William Goldman (left) and James Caan in 1976. (Image via Wikimedia Commons)
The creator of The Princess Bride is dead. William Goldman, the writer of the 1973 novel and the screenplay of the 1987 movie, died in his sleep at age 87 Friday morning after a battle with pneumonia and colon cancer, according to the Guardian and National Public Radio (US) reports.
I came to The Princess Bride late, and I don’t like the romance – let me just get that out in front. But as a buddy movie, The Princess Bride is full of fun and adventure. Who can forget old tropes transformed into new tropes? The Dread Pirate Roberts, the Spanish swordman bent on revenge, the Gentle Giant, monsters like Rodents Of Unusual Size, the evil King and his henchmen, the wise wizard and his wife with their own deep backstory, and of course, the love interest: Buttercup. The trophy that symbolizes love – the greatest motivator of all.
“Wuv . . . Twu Wuv . . . wiw follow yoooou . . . fowevaaaah!” as Peter Cook as The Impressive Clergyman says. (YouTube: 11 seconds down memory lane.)
William Goldman was famous for great friendship stories. Butch Cassidy and the Sundance Kid was another great. He wrote the screenplay for The Great Waldo Pepper (one of my parents’ favorite movies). And he wrote the screenplay from Ira Levin’s The Stepford Wives. Friendship perverted.
So, to mark his passing, let’s add a little of that buddy magic to our writing today. If you are stuck on a NaNo scene, phone a friend. If you are putting butt in the chair for your regularly scheduled WIP engagement, add a playmate to the mix, or bring a bosom companion forward.
In her post last Saturday, Michaeline talked about subplots and secondary characters. We chatted in the comments about the movie version of William Goldman’s The Princess Bride, and Michaeline said she wished the whole story could have been about the master swordsman sidekick, Inigo Montoya.
Which got me wondering: which secondary character(s) would you like to see in a starring role?
In this era of series, especially in romance, many (most?) significant secondary characters are written and signaled as sequel bait. Usually I’m excited about that. I love the promise of more stories in a world I’m enjoying, and if I’m already invested in the characters, there’s a delicious frisson of anticipation whenever they do something that could come back to bite them later.
Sometimes the author dangles the treat but keeps the reader waiting through multiple books. Maybe even through an entire series, like Julie Anne Long’s Pennyroyal Green books, where it was always clear that the resolution of Lyon and Olivia’s romance arc would wrap up the series. That’s OK. I’m comfortable with deferred gratification. I know the story will come, eventually. If I care enough, all I have to do is stick with the author and series until it arrives.
Here, I’m thinking more about the cast of supporting players who people a fictional world but who are not set up to step into the limelight in due course. Take Christopher and Barabas, two characters from Ilona Andrews’ Kate Daniels urban fantasy series. Ilona put up a blog post a few days ago in response to a reader’s question about whether she would ever write their romance. Click here to read the post in full. In short, Ilona said the decision would not be a question of popularity, but one of inspiration.
If I had my way, I’d beg the story gods to Continue reading