Nancy: Will They or Won’t They?

When we read romance books, we know that, by definition, the couple will get a happily ever after (HEA). The joy isn’t the destination; it’s the journey. Not the what, but the how and, as Lisa Cron would remind us, the why.

But one thing I’ve been pondering as I finish my final round of revisions on the next Harrow’s book (Two Scandals are Better than One) is whether part of that journey should be the sense that this couple’s obstacles are so great, they just might not make it. Two Scandals doesn’t have that burning question. One of my beta readers listed it as a problem, although she liked the overall story. And as the writer/god of this story universe, I can thank her for that input and then choose to ignore it. But that bit of critique has stuck in my brain, because I think she might be onto something. Continue reading

Jeanne: Telling Parallel Stories

Like Jilly, I have been spending time judging contest entries lately. Unlike Jilly, some of rails-3309912_640mine have been pretty good. One, in particular, interested me because the story paralleled the romances of three different couples, which is what I’m trying to do with my third demon book, The Demon Wore Stilettos.

I was especially interested because every time I tell other authors what I’m working on, they say, “That’s way too complicated. You need to get rid of some of that.”

And it may come to that, but I really want to keep all three stories, so I was happy to see someone else had tried the same thing with, I thought, some success. Her stories were all set in the same small town and used the marriage-of-convenience trope for all three.

Mine are all set in Minneapolis-St. Paul and all revolve around the second-chance-at-love trope.

Where I thought the contest entry could have been stronger was in cohesion. The stories run along side-by-side like train tracks, never crossing, never even approaching each other. In mine, the three couples are, respectively, demons, humans and angels. All three couples have had past romantic encounters and all are now, for various reasons, no longer in those relationships. Continue reading

Jeanne: The Complexity of Romance

muffins-2225091_640Romance may be the single most complex genre of fiction there is.

A romance author has to juggle five different arcs:

  • Story (plot) arc
  • Character arc for the heroine
  • Character arc for the hero
  • Relationship arc
    • And within that relationship arc, both the emotional arc and the physical arc of the romance

That’s at least double most other genres, which have a plot arc and character arcs for only one or two characters (and sometimes no character arc at all).

To make things even tougher on the romance writer (though easier for the reader), some of those arcs should line up, sharing common turning points.  Let’s do a hypothetical example:

Our Heroine wants to open a bakery in the perfect location in her little town. She has a character flaw, though. She hates confrontations and backs away at the first sign of conflict.

Our Hero wants the same spot to open a mobile phone franchise. He’s a good guy, but he’s very competitive. Continue reading

Michille: Just Can’t Help Falling in Love

Difficult Choice. . .  With Romance Novels.

This was a recent topic on The 1A on NPR. The topic was romance novels in general and the lack of diversity in romance novels specifically.

The guests were Alisha Rai, romance author of the “Forbidden Hearts” series; Alexandra Alter, publishing reporter for The New York Times; Sarah Wendell, Co-founder of “Smart Bitches, Trashy Books”; Leah Koch, Co-owner and founder of The Ripped Bodice.  Continue reading

Michille: Read-A-Romance Month

RARM-2018-FB-header-768x284August is Read-A-Romance month. What is that? According to the website it “was conceived and launched in 2013 by freelance writer and romance advocate Bobbi Dumas, after she realized there was no one place where the community celebrated romance all together, at one time, in a concentrated way. Read-A-Romance Month is cross-publisher and cross-genre, and represents a broad spectrum of authors and books.” Continue reading

Nancy: Romance is the Shizzle

OK, that might be a terrible and decidedly dated title for a blog post, but what’s important here is the message. Romance is hot! I’m not talking about 4-alarm heat levels based sexual explicitness. I’m talking about the state of the market. While other fiction genres struggle to recover from the hit book buying took last November (after something happened…something cataclysmic and unprecedented…ring any bells?), the romance genre is leading the pack in rebounding.

According to an article on Salon.com titled Welcome to the Romance Resistance, booksellers, publishers, and indie authors are reporting record sales in the genre. The article credits the escapism the genre offers its readers, something many women (remembering that women make up 84% of romance’s readers) are seeking  during these trouble times. No doubt there’s something to that. But other genres offer escapism, too, so what else is romance offering its readers?

It’s another e word. Empowerment. We’re seeing tremendous pushes toward regression in women’s rights, on issues ranging from workplace protections to bodily autonomy. Much of the romance genre provides a ballast to this frightening trend. Authors across the genre write about heroines who are smart, capable, and full of agency. Heroines who are empowered.

We’ve seen how threatening empowered women are to the powers that be and the pushback that women’s societal strides forward have engendered. But we must keep that forward momentum. When fighting the good fight exhausts us, we can take a break and sink into a good book for a little bit of escapism and a big dose of ‘woman power’.

Friend of the blog Jennifer Crusie has said romance is the most subversively feminist genre she’s ever read. That subversion, and the escapism, empowerment, and celebration it brings with it are center stage right now. So let your romance flags fly, readers and writers of this awesome genre!

 

Note: This week, whether you’re stoking your creativity by writing your own romance story or immersing yourself in someone else’s story world, how about a little musical accompaniment? Lin-Manuel Miranda, creator of the smash Broadway hit Hamilton, has undertaken a musical project to help victims of Hurricane Maria. If you want to hear him talk about the creative process of writing and recording the song Almost Like Praying with a whole host of Latinx stars, check out NPR’s interview with Miranda. To get straight to the music, check out the video on YouTube. Whether you stream the song or buy, the proceeds go to the Hispanic Federation’s Hurricane Relief Fund.

Michille: Romance and Natural Disasters

800px-Hurricane_Isabel_from_ISSWith Harvey mostly a memory leaving a staggeringly colossal disaster area behind it and Irma targeting Florida and another potentially colossal disaster for the U.S., I looked at disasters in romance novels. I read one recently that was set in a flood (freebie from RWA Nationals in a previous year), but I got really annoyed with the author because the hero and heroine kept standing around in floodwater while the rain was pounding down, discussing their history, wondering where his brother was and if her sister stayed at work, sharing scorching kisses and wishing for a bed. I’m not thinking that the folks going through Harvey were standing waist deep in floodwater reminiscing about a high school football game that took place 10 years ago. The memory of that book and the coverage of Harvey led my brain down the path of how an author could set a romance in a natural disaster and do justice to mother nature, the devastation and tragedy, and the romance without minimizing or horrorizing (is that a word?) the tragedy or the reader. As in, people are dying and these two idiots just want to do the horizontal tango. Continue reading