What are your go-to references for improving your chosen skill–creative, mechanical, sporting, whatever’s important to you?
I decided a while ago that I wouldn’t spend any more money on writing craft—no books, workshops, courses or conferences—unless I come across something exceptional. It’s not that my writing is so good I don’t need it, but that I already have a great collection of resources at my fingertips and I’ve only scratched the surface of most of them.
Even if I write for another 20 years (and I intend to), I bet I could find the answers to 99.9% of my craft problems on my current bookshelf or the internet. My challenge is to digest all that great advice, evaluate it, select the bits that I need most in order to power up my strengths, bolster my weaknesses, and widen my skill-set, and apply those lessons until they become second nature.
I mentioned a couple of weeks ago in this post that I was surprised to discover how much I’ve absorbed about the process of self-publishing. I’ve also learned that some craft resources hit the spot for me, while other famous names slide through my brain and out again, leaving no trace. I had fun choosing my favorite indie publishing resources, so I decided to play the same game with the writing craft references. I found it surprisingly easy to pick the ones I believe will support my writing journey all the way to the pearly gates.
Your mileage may vary (I’d love to know!), but here are my choices: Continue reading
The quality of my TBR list has improved greatly of late thanks to Jenny Crusie. Last month she added a new weekly feature, Good Book Thursdays, to her blog, www.arghink.com, and invited her online community to recommend something good to read.
Jenny’s followers are a discerning group, so when Katherine Addison’s novel The Goblin Emperor collected a slew of recommendations, I bought it and bumped it up to the top of my list. I’m glad I did. The story is fantasy, which I love, arguably Young Adult (not so much my thing), and with only the barest smidgeon of the possibility of a future love story (bah!), but I really enjoyed it.
The Goblin Emperor is a coming-of-age story about eighteen year-old Maia, half-elf, half-goblin, who unexpectedly becomes Emperor of the Elflands following the death of his father and three of his siblings in an airship crash. He’s the only child of a political mixed marriage, raised in exile by his mother and after her death, by a bitter, bullying cousin. Maia comes to the dangerous, formal and highly politicized Imperial Court without friends or allies and has to decide whom to trust and just what kind of Emperor he wants to be—assuming he survives long enough to make his mark. He quickly discovers that his father’s airship was sabotaged, and he’s smart enough to realize the murderer is likely to be close at hand.
If you’re looking for Continue reading
Welcome to Part 3 of Fiction Fundamentals. In Part 1, I discussed character goals. Last time, in Part 2, I covered a character’s Motivation…the “why” of what they want to do in your story.
This installment (the first of two) is about the Big Enchilada that ties it all together and makes for a good read: Conflict.
Before getting into the meat of this, let’s set some expectations about conflict:
- Conflict is necessary in commercial fiction. Period. No conflict? No story. People don’t want to read about characters who get what they want with no issues or impediments. They want to see characters suffer and earn their rewards.
- Conflict is a struggle to reach a goal and should have the reader wondering whether or not the character will achieve it.
- Conflict is bad things happening to good and bad
- Conflict must be clear, but not overwhelming. It can be too big/too much, drowning your reader in seemingly insurmountable problems.
- Conflict doesn’t necessarily have to be one person pitted against another. Sometimes the conflict is circumstances.
Debra Dixon, in “GMC: Goal, Motivation, and Conflict,” makes it very clear:
“If conflict makes you uncomfortable or you have difficulty wrecking the lives of your characters, you need to consider another line of work. In commercial fiction you need strife, tension, dissension, and opposition. If you omit these elements, you won’t be able to sustain the reader’s attention. Even in romance novels – known for their happy endings, sufficient conflict must exist to make the reader doubt the happily-ever-after.”
The net-net? Continue reading
When I need some writing inspiration, sometimes I end up in front of my bookshelf of favorites. Here I keep books from some of my favorite authors, some of whom are friends, some of whom I’ve never met, all of whom inspire me in one way or another. Other times, I venture into that vast wilderness known as the internet. But while I can get distracted by videos of cute cats or Ruby the Wombat as much as the next writer, I do try to use my worldwide-web access and mad Google skills for writerly good. So in addition to Eight Ladies Writing (I never miss a post as they are awesome ;-)!) here are some of my favorite inspiring internet sites. Continue reading