Michaeline: One More Thing You Need To Start a Story

A little girl offering root beer syrup to a young woman in black.

Older and wiser, but still obsessed with root beer. (Image via Wikimedia Commons)

If you read Saturday’s blog post, you already know three elements you need to get your story started: a character, a setting/situation and finally, another character to play against.

The final thing you need to get the ball rolling is an inciting incident. You need the spark that sets the whole ball of wax on fire, and starts it rolling toward the finish line.

Yesterday, I talked about Rachel, who is producing illegal root beer on a spaceship. She is up against Ms. Pratchett, an atmosphere engineer who is disturbed by the sudden increase of carbon dioxide in the air – and she isn’t very fond of exploding bottles of semi-alcoholic liquid in the cabin next door. Plus, she hates the smell of root beer. It reminds her of an old Chinese remedy her mother used to force down her when she was under the weather.

In this case, the inciting incident is pretty easy to find. In fact, if you put your mind to it, I bet you could think of several. The first one I thought of was having the carbon dioxide detector go off in the middle of the night, awakening both Rachel, the fussy Ms. Pratchett, and the entire ship.

But hold on a minute! The first idea MIGHT be the best idea, but then again, it might not. It would be better to brainstorm at least a half a dozen ideas – things start to get very interesting around idea 12, they say.

So, here goes:
2. The captain calls Ms. Pratchett into his office, and orders her to investigate (strengthens Ms. Pratchett’s position, but a lot less exciting than an alarm going off).
3. A bottle of soda explodes, and Ms. Pratchett must investigate. (I do like a good explosion.)
4. Change the perspective: Ms. Pratchett is the hero of this story, and Rachel is an evil rule-breaker. (This is worth exploring: the villain is often the hero of her own story in a good book. This could deepen Ms. Pratchett’s characterization, and who knows? Ms. Pratchett, or Susie as we come to know her, might be the real hero.)
5. There’s no root beer yet. Susie Pratchett finds Continue reading

Michaeline: How to Start a Story

 

Old ad for Zaratarain's root beer syrup with a little girl carrying a tray of small glasses

Make it at home! Or make it on a train! Or on a space ship! (Image via Wikimedia Commons)

Usually for me, I start with a character, and usually, the character brings a setting along naturally. Rachel was a root beer fan on a spaceship. Olivia was a woman looking for a buddy to bundle up with during the coming blizzard, and it was easy to set her in upstate New York. Perz was a paranormal plumber, and my huge mistake with that story was not putting her in a setting with plumbing problems, but rather, in a cave.

For the last few weeks, I’ve been talking about putting a setting first, as a place that will naturally produce a lot of interesting characters. Maybe it’s a wedding – you’ve got confident wedding planners, unhappy bridesmaids, dashing men dressed like 19th century robber barons! (First, second and third parts.)

Or maybe you’ve rented a gentleman in Japan. This isn’t setting so much as it is situational, but you could have an interesting artist who might be entertaining himself by renting himself out, or perhaps you’ve got a Good Boy who was suddenly laid off at age 45, and needed a little gig to tide him over until he can find a better position.

So, these are the building blocks I usually don’t have problems with: a character, and a setting/situation. I’ve got a protagonist – now I need to use the setting/situation to create an antagonist – because it’s very hard to write a story that’s all in one character’s head. It’s so much easier when you have another character to add interest, input and plot complications.

When I first started writing, I would usually start with just one person, write a few pages, and then run out of gas. Nothing was happening!

Later, I would sometimes start with a team – three best friends, for example. However, they’d usually work well together, and I’d run out of steam after a few more pages. It was better than one person, but without conflict, nothing gets done.

A girl with root beer syrup and a glass of root beer.

“All you need,” Rachel said, “Is some water, some yeast, and this little bottle of magic!” (Image via Wikimedia Commons)

Now, I’m at the stage where Continue reading