Do your favorite authors have signature metaphors? Do you?
I’ve just finished working through my developmental edit on The Seeds of Power (yay!). Among many other smart observations and suggestions from my editor, Karen Dale Harris, I was surprised to find this comment: You use metaphors with dogs a lot. Do a search for “dog” and try to vary this.
My reaction: I do? Dogs? I don’t even have a dog. And no dog plays a significant part in this book. Really?
A search revealed the following:
- The man was like a fighting dog. Once he sank his teeth into a problem, he never let go.
- Her whole body came to attention, like a hunting dog on point.
- Captain Randsen’s hackles rose like a well-trained fighting dog.
- The prince was dressed and waiting. Soft boots, loose overshirt and trousers, and the ill-contained impatience of a dog who’d been promised a walk, despite the fact that the lad probably hadn’t gone to bed until the small hours.
- Daire said nothing, but if he’d been a dog, his ears would have pricked up.
- He put his enforced inactivity to good use, worrying at his mission like a dog with a sore paw.
- Oriel had described her as a strong ruler, politically astute, fiercely protective of her family and their domain. Again, nothing to set the dogs howling.
- She had the Hollin deep blue eyes and challenging stare, and she looked at him as though he’d thrown her pet lapdog to the hounds for a snack.
Yikes! Dogs, dogs, everywhere, and I hadn’t even noticed.
I’ve fixed it, but I wonder what else I write without realizing. And I’m even more convinced that quality editing is money well spent.
Do you, or your favorite authors, have a go-to metaphor? Or is it just me?
Happy holiday weekend to everyone in the US, and happy weekend to the rest of us 😉
Here in England the weather has turned gorgeous. It’s Wimbledon time, and usually I’d be on my sofa, indulging in a two-week tennisfest accompanied by the obligatory Pimms and strawberries. Not this year. I’m deep in the edits for Christal’s book, and if I’m to have any chance of publishing her on time, I have to keep my nose to the screen and my hands on the keyboard.
The edits for The Seeds of Power may not be finished yet, but the cover is ready, and here it is. What do you think? I hope you like it as much as I do.
I’d love to know what signals it gives you. Does it look like your kind of book? If you noticed that cover as you were browsing on the Zon, would you click it to check out the blurb?
Thank you in advance for your comments, whatever they may be 😉
Oh—and big thanks to the lovely people at Deranged Doctor Design who did all the hard work!
Do you listen to audiobooks? What do you like or dislike about them?
I adore fiction, but my medium of choice is the written word. Dead tree or e-book, either works for me. I just love the way reading loads a story directly from the page into my brain, allowing me to imagine and interpret the author’s words in the way that’s most personally powerful to me.
I enjoy visual media like movies, TV, and the theater, but I’d choose a book over any of them, any day. My subconscious clearly wants to be the sole interpreter of the story. I guess it’s no surprise that I’ve never even thought of listening to an audiobook.
That may have to change. I’m planning to publish my debut novel, The Seeds of Power, later this year, followed by other stories in the same world and series. I’ll start with e-books and print, but then I think I should add audiobooks. Partly because people who know more than I say that audio is a fast-growing sector, less crowded and thus offering more discoverability to a new author. Mostly, if I’m honest, because it would be something new to learn and I think it would be cool 😉 . Continue reading
I know it’s a holiday weekend and the sun’s shining, but is anyone up for a quick game of world-building “what if”?
As regular readers of this blog know, I write fantasy. Stories of chivalry, rivalry, power, and love, set in a fantastic pre-industrial landscape. I love my weird, crazy world, but I’m currently working through developmental edits, and after some good discussions with my editor and beta readers (thanks, Jeanne and Kay!) I’m looking for ways to make my stories stronger. In particular, I’d like to find a few well-chosen details to amplify the fantastic feel of my world.
I write a very practical kind of fantasy. My stories have powerful jewels, miraculous golden beans, sinister talking rocks and uncanny, mystical monks, but all my otherworldly elements are solidly rooted in the everyday. I don’t have dragons or spells or magical woo-woo. What I need is to identify ordinary things that would be natural and useful in my world, but which would not be found in a regular historical story. Small details that don’t drive the plot but that would support and enrich the world of jewels, beans, rocks, monks etc.
This week, I think I found something useful hiding in plain sight. Do you know what apotropaic marks are? Me neither. Apparently they’re symbols or patterns scratched into the fabric of a building to keep witches out. They’re most commonly found in places that witches were thought likely to be able to enter a building, such as doors, windows, or chimneys. Continue reading
Last year I decided I wouldn’t buy any more writing craft books until I’d made better use of all the ones I already own and have at best cherry-picked my way through. A couple of months ago I broke my self-imposed rule, and I’m so glad I did.
Dreyer’s English is subtitled “An Utterly Correct Guide to Clarity and Style.” The author is the Copy Chief of Random House, so he should know a thing or two about cleaning up one’s prose. The wonder and the joy of it is that while some of his book is about The Right Way and The Wrong Way to write, as much again is about ignoring the so-called “rules” and making mindful, intelligent choices to optimize your story and amplify your own voice.
He had me at the introduction: Continue reading
This is the Facebook header for Caitlyn O’Leary’s Facebook group called Caitlyn’s Crew. You can get an idea of not only what she writes, but the general vibe of the group based on her group logo. Image copyright Caitlyn O’Leary.
A couple weekends ago, I attended the California Dreamin’ Writer’s Conference. It was a lot of fun, and, as I promised when I originally blogged about it, I have some goodies to share with you from some of the workshops I attended.
One of the most fun workshops was about creating Superfans, put on by Caitlyn O’Leary (who is devilishly funny and very sarcastic…she puts it all out on display, and I think it’s one of the things her readers love about her, besides good writing, of course!).
One of the first things Caitlyn talked about was creating an author “brand.” However, she didn’t quite mean it in the “what-do-your-business-cards-look-like” kind of way. Nor did she mean it as “book branding.” Rather, it’s a personality brand…what sort of person are you? Romantic? Whimsical? Practical and to the point? Funny vs sensitive? Goofy vs. serious? Whatever your personality brand, that’s what has to come out and shine in your interactions with readers.
I won’t get into the “how’s” of creating that author brand (because I don’t want to pilfer too much from her presentation), but when determining it, think about Continue reading
I’m working on the cover design questionnaire for The Seeds of Power (Christal’s book), and I’d appreciate your advice. I know she should be on the cover, but should she face the reader or should we see her back?
We’ve been talking a lot about covers lately. The choices are different depending on the sub-genre and the flavor of the book itself. It’s harder than you might think to tempt the reader to take a closer look while also giving them a clear promise of the kind of story you’re offering. For a taste of the challenges involved, click here to read more about covers for Jeanne’s complex, brain-teasing demon paranormal series; here for Kay’s attempts to update the cover of her Las Vegas contemporary caper; here for Justine’s historical suspenseful adventure and here for Nancy’s historical elegant battle of wits.
My books are epic fantasy romance, so they have to look historical but with a legendary-adventure kind of feel. They are predominantly romance, and the primary character is the heroine. So I know there will be castles and horses and Princess Bride-type stuff in the background. I’m clear that I want a person (the heroine) on the cover, if I can make that work given the challenges of working with stock photography.
What I can’t decide is this: assuming I can make it work in practical terms, should the heroine have her face or her back to the reader? There are excellent examples of both styles within the genre. I’m thinking the pros and cons are as follows: