My iPod is full of podcasts that I have saved over the years, intending to listen to, but never quite finding the time for. I’ve deleted quite a few of them, but the remainder is rivaled only my tottering to-be-read pile.
I’m doing my best to change that, which is why I’ve spent the last few weeks at the gym sweating away on the elliptical while listening to some circa-2012 podcasts by a now-defunct writing couple. The podcasts often include a segment answering listener-submitted questions and today’s dealt with how much research to do for a story and how important it is to get all of the facts right.
Answering the second part of that first, the response was that you should never let facts get in the way of your story truth. “You’re writing fiction, not a documentary.” That really resonated with me (and made me laugh, which garnered me a funny look from the person working out next to me). Continue reading
How was your week? Did you learn anything new?
It’s been good news/bad news here. The good news is that after a frustrating few days when I couldn’t get a grip on my new story, on Tuesday things fell into place. A propos of nothing I had a flash of insight that gave me a premise for the book and the GMC (goal, motivation, conflict) for all the main characters. As a bonus, I even figured out who owns the story.
The bad news is, it seems farming and gardening are important to the new WIP, and I have a brown thumb. My mother and grandmother were excellent gardeners, but I don’t even have houseplants, because they take one look at me and give up the ghost.
It would have been great if the Girls had sent up a plot I knew something about, but I’m not complaining–I’m grateful to get a workable idea. The garden stuff is important, but it’s a vehicle for the characters and conflict, and as long as I get those right, everything else is fixable. My current plan is Continue reading
One of the most interesting changes at this year’s RWA National conference was the increased focus on indie publishing. For me, the timing was excellent.
Four years ago, when I attended my first Nationals, I was only vaguely aware of self-publishing. I fully intended to pursue a traditional publishing career and I found plenty of workshops to help me understand the role of agent and editor, to perfect my pitch, and to polish my query letter.
As I started submitting to agents and entering contests with my dream industry judges, I also began to seek out sources of information to educate myself about the industry I was planning to join. To my amazement I found a freely available treasure trove of solid, actionable information and over the last couple of years I’ve gradually come to believe that independent publishing will be a better match for my personal priorities, timelines and ambitions.
I attended a number of the indie-focused workshops in Orlando, and I was surprised to discover how much I already knew. So instead of recapping my learnings from the conference, I thought perhaps I should share the online resources I find most valuable: Continue reading
A while back Kay posted about a Writer’s Police Academy that is being held this August at the International Public Safety Training Academy in Green Bay, Wisconsin. The conference – which includes sessions on police procedures and the opportunity for some shooting range practice – sounded like just what I needed to give my mystery-story-in-process a shot of realism. Had I perfected the ability to be in two places at one time, I’d have signed up in a New York minute.
Though the timing didn’t work out, the Academy got me thinking about what other things I’d put on my list of Things To Do, in an effort to infuse my stories with a little extra realism. In no particular order, here are a few things I came up with:
Ready, Aim, Fire!
I’d really, really like to find a different form of address for the gentlewomen in my WIP, especially my heroine.
Lately I’ve been working on a sequence of set piece scenes toward the end of the book. The setting is a fantasy world, historical, before the invention of guns. Horses ‘n swords. Vaguely Tudor-ish, with a few creative liberties taken. The action takes place at the most important event in the city’s calendar. Everyone who’s anyone is present: royalty, aristocracy, military, and a lucky few gentlefolk. All the guests are addressed formally, even (especially!) when they’re hurling deadly insults at one another.
The problem is my heroine, Alexis Doe. She’s 25. Unmarried, but old enough to be a wife and mother. Of no acknowledged family (her name indicates she’s illegitimate), but invited as a guest of the Princess Dowager, scary and powerful grandmother of the Crown Prince. Alexis has no title, but her connections would carry a certain level of cachet and she would be addressed with respect. As far as I can see, she would be called Mistress Doe.
I did a fair amount of reading around, looking for possibilities, and I found a fascinating article describing research done by Dr Amy Erickson at the University of Cambridge (click here to read more about Mistress, Miss, Mrs or Ms: untangling the shifting history of titles).
Apparently both Mrs and Miss are abbreviations of Mistress. Continue reading
How long did the last fiction book you finished stick with you? What about the romance or mystery or classic you read over and over again as a teen? How about the books your parents read to you before you were old enough to read on your own? Turns out, the fiction we read might just be making us more engaged, empathetic humans according to researchers studying the brain through magnetic resonance imaging (MRI). We’ve known this for a while now.
In a New York Times article published more than five years ago, Annie Murphy Paul reported: “The brain, it seems, does not make much of a distinction between reading about an experience and encountering it in real life; in each case, the same neurological regions are stimulated…Indeed, in one respect novels go beyond simulating reality to give readers an experience unavailable off the page: the opportunity to enter fully into other people’s thoughts and feelings.” Wow, heady stuff, you authors out there.
I’ve been pondering the power of story a lot lately as I’ve realized just how many of my foundational beliefs have their roots in Dr. Seuss stories. Continue reading
How do you like to spend your evenings?
I’ve always been a morning person. I find that I do my best writing from breakfast time until early afternoon, when I slow down and eventually grind to a halt. Then I’m usually good for business or household challenges until dinnertime. After that I have an hour, maybe two or three, when my brain doesn’t seem to want to work, but is oddly susceptible to ideas and impressions. If I use this downtime well, it can be incredibly useful later.