Jeanne: Anatomy of a Killer Debut—An Interview with Suzanne Tierney

Scandal6_RGB301Today I’m talking with Suzanne Tierney, who released her debut novel, The Art of the Scandal, on August 28th to great Day 1 sales–she ended the day in first place in Jewish Literature, in 16th in Classic Romance Fiction and 28th in British Historical Literature! And broke the top 5000 in Kindle Paid Sales.

That’s partly because it’s a great story. The Art of the Scandal provides a fascinating glimpse into the efforts required to seat the first Jewish Member of Parliament,. It also include intriguing tidbits on how counterfeited paintings are discovered and the romance between Simon Cohen and Lady Lydia, the quintessential English rose, is both challenging and ultimately satisfying.

But a lot of great books get released on Amazon every year and very few make it to number one in their category. Since a lot of 8LW readers are also writers who do or plan to publish, I thought it might be useful to find out more about the approach Suzanne took to achieve her great debut.

Question 1: I know you originally had a contract with a small press. What made you decide to go indie instead? Continue reading

Michille: Romance and Natural Disasters

Dark and StormyWith Dorian soon to become a memory and already leaving a staggeringly colossal disaster area behind in the Bahamas, I looked at disasters in romance novels. I read one recently that was set in a flood (freebie from RWA Nationals in a previous year), but I got really annoyed with the author because the hero and heroine kept standing around in floodwater while the rain was pounding down, discussing their history, wondering where his brother was and if her sister stayed at work, sharing scorching kisses and wishing for a bed. I’m not thinking that the folks going through Dorian were standing waist deep in floodwater reminiscing about a high school football game that took place 10 years ago. The memory of that book and the coverage of Dorian led my brain down the path of how an author could set a romance in a natural disaster and do justice to mother nature, the devastation and tragedy, and the romance without minimizing or horrorizing (is that a word?) the tragedy or the reader. As in, people are dying and these two idiots just want to do the horizontal tango. Continue reading

Nancy: On Book Clubs, Best-Selling Fiction, and Career Advice You Might Need to Ignore

Over the past 10 or so years, I’ve tried to get on the book club train three different times. Each time, I left the group after only one meeting. That choice wasn’t because I took issue with the people (they are readers, and therefore inherently lovely😊), their passion for the books, or even the wine. It was because I, as a writer, read so differently than non-writers that I was looking for things in a book discussion that the other members wouldn’t find interesting. Ergo, I had nothing to bring to the book club party (other than the wine, which is important! but not really the point).

The real problem I and many other writers have in joining book clubs is that we’re not looking for book discussions at all. We’re looking for book dissections. Writing craft deep-dives. Story geek deconstructions.

That’s why I’m so glad I agreed to join an online book club with one of my writing tribes. We are all long-time writers, with multiple years and manuscripts-worth of experience. Most of us either are or are in training to become book coaches who work with other writers on a regular and ongoing basis. That training has given us a common language and shared tools we use to evaluate writing. Last week, we had a one-hour online video chat to discuss our first group book, Where the Crawdads Sing by Delia Owens. Our discussion was wonky and geeky and made my little writer heart sing with joy.

Interestingly, though, when I found myself thinking about the book and our discussion in the days that followed, it was usually in the context of current writing career advice and “truths”, how Delia Owens ignored (intentionally or otherwise) much of it, and how none of it is applicable if it isn’t relevant to you and your process. Continue reading

Michille: What Did You Read Thursday?

stack of booksI am jumping on Elizabeth’s reading bandwagon, but looking at it from several angles. I understand that writers need to read, but I often see my reading time as procrastination of my writing time. I’ve also found some new authors I’d like to read, some have been on my list for a while because I found them charming at a writers’ conference, and some because they were repeatedly recommended. Re-reading Jennifer Crusie (several of her stories) and Loretta Chase have joined the list because aspects of their writing came up that I want to go back and review (reading like a writer). I’ve also added some nonfiction to my list. Continue reading

Michaeline: Review of the new Bujold “Knife Children”!

(Note: no spoilers in the post, but there may be some in the comments. You’ve been warned.)

It’s been a bad few years for reading for me. First, I blamed it on my eyes, but now that I’ve had my reading glasses for a little over a year, I have come to realize it’s only partly about my eyes. Next, I blamed it on the internet – short, addictive bits of reading that reward almost instantly – and if they don’t, well, there’s another post or article to read. And hand-in-hand with the internet is the absolute drama of the past two years in the real world. Trump, Brexit, #MeToo – all that drama, all that conflict. Do I really need a real story when I’m sated with cat pictures on the one hand, and gutted by all the real world on the other?

