In romance there are basically two kinds of series. The first, which Nancy discussed last Monday, focuses on a community: a family, or schoolfriends, or regimental comrades. In this kind of series, each book tells the love story of a different member of the community. It works really well in historical romance.
The other kind of series follows the adventures of one couple over multiple books and is a natural fit with fantasy and urban fantasy. That’s what I’m busy writing.
At its best, this kind of series is like a tasting menu from a really, really good restaurant. Delicious, ambitious, and not to be attempted by the faint-hearted.
- Choose your cuisine.
- Decide how many dishes you plan to offer.
- Each dish should stand alone as a tasty, balanced, harmonious whole.
- Every course should be delightfully different, offering contrasting flavors and ingredients but in a cohesive style.
- The menu should flow, offering a natural progression leading the diner from piquant to savory to a delightful sweet finish and possibly some perfect petits-fours.
- The content of each dish should be perfectly judged, leaving the diner neither over-hungry, nor sated too soon, but wanting more until the final satisfying conclusion.
- The sum of the whole should be greater than each of the parts.
To whet your appetite, click here for the Land and Sea tasting menu from one of my favorite restaurants, The Three Chimneys on the Isle of Skye.
In literary terms, this kind of story is exemplified by Dorothy Dunnett’s Scottish Historical Lymond Chronicles, or Karen-Marie Moning’s Celtic urban fantasy Fever series, Lois McMaster Bujold’s Sharing Knife books or more recently by Ilona Andrews’ Hidden Legacy trilogy.
This is what I’m aiming for: something a little different, offering fine local ingredients combined with flair and executed with skill. If I get it right, hopefully my Menu Gourmand will be mouth-watering, memorable, and a treat worth saving up for 🙂 .
As some of you may know, I’ve been on a hiatus for the last two years working as the PTA president for my kids’ school (Pro Writing Tip: If you want to make progress on your book, don’t volunteer for the prez position…or any other board position, for that matter). I’m grateful that I had a hand in getting their school up and running (it was just opening at the time), but now I’m learning to say “No.” A very valuable word if you want to make forward progress on any personal endeavor.
I will say that the hiatus from writing has allowed me to see my book, when I finally came back to it this fall, in a whole new light, and some advice from an editor I met on a writing cruise in October lent even more clarity…in particular to who my book was about, and indeed who and what the whole planned three-book series is about.
Background: My historical series had always intended to be about Continue reading
Do you set yourself long-term goals? Do they inspire you?
In my personal and professional life, I’ve always been a pantser rather than a planner. I have a set of psychometric evaluation reports written about me more than 25 years ago that resulted in my setting a personal mission statement: to enjoy life and seek challenges. If I could track down the coach that helped me write that statement, I’d shake her hand. It’s as valid now as it was in 1990.
I don’t think I’ve ever set myself a concrete, specific long-term goal. I do think I’ve been good at recognizing—and grabbing—special opportunities when they’ve crossed my path. Continue reading
Do you have a spare five minutes to help me try to find the perfect word or two for the titles of my romantic fantasy series?
I had a brilliant time at RWA in San Diego and I’ve returned to the UK inspired and raring to get back to work on Alexis. Pitching the book was really helpful as it made me pause, take a step back, and make sure I had a clear vision of what story I wanted to tell, in Book One and also for the whole series.
I’ve written linked stories before, but this is the first time I’ve attempted a series with the same main characters and an over-arching plot-line. I have the bare bones of how it’s all going to work, and a bucket full of ideas waiting to be fitted into that framework, but I think it would help me a lot if I had a clearer vision of the books themselves, especially their titles.
So if you’re in the mood for a little brainstorming, here’s the brief Continue reading
As I mentioned in my last post, I am taking a Margie Lawson (Lisa Wells) online class about writing a series. One of the lessons was about the series connection. Lisa had four choices of series connection: the really big book series, the linked sequential series, the linked stand-alone series, and the loosely connected stand-alone series. Lisa likened the really big book series to a family saga television miniseries. I can’t think of any series that I’ve read that have to be read in order, a component of the really big book series. The linked sequential also have to be read in order. Again, I can’t think of any like this that I’ve read. I concluded that most of the ones I’ve read are linked or loosely-connected stand-alones. Continue reading
Do you enjoy reading series? If so, do you suffer from End of Series Anxiety?
Sometimes when I’m reading a book by a new-to-me author, if the writing is stunningly good and the plot is ratcheting up nicely, in the middle of my enjoyment I’ll hear a voice at the back of my head warning me not to get too carried away, because however smart the author is, there’s always a risk that the way she chooses to resolve the story might not work for me.
Funny thing, but even after I’ve settled down to a harmonious relationship with an author and built up a level of trust that their story choices are likely to make me happy, I’ll still look at an upcoming release, close my eyes and hope it’s going to be all right. That’s most likely to happen in the final book of a series, because confidence in the author + emotional investment over multiple books + increasing story stakes + ever-higher expectations -> nose-bleed high risk. Continue reading
Today is the final post in my series on series. Last week, friend of the blog and fabulous author Mindy Klasky stopped by to talk about what it takes to write a series, and many different ways to approach it. This week, I asked Maria V. Snyder, author of the best-selling Study series, to talk to us about her experiences writing series and to give us a hint about what she has planned for future stories in her series world.
The original cover of Poison Study. With multiple reprintings and foreign language editions, there have been many gorgeous iterations!
A meteorologist turned fantasy and science fiction novelist, Maria has published thirteen novels and seventeen short stories for both YA and adult readers. She’s been on the New York Times bestseller list, won a half-dozen awards, and earned her Masters degree from Seton Hill University where she’s been teaching and mentoring in their MFA program. Readers are welcome to check out her website for more information at http://www.MariaVSnyder.com or check out her Facebook page at http://www.facebook.com/mvsfans! Information about her books can also be found on Goodreads at http://www.goodreads.com/maria_v_snyder. Meanwhile, feel free to ask Maria questions of your own, as she’ll be stopping by the comments section later today.
NH: You’ve recently released book 4 of the Study series, which began back in 2005 with Poison Study. Was this conceived as a stand-alone book or did you know that first book would lend itself to a series? Continue reading