This summer, Romance Writers of America (RWA) will be holding their national conference in Orlando, Florida. I had initially intended to skip this conference, planning instead to be in studying in Oxford at that time. Regrettably however, the class I enrolled in was cancelled (gasp!) and my second choice – “Lovers and Libertines, Spinsters and Spendthrifts, Radicals and Reformers: The Treatment of Love and Money in Selected 19th Century Novels” – was full. Who’d have thought it?
Oxford’s loss was Orlando’s gain and I was able to register for the RWA conference and, amazingly, book a room at the conference hotel. This week the preliminary list of conference workshops was released, so I’ve been going through them, deciding which ones I want to attend so I can make the most of my conference investment. Continue reading
Sometimes when writers are neck-deep in our own ideas and stories, we turn to other fiction for a mental reboot. Other times, it’s non-fiction, perhaps craft books. For the past week, I’ve been thumbing through Lisa Cron’s Wired for Story and Story Genius as I continue developing a novel with her brain science technique. For fun, I’ve been reading Stephon Alexander’s The Jazz of Physics. (Yes, that really is what passes for fun in my world.)
When I need a quicker fix, a quick shot of creative inspiration, or just a boost in the will to go on (because some writing days are just So. Damn. Hard.), I like to visit some familiar haunts on the web. A few posts have really struck a chord with me these past few weeks. If you feel yourself needing a boost, check out these articles for yourself, and poke around these sites – there’s so much good stuff to discover!
Arghink. This is the blog of Jennifer Crusie, mentor of the 8LW crew. Jenny’s blog is always chock full of great information, fun, and community, but recently, she’s also been sharing early drafts and revisions of her WIP. And it is as amazing as it sounds. Ever the teacher, Jenny is also sharing the way she approaches revisions. Continue reading
We spent last weekend visiting the beautiful city of Bath. We stayed in a hotel that was once owned by the Duke of Wellington and walked into town to hear a friend’s choir sing in the stunning fifteenth-century Abbey. It seemed as though everywhere I went, I followed in the footsteps of a much-loved Regency romance. Sometimes it was Jane Austen; more often it was Georgette Heyer.
Most of the time it was Black Sheep. It isn’t my all-time favorite Heyer, but I think it has one of the best settings.
By the time of the Regency, Brighton had become the fashionable place to spend the summer and Bath, which had once been the ton’s favorite resort, had become a kind of posh backwater inhabited by invalids and those who couldn’t afford the expense of living in London. Which makes it the perfect choice for Black Sheep. Continue reading
My heroine has more than one tiger to tame. I need to find out which one is the most important tiger of the bunch.
Stories aren’t always simple. In fact, although you sometimes meet a story that drives single-mindedly to its conclusion like a bowling ball dropped out of a fourth-story window, usually a story will have frills and complications. Much like our world today, many of the best stories, especially if they are long ones, have multiple causes that pile up and turn into a big, beautiful story.
When we were in class the first year, we spent a lot of time talking about main plots. There had to be one protagonist, one antagonist and one major conflict that drives the story. (-: More than once, I got the comment, “Pick a lane!” on my submissions.
We didn’t discuss sub-plots that much, and how they fit into the story, but sub-plots are mostly there to support and drive the main story even faster to its conclusion.
For example, in Pride and Prejudice we’re talking about Elizabeth Bennet and Mr. Darcy. Elizabeth wants a partner she can love and respect. Darcy thinks he wants a partner he can respect – she must be pretty, witty, kind, cultured and above all, a book reader who has shaped her mind into intelligent channels. Initially, Elizabeth sees a proud man who has no real reason, and Darcy sees a country bumpkin.
The subplots promote these initial views. Mrs. Bennet’s actions when searching for husbands for her daughters reinforce Darcy’s ideas that the neighborhood is provincial and not up to his standards. Darcy’s snubs of Mr. Wickham reinforce Continue reading
Though you wouldn’t know it from the current rainy / cloudy weather in my part of the world, Easter is fast approaching. The grocery stores are filled with eggs waiting to be colored, baskets ready to be filled, and candy ready to be eaten.
There will be no Easter egg hunting here at the writing castle, though the lawn in the front yard, which has flourished thanks to recent rains, would be perfect for it. I have at least stocked the refrigerator with eggs, ham, and asparagus – Easter celebration requirements – though the decorations remain tucked away in a box in the garage.
What better way to celebrate Easter (or at least the arrival of another weekend) than with a Random Word Improv.
Care to join me? Continue reading
Extracting the smell of an 18th century Bible in the Spangled Bedroom at Knole House. National Trust/James Dobson
I’ve just returned from a trip to my home state, where I engaged in a lot of high-powered thrift store shopping, my cousin’s favorite sporting activity. I don’t buy very much on these excursions, because whatever I purchase has to be either shipped or schlepped back to California, a transaction that depresses the carefree, low-risk joy of the acquisition.
But I’m always in the market for reading material, so when I’m in a thrift shop, I check out the books. The prices at these stores can’t be beat, and often there’s something I can be tempted by.
The biggest problem with books at thrift shops (compared to used book stores, which are a whole different kettle of fish) is that you never know where those books have been. Continue reading
Have you ever finished reading a book and wished you could go back in time and prevent yourself from ever reading it in the first place? A friend posted that question a while back and I thought it was an interesting one.
Flaubert’s Madam Bovary is definitely one such book for me. I read it in a “Reading the Classics” course for a creative writing program I was in and I can unequivocally state that I despised it. Considered Flaubert’s masterpiece, the story didn’t work for me because I found the characters to be so unlikable. Frankly, by the end of the story, I was actively rooting for them to get the unhappy endings they so richly deserved. I’ve read other books with unlikable characters, and I certainly don’t expect to like all of the characters in any story, but I do expect to be able to connect with or, at a minimum, sympathize with at least some of the characters. On the bright side, at least I didn’t have to slog through it in the original French. Continue reading