Michaeline: Ursula K. Le Guin

Le Guin at a booksigning in 2013

Ursula K. Le Guin (by K. Kendall via Flickr) https://creativecommons.org/licenses/by/2.0/

Ursula K. Le Guin passed away on January 22, 2018, and through the comment sections of Jenny’s Argh Ink blog, I found Le Guin’s blog, The Bookview Cafe – one that she shared with a lot of writers, mostly women.

The recommended blog post was titled, “Navigation Q1: How do you make something good?” Le Guin started with the very funny (but absolutely practical) advice: “Well, you could start with butter and fresh farm eggs, it’s hard to go wrong from there, unless you are a vegan.” And then she gets serious. Go ahead, take a look if you like. I’ll still be here.

It’s like a little tarot card, this cryptic comment. For me, the butter and fresh farm eggs are real life experiences. (I know – that seems really odd for a writer of fantasy to say. But in order for fantasy to really fly, it needs to be grounded with real-life motives and behaviors. The rest is all caramel sauce or bechamel. Spin that into fairy glass, or stuff it with mushrooms, as you like. Or just make a fried egg in butter, if you don’t like fantasy. A fried egg in butter is one of the most delicious things on earth, as far as I’m concerned. I’m not a vegan.)

If you’ve read the post, then you know how Le Guin spins her metaphor into a textbook souffle – and then gives you permission to ignore those rules if you are making blintzes. That really rang the dinner bell for me. I’m making blintzes, and I should embrace that and make lots and lots of blintzes!

From one egg metaphor to another, I found this page about a book of hers that came out last December from Houghton Mifflin called “No Time to Spare: Thinking About What Matters”. The table of contents sold me, especially after reading the blog. It’s an old chestnut that, “wow, I’d read her shopping list!” I haven’t read much Le Guin, but her blog posts were very charming. I *would* like to read about her cat, her “crabby old lady” diatribes, and yes, the section titled “The Narrative Gift as a Moral Conundrum” makes me want to search the internet right now and see if it’s on the blog. I’d better wait, though, and get the real book, and take my time.

They call it “dead rock star” effect. It’s sad that it takes a death for me to re-discover what thousands have already known. I might be spending a lot of February, going through Le Guin’s books and other writings. Better late than never, I suppose.

Michaeline: Gordon Ramsay Crossover Writing Lessons, Part Two

A pastry chef rolling out a crust while a young girl looks on.

Put your heart into your work, and others will notice.

When Gordon Ramsay walked into the Hot Potato Cafe, little did he know that he’d be walking right out again that evening for the first time in the history of Kitchen Nightmares.

(Am I naive to believe that these shows aren’t totally scripted? Or am I just cute? Cue the dramatic music as we cross the suspension bridge of belief.)

Anyway, we’re at the Hot Potato Cafe, where Gordon is served frozen, half-warmed potato skins – a fitting metaphor for the owners and workers of this family-owned restaurant. Mistakes have left them hollow shells, their despairing wails echoing around the space their heart and their guts should be. “Help us, Gordon! We don’t know what to do!”

The chef is the owners’ niece. I can only assume that in an effort to save money, they brought in this young girl who has potential, but no formal training in cookery. She’s expected to follow the old menus and help keep the restaurant afloat. She says that the restaurant business isn’t her first choice of a career; she’s only here to help out the family.

Gordon storms out that evening because nobody seems to care if the business stays alive or not. And I think this is the first important lesson that this episode teaches: you can have money, you can have your basic materials and a venue, but if you don’t have the enthusiasm, it’s really hard to keep a business going. They beg him in the street for help, and he promises to come back the next day.

He creates a little excitement by having a baked potato contest. (Yes, I hear that bridge of belief creaking a little bit, but honestly, it’s pretty exciting.) The winner’s baked potato will make it on the menu that very evening, and bring back a touch of fresh, good cooking to the Hot Potato Cafe. Our young chef wins the contest, and she’s inspired to do a better job.

After a menu re-vamp, a free supply of Idaho potatoes, redecoration of the dining room and a good week-long pep talk, our cafe has its heart and guts back, and is ready to provide the best in potato dining in Fishtown. (See the menu for delicious chowder, that merges the cafe’s mission with the area’s history.)

So, this is what I learned: remember the enthusiasm that brought you to your art. Bring it back with short challenges, and then put your whole heart into your business.

The YouTube comments tell the story of what happened after Gordon Ramsay left. But that’s another story. For now, it’s enough to sit and write a little something that makes you happy, and represents what you really want to do as a writer. No half-baked empty potato skins. (If you do make literary potato skins, though, make ‘em fresh and beautiful and absolutely tasty. They have to work harder to impress, but they can outshine a plain ol’ baked potato when they are done with love and vision.)