As writers, we’re taught that a story rightfully begins with an inciting incident; an event that changes something for our hero/heroine, throwing them off their traditional path and setting everything in motion. It can be as simple as meeting a cute guy in the bar, the death of a family member, or being transferred to a new job, or more complex, like being transported into a whole new world. Typically, the inciting incident is something that happens to the hero/heroine, rather than something they actively do.
Simply put, before the inciting incident there is equilibrium. Afterwards, the balance has been upset and there is a problem to be solved. Continue reading