Michaeline: Copyrights of the Future?

This week on my corner of Twitter, there’s been a lot of discussion about copyright, and how long it should last. Someone suggested 30 years after publication! (See below.) The discussion isn’t about a real-world change in laws, as far as I can tell, but a what-if scenarios that may stem from the Dr. Seuss estate pulling some of the Seuss books with racist imagery. As a lot of internet conversations do, the discussion has drifted from the original “problem” to a lot of different ideas about how to do things. Some “solutions” are silly, some are impractical but some have brought up some great tangential points.

In my corner of Twitter, Dr. Seuss wasn’t even mentioned. I’ll get into that later. The reason why it caught my attention is that most writers I know there are extremely concerned about their rights, their old age, and taking care of dependents who may not be able to take care of themselves.

A mid-30s slightly balding writer is seated at a table, writing, in a sparse room while Death as a skeleton aims a spear flagged with "Finis" at his chest. The man is holding up the left hand to ward off Death, but holds onto the quill with his right.
Copyright and royalties can mean a lot to a struggling author facing death. (Image via Wikimedia Commons)

In general, writers are also readers, and many readers would like to be writers. So, I would say there’s a significant minority of readers who see both sides of the copyright problem.

In America right now, copyright is for the life of an author plus 70 years. (For all the ifs, ands and buts, visit Copyright.gov. The website is a cornucopia of copyright facts in America.) It’s basically the same in the UK, but I’m sure there are some different details. (British Library) In Japan, it’s the lifetime of the author plus 50 years. (Page 5 of this PDF) The problem for me as a reader

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