Michaeline: Where There’s a Will

Yesterday, April 23, was the death anniversary (and some say the birthday) of William Shakespeare. Of course, he’s remembered for being one of the greatest writers in the English language, but it’s entirely possible that he was buried as a businessman – a local boy who had done well in London and had property to disperse.

Portia, Bassanio, Gratiano and Nerissa in Renaissance clothing.
A scene from The Merchant of Venice — a play by Will that also involves a father and a will. Next on my reading list, as a matter of fact! (Image via Wikimedia Commons)

The Conversation has a 2016 article describing Shakespeare’s death and funeral as a “non-event” compared to other famous writers who were commoners. And there’s an interesting article by the BBC and the British Council (also 2016, I think) that describes how a four-month scientific analysis of the will from 2015 to 2016 sheds new light on various theories about Shakespeare and his family.

And that was the end of Shakespeare, the man, but only the beginning of Shakespeare, the literary giant. So, in my brain, one thing leads to another. Shakespeare’s will was considered by scholars to be a variety of things: some conjectured a snub of his wife with the bequest of his “second-best bed” to her; some thought it showed a distrust of his second daughter Judith and her new husband (who had just been convicted for unlawfully impregnating

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Michaeline: One More Thing You Need To Start a Story

A little girl offering root beer syrup to a young woman in black.

Older and wiser, but still obsessed with root beer. (Image via Wikimedia Commons)

If you read Saturday’s blog post, you already know three elements you need to get your story started: a character, a setting/situation and finally, another character to play against.

The final thing you need to get the ball rolling is an inciting incident. You need the spark that sets the whole ball of wax on fire, and starts it rolling toward the finish line.

Yesterday, I talked about Rachel, who is producing illegal root beer on a spaceship. She is up against Ms. Pratchett, an atmosphere engineer who is disturbed by the sudden increase of carbon dioxide in the air – and she isn’t very fond of exploding bottles of semi-alcoholic liquid in the cabin next door. Plus, she hates the smell of root beer. It reminds her of an old Chinese remedy her mother used to force down her when she was under the weather.

In this case, the inciting incident is pretty easy to find. In fact, if you put your mind to it, I bet you could think of several. The first one I thought of was having the carbon dioxide detector go off in the middle of the night, awakening both Rachel, the fussy Ms. Pratchett, and the entire ship.

But hold on a minute! The first idea MIGHT be the best idea, but then again, it might not. It would be better to brainstorm at least a half a dozen ideas – things start to get very interesting around idea 12, they say.

So, here goes:
2. The captain calls Ms. Pratchett into his office, and orders her to investigate (strengthens Ms. Pratchett’s position, but a lot less exciting than an alarm going off).
3. A bottle of soda explodes, and Ms. Pratchett must investigate. (I do like a good explosion.)
4. Change the perspective: Ms. Pratchett is the hero of this story, and Rachel is an evil rule-breaker. (This is worth exploring: the villain is often the hero of her own story in a good book. This could deepen Ms. Pratchett’s characterization, and who knows? Ms. Pratchett, or Susie as we come to know her, might be the real hero.)
5. There’s no root beer yet. Susie Pratchett finds Continue reading

Elizabeth: The Call to Action

call_to_actionAs writers, we’re taught that a story rightfully begins with an inciting incident; an event that changes something for our hero/heroine, throwing them off their traditional path and setting everything in motion.   It can be as simple as meeting a cute guy in the bar, the death of a family member, or being transferred to a new job, or more complex, like being transported into a whole new world.  Typically, the inciting incident is something that happens to the hero/heroine, rather than something they actively do.

Simply put, before the inciting incident there is equilibrium.  Afterwards, the balance has been upset and there is a problem to be solved. Continue reading