable every time. Last year I read a couple of outstanding entries. I posted about that recently (Storyteller v Smooth Writer).
This year I’ve read a lot of competent writing, grammatically correct, properly punctuated, with interesting characters and an intriguing premise. I don’t think I’ve read a single story that would tempt me to keep reading by the end of the pages, let alone a book that I’d shell out money for.
There’s an important theme in Law and Order SVU season 12, episode 3. Can you spot it?
Okay, admit it. Your eyes rolled back in your head when you saw the word ‘theme’ in this post’s title, didn’t they? If so, it’s not surprising. Many writers, genre writers in particular – of which many of us here are – are often taught to disregard theme, at least in the early drafts. We’re told a story’s theme will emerge as we revise and dig deeper on later drafts, if indeed it need ever emerge. Who really needs theme anyway, other than your boring high school English teacher? After all, who wants a heavy-handed moral lesson or the author’s worldview shoved down her throat when she’s just trying to immerse herself in good fiction?
According to Lisa Cron, probably everyone.
As Cron discusses in Wired for Story, Story Genius, and workshops (for those of us lucky enough to attend one!), our brains are hardwired for story because story helps us decipher the world around us, and to discover ‘what would happen if’ without physically putting ourselves in harm’s way. In that way, stories are tied to our very survival as a species (sounds pretty cool to be a writer nerd now, doesn’t it?). Other cool things that happen to our brains on fiction are an increased capacity for empathy (through bonding with a protagonist and walking several miles in her shoes) and a willingness to challenge our own world views. And all that cool stuff happens because somewhere under all the scenes and character arcs and plot points and cause and effect trajectory, a story has a specific way of looking at the world, a message, a theme.
Instead of thinking about theme as some sort of moral imperative or high-brow statement to be made at the expense of good story, what if we think about theme as the beating heart of our story? Sound more appealing now? Continue reading
Have you had enough politics yet? If the answer is no, please check out yesterday’s excellent post by Michaeline, The Election and the Future of the US Writing Market. Plenty of insightful, positive, actionable food for thought there.
If you’re ready for a break from world affairs, let’s discuss creating quality stories to sustain us through the challenging times ahead 😉 .
Last Sunday in Storyteller v Smooth Writer I talked about judging contest entries and understanding the difference between polished writing and addictive storytelling. I said I’d decided not to take any more classes or buy any more writing books until I’d figured out how to make the storyline of my WIP as powerful as it can be.
Yeah, but no. A couple of days after I put up that post I bought a writing book and I’ve been glued to it ever since. I have not been this excited about a craft book, ever.