I’ve been having a particularly nasty time with a chapter in my book. It’s an early chapter, the first in my heroine’s POV, and I’ve spent way too many hours editing and tweaking it. I’m struggling to get all the info I need to in order to lay the groundwork for the rest of the story without it being 6,000 words long.
There’s a lot of stuff I have to pack into it. Much of it revolves around my heroine’s misbelief…both revealing what it is as well as starting to tear it apart. This involves backstory reveals and confrontations – both character confrontations, as well as emotional ones within my character. Basically, truth versus perception, which upsets my character’s misbelief. (For more on misbelief, check out this post.)
After much consternation and gnashing teeth, I decided it’s time for a do-over. No more tweaking. Time to just rewrite it. And it turns out there may be science to back up my decision. Continue reading
My critique partner, Jenn Windrow, now teaches a class called “How to Be a Hooker,” which shows writers how to write an exciting hook for your book…basically the first 50-150 words. Catch your reader in those first few words, and they will hopefully keep reading. The idea is to lead with a hook. Something that gets the reader thinking, asks a question, or presents a challenge that the reader wants to figure out.
Back in the fall, I entered a contest for the first 50 words put on by the Ruby Slipper Sisterhood and Jenn helped me polish my entry. Below is our text conversation where I gave her intros and she gave me feedback, and I think it’s very insightful. At the end of this post, you can read the final version. Continue reading
I’m very fortunate to have two fantastic critique partners, Jenn and Lisa, that I meet with once a week. Every Tuesday, we hit the Red Robin in Scottsdale, AZ for lunch (because it’s close to Lisa’s office) and we talk about writing, swap critiqued pages, discuss story problems, or vent about our husbands and kids.
Jenn, Lisa, and I have all have a somewhat similar writing background. We’ve done multiple Immersions with Margie Lawson, so we all look for the same sort of rhetorical devices in our writing based on the lessons we’ve learned from Margie. We’ve also all taken similar plotting classes and while we none of us write in the same genre, we know each other’s stories well and we have a pretty good understanding of our respective writing styles so as not to suggest fixes that change each other’s stories into our own.
As good as that all is – and it’s really good – I think every writer needs Continue reading
A few weeks ago, fellow Eight Lady Jeanne shared with us a video of Diana Gabaldon’s cold start process…in other words, how she turns on her writing mojo when she’s stuck. Turns out, in this example, she used a Sotheby’s catalog to simulate her creativity.
Diana’s cold start process is vastly different from Jeanne’s, which gave her to think it would be interesting (and perhaps helpful) if all the Eight Ladies shared how we get going when the words just won’t come. So, starting today, for the next week, we’ll share the processes we use when we need to get writing. (No writer’s block for us!) Continue reading
As some of you may know, I’ve been on a hiatus for the last two years working as the PTA president for my kids’ school (Pro Writing Tip: If you want to make progress on your book, don’t volunteer for the prez position…or any other board position, for that matter). I’m grateful that I had a hand in getting their school up and running (it was just opening at the time), but now I’m learning to say “No.” A very valuable word if you want to make forward progress on any personal endeavor.
I will say that the hiatus from writing has allowed me to see my book, when I finally came back to it this fall, in a whole new light, and some advice from an editor I met on a writing cruise in October lent even more clarity…in particular to who my book was about, and indeed who and what the whole planned three-book series is about.
Background: My historical series had always intended to be about Continue reading
“Y’all are fine right now, but as soon as my honey gets here, we’re a-shuttin’ this curtain and gettin’ through four sets of corsets.” (Image via Wikimedia Commons)
Last week, a lot of us had a lot to say about sex scene (Kay, me, Nancy on 8LW), and I had a major breakthrough. In romance, the sex is often supposed to show the POV character going in for orgasms or fun or comfort . . . and coming out with orgasms, fun, comfort AND True Love.
That explained a lot about the sex scenes that I haven’t written in the past.
Last year, I wrote a romantic short story where I quite firmly closed the bedroom door on the readers. There really was no point. As far as I was concerned, the pair had shown their Natural Compatibility through fighting to defeat the villain. They were on the same wavelength, and they gained mutual respect for each other through the fight scene. So, when they headed off for post-battle sex, there was really no point in showing that, I thought. (-: Pardon the pun, but it would have been anti-climactic. The sex was a reward for a job well done, and I left it to the readers’ imaginations to envision their own very satisfying happy ending.
In a different short story, my characters were having really great sex. And again, I Continue reading
In many ways, writing is like working out. The more you do it, the easier it is, and the more stamina you have. On the flip side, when you stop working out, it’s a bitch to get back into it again.
One of my New Years Resolutions was to get moving for 30 minutes a day. Aside from not writing, I’ve also been neglecting myself, and I decided, after reading this stunning NY Times article about how much of your LIFE you can lose by being inactive, that I needed to Continue reading