About a year ago, I wrote this post about foreshadowing. My husband had started watching “Sons of Anarchy” and from the get-go, I knew who the bad baddie was going to be. I wasn’t much interested in watching the show, but I was even less interested when the obvious became TOO obvious.
I was disappointed again this weekend (there have been lots of disappointing Continue reading
Sons of Anarchy (c) 2008 FX
I’m not much of a TV person. There are a few shows I’ve gotten into over the years, but for the most part, it takes quite a bit to keep my attention.
My husband is the total opposite.
The latest show he’s started watching is Sons of Anarchy. He asked me to watch the pilot episode with him and I agreed. I’d heard lots of good things about the show and there was certainly a lot of stir among my friends on Facebook when the series wrapped up.
That first episode lived up to expectations, but for one glaring thing: the blatant foreshadowing that I picked up on almost immediately. In a way, it’s almost ruined the show for me, because I was 99% sure I was right (and my good friend, who’s seen all 7 seasons, confirmed my suspicions). Why bother watching now that I know this major plot piece that will shake everything up?
All of this begs the question: what makes good foreshadowing?
In his post on the importance of foreshadowing, Larry Brooks of StoryFix 2.0 describes it as Continue reading