It turns out, yes, a real story does hit the spot, and Lois McMaster Bujold published another e-novella in her Sharing Knife series on January 24, 2019.

 

"Knife Children" cover

A new book from Bujold! (Cover via Amazon.com)

“Knife Children” has that easy-going rhythm that is part and parcel of the Sharing Knife series. It touches on old Bujoldian themes such as taking responsibility, and the ever-present possibility of redemption. It also deals with the “one damn thing happens after another” aspect of life, and “go lightly over the rough ground”.

On the surface, “Knife Children” is Continue reading

Michaeline: New Stories from Bujold and Crusie!

A lady reading at a desk in her bedroom. She's wearing a warm robe.

It’s going to be a good year for reading! (Image via Wikimedia Commons)

Since Christmas, I’ve been on internet half-rations – I’ve only checked the news, the blog and some YouTube. Yesterday was my first day back, visiting my usual haunts, and boy, the stuff I missed! (Trigger warning: FOMO!)

On December 25, 2018, Lois McMaster Bujold announced a new novella on her Goodreads blog! The story, set in her Americana Wide Green World universe, features Lily and Barr. She says it will be a stand-alone, but since she’s aiming to self-publish the story in “late January”, there’s time for long-time fans to have a leisurely re-read of the four Sharing Knife novels (starting with Beguilement; link to Amazon here). Whoo-hoo!

And on January 1, 2019, Jennifer Crusie wrote on her blog, Argh Ink, “Happy 2019, everybody. I’m gonna finish a book this year.” Well, a happy new year to all of us fans, too! I’ve been following the book-in-progress on her blog from its conception, and the first act promises a lot of fun: demons, cops, murder mystery, romance and some really excellent vicarious diner food. The Nick-and-Nita book may not be out in 2019, but at least it’s almost out of Jenny’s hands – she has excellent taste, and I think the biggest barrier to more Crusie out in the wild is that she doesn’t let ‘em go until she’s reached a point of satisfaction. It’s probably for the best. We fans are voracious, and the most frequent response to a new story is “more please”, which is simply not sustainable. At any rate, in a few weeks (according to an ETA on Jan. 4), it’ll be in her editor’s hands.

What a convergence of the stars! My two favorite living writers are going to release new stories! And I know a lot of my favorite bloggers (right here on Eight Ladies Writing) are also going to release new stories in 2019! (Please comment, Ladies!) And of course, keep an eye on the Friday writing sprints here on 8LW. Our readers are welcome to play, and of course, our Eight Ladies often put up a short, sweet nugget of fictional delight. Are there any new stories that you are keeping your eye on?

It’s going to be a good year for reading, y’all! Get your reading glasses polished!

Michaeline: “Inconceivable”

William Goldman (left) and James Caan in 1976. (Image via Wikimedia Commons)

“Inconceivable.”

The creator of The Princess Bride is dead. William Goldman, the writer of the 1973 novel and the screenplay of the 1987 movie, died in his sleep at age 87 Friday morning after a battle with pneumonia and colon cancer, according to the Guardian and National Public Radio (US) reports.

I came to The Princess Bride late, and I don’t like the romance – let me just get that out in front. But as a buddy movie, The Princess Bride is full of fun and adventure. Who can forget old tropes transformed into new tropes? The Dread Pirate Roberts, the Spanish swordman bent on revenge, the Gentle Giant, monsters like Rodents Of Unusual Size, the evil King and his henchmen, the wise wizard and his wife with their own deep backstory, and of course, the love interest: Buttercup. The trophy that symbolizes love – the greatest motivator of all.

“Wuv . . . Twu Wuv . . . wiw follow yoooou . . . fowevaaaah!” as Peter Cook as The Impressive Clergyman says. (YouTube: 11 seconds down memory lane.)

William Goldman was famous for great friendship stories. Butch Cassidy and the Sundance Kid was another great. He wrote the screenplay for The Great Waldo Pepper (one of my parents’ favorite movies). And he wrote the screenplay from Ira Levin’s The Stepford Wives. Friendship perverted.

So, to mark his passing, let’s add a little of that buddy magic to our writing today. If you are stuck on a NaNo scene, phone a friend. If you are putting butt in the chair for your regularly scheduled WIP engagement, add a playmate to the mix, or bring a bosom companion forward.