For someone who doesn’t even have a Twitter account, I’ve encountered a lot of interesting tweets lately. Last week it was the By Age 35 thread and this week it was the tweet to the left from Comedy Central writer Jake Weisman about Jane Austen’s writing.
The tweet, as he may or may not have expected, stirred up a bit of a storm. Not by people who disagreed with the fact that Austen combined satire with spot-on social commentary, but that Weisman had felt the need to disparage the fact that her stories also included . . .gasp! . . . love and romance. The consensus seemed to be that he had read her work, enjoyed it, and was appalled that he might be thought to be a fan of romance.
Heaven forbid! Continue reading
Genetic manipulation is a little bit scary — if we set it 800 years in the future, it’s a little easier to look at.
First, the biggest news of my week. On October 21, 2015, Lois McMaster Bujold’s new book, Gentleman Jole and the Red Queen, went up for sale as an eARC over on Baen.com (her publisher’s website here).
GJ&RQ is a wonderful book. If you love the Vorkosigan series, I heartily recommend it. If you haven’t sampled the Vorkosigan series yet, I suggest you start at the start with Cordelia’s Honor (an omnibus of Shards of Honor and Barrayar) and work your way through the entire saga. Not because it’s necessary, per se, but because you’ll be able to really appreciate Bujold’s fine sense of nuance. She’s a master of backstory, of showing how past events continue to echo throughout a life. On the one hand, the parts of GJ&RQ add up to a beautiful wholeness in a territory we don’t see much in either speculative fiction nor romance. But when you know what came before, you get something even bigger than the book in your computer files. You get a life. A life that isn’t finished at 76 by any means. Continue reading
The writers here at 8LW are proud and unabashed purveyors of women’s stories. Many of us have written or are now writing romance fiction primarily aimed at a female audience. Not so surprising, since we met through the McDaniel romance writing program. Others are writing women’s fiction, a marketing term applied to women’s stories written by female authors. There should be nothing shocking, threatening, or degrading in telling stories that reflect women’s lives, as we do make up 51% of humanity. And yet, sadly, we have all witnessed and have occasionally discussed on this blog the downgrading or even outright dismissal of romance, women’s fiction, and other primarily female-authored genres and books.
Sometimes, the turkeys really can get you down. Or make you angry. Or make you question whether you should reduce your female-sounding name to initials and write male protagonists, in search of acknowledgement that what you have to say matters. Continue reading