One of the most interesting changes at this year’s RWA National conference was the increased focus on indie publishing. For me, the timing was excellent.
Four years ago, when I attended my first Nationals, I was only vaguely aware of self-publishing. I fully intended to pursue a traditional publishing career and I found plenty of workshops to help me understand the role of agent and editor, to perfect my pitch, and to polish my query letter.
As I started submitting to agents and entering contests with my dream industry judges, I also began to seek out sources of information to educate myself about the industry I was planning to join. To my amazement I found a freely available treasure trove of solid, actionable information and over the last couple of years I’ve gradually come to believe that independent publishing will be a better match for my personal priorities, timelines and ambitions.
I attended a number of the indie-focused workshops in Orlando, and I was surprised to discover how much I already knew. So instead of recapping my learnings from the conference, I thought perhaps I should share the online resources I find most valuable: Continue reading
A while back Kay posted about a Writer’s Police Academy that is being held this August at the International Public Safety Training Academy in Green Bay, Wisconsin. The conference – which includes sessions on police procedures and the opportunity for some shooting range practice – sounded like just what I needed to give my mystery-story-in-process a shot of realism. Had I perfected the ability to be in two places at one time, I’d have signed up in a New York minute.
Though the timing didn’t work out, the Academy got me thinking about what other things I’d put on my list of Things To Do, in an effort to infuse my stories with a little extra realism. In no particular order, here are a few things I came up with:
Ready, Aim, Fire!
I’d really, really like to find a different form of address for the gentlewomen in my WIP, especially my heroine.
Lately I’ve been working on a sequence of set piece scenes toward the end of the book. The setting is a fantasy world, historical, before the invention of guns. Horses ‘n swords. Vaguely Tudor-ish, with a few creative liberties taken. The action takes place at the most important event in the city’s calendar. Everyone who’s anyone is present: royalty, aristocracy, military, and a lucky few gentlefolk. All the guests are addressed formally, even (especially!) when they’re hurling deadly insults at one another.
The problem is my heroine, Alexis Doe. She’s 25. Unmarried, but old enough to be a wife and mother. Of no acknowledged family (her name indicates she’s illegitimate), but invited as a guest of the Princess Dowager, scary and powerful grandmother of the Crown Prince. Alexis has no title, but her connections would carry a certain level of cachet and she would be addressed with respect. As far as I can see, she would be called Mistress Doe.
I did a fair amount of reading around, looking for possibilities, and I found a fascinating article describing research done by Dr Amy Erickson at the University of Cambridge (click here to read more about Mistress, Miss, Mrs or Ms: untangling the shifting history of titles).
Apparently both Mrs and Miss are abbreviations of Mistress. Continue reading
How long did the last fiction book you finished stick with you? What about the romance or mystery or classic you read over and over again as a teen? How about the books your parents read to you before you were old enough to read on your own? Turns out, the fiction we read might just be making us more engaged, empathetic humans according to researchers studying the brain through magnetic resonance imaging (MRI). We’ve known this for a while now.
In a New York Times article published more than five years ago, Annie Murphy Paul reported: “The brain, it seems, does not make much of a distinction between reading about an experience and encountering it in real life; in each case, the same neurological regions are stimulated…Indeed, in one respect novels go beyond simulating reality to give readers an experience unavailable off the page: the opportunity to enter fully into other people’s thoughts and feelings.” Wow, heady stuff, you authors out there.
I’ve been pondering the power of story a lot lately as I’ve realized just how many of my foundational beliefs have their roots in Dr. Seuss stories. Continue reading
How do you like to spend your evenings?
I’ve always been a morning person. I find that I do my best writing from breakfast time until early afternoon, when I slow down and eventually grind to a halt. Then I’m usually good for business or household challenges until dinnertime. After that I have an hour, maybe two or three, when my brain doesn’t seem to want to work, but is oddly susceptible to ideas and impressions. If I use this downtime well, it can be incredibly useful later.
Today is Memorial Day in the US, a day set aside especially to commemorate soldiers who died in all the wars throughout America’s history. The image that often comes to mind on this day is that of the young men who lost their lives in combat. But not only men have died in our wars. In every conflict since the founding of our country, dating all the way back to the American Revolution, women have taken up arms in battle and many have lost their lives doing so.
I have always been fascinated by the stories of these women, from the mythological Molly Pitcher loading canons during the Battle of Monmouth to the historically documented instances of women posing as men to become soldiers in multiple conflicts to the plethora of information we have on women who stole behind enemy lines to scout and spy. From the handful of women known to have actively engaged in battle in the 1770’s to the 165,000 women enlisted in the American armed services today, women have risked their lives in battle, even when they were actively banned from combat positions, as war has a nasty tendency to ignore where battle lines are drawn and where the war-front actually begins and ends.
Despite what personal feelings we might have about war and its role in modern-day society (that is a very LONG discussion for another day), the destinies of nations have been forged in wars and history has been written by the victors. Unfortunately, far too often, women and their sacrifices have been written out of that history. The tendency to relegate women to supporting cast roles is so prevalent that historical romances, which many of us read and some of us write, are sometimes called out for writing women who are too modern, read: too strong, adventurous, or independent for their time. My answer to those naysayers is, ‘you don’t know the true stories about women in history’. Today I’d like to share a few reading suggestions to help find those true stories so we can do what Abigail Adams implored her husband to do at the First Continental Congress and ‘remember the ladies’. Continue reading
Copenhagen: Almost gray enough to be Seattle
For the past few months, when I’ve had time to think about story, I’ve had several current and future projects on my mind. One of them is a mystery set in Copenhagen, with one of my (current) favorite characters, Nicholai Jens Olesen, aka Nicky O (to his American friends). You might remember Nick from a few short stories I’ve shared here on the blog, Copenhagen Blues and Lost Hearts in Copenhagen. But one day soon (or you know, a year or so from now), I’m going to write Nick’s full-length story.
I’m already planning the trip back to Denmark for research. And for visiting my husband’s family and having great food and drinks and hygge, but also, research. Definitely research. I’ll want to find ways to use Copenhagen as more than just backdrop and scene setting. I’ll want to infuse Nick’s entire story with a sense of that unique place. And all this has me thinking about another story my husband and I binge-watched, the American TV series The Killing set in Seattle*, which is an adaptation of a Danish TV series (Forbrydelsen, which roughly translates to ‘Crime’). Continue reading