In my long-ago, faraway dreams (reality check: when I started writing in earnest 5 years ago), I had always intended to be traditionally published. In fact, if you looked at my goal wall displayed prominently in my office, the goal right smack in the middle (after writing a good book and before being a bestselling author) was “traditional publication” with logos of some of the big publishing houses. I was always so certain of it…publication, that is, even knowing much of that decision was out of my hands.
Over time, I became a lot less certain. Things started happening…fellow Eight Lady Jeanne won the Golden Heart (which used to be carte blanche in terms of getting an agent/editor), but no one picked her up (she has since decided to go indie. Yay Jeanne!). Last September, I went on a writer’s cruise and the editor expounded on the genres that she couldn’t buy…historicals being one of them. I was unnerved by that, but didn’t let it deter me. Continue reading
In case you missed it, the last time I blogged, I did a Q&A with Greg Ourada, an intellectual property attorney with Hill, Kertscher & Wharton, LLP in Atlanta, GA. He answered questions about copyright, trademark, registered trademarks, and several other related topics. You can view that post here.
A few commenters had follow-up questions and I have the answers.
Before we begin, though, a disclaimer: The responses below are general in nature and should not be considered legal advice. Due to the highly fact-specific nature of copyright and trademark issues, you should contact an attorney if you require specific legal advice regarding a particular matter.
Now, your follow-up questions! Continue reading
What a week it’s been in the romance writing world! In case you missed it, there is a huge uproar over #cockygate, or the trademark of the word “cocky” in a romance series.
Background: Faleena Hopkins, the author of several books that have the word “Cocky” in the title, recently received an official trademark of the word “cocky” in a romance series in both regular and stylized (meaning in a specific font) form from the US Trademark and Patent Office. You can view her filings here and here.
Ms. Hopkins’ stylized trademark of the word “cocky.”
Ms. Hopkins has threatened other writers whose book titles also contain the word “cocky” with a lawsuit if they don’t change their titles. She’s also reported some authors to Amazon, telling the Zon that the authors were in violation of her copyright. Amazon took down the offending books at once. Romance Writers of America has hired an IP attorney and has asked Amazon to reinstate the take downs pending a legal challenge (Amazon agreed), and former IP attorney-turned-writer Kevin Kneupper has come out of retirement to Continue reading
One of the most interesting changes at this year’s RWA National conference was the increased focus on indie publishing. For me, the timing was excellent.
Four years ago, when I attended my first Nationals, I was only vaguely aware of self-publishing. I fully intended to pursue a traditional publishing career and I found plenty of workshops to help me understand the role of agent and editor, to perfect my pitch, and to polish my query letter.
As I started submitting to agents and entering contests with my dream industry judges, I also began to seek out sources of information to educate myself about the industry I was planning to join. To my amazement I found a freely available treasure trove of solid, actionable information and over the last couple of years I’ve gradually come to believe that independent publishing will be a better match for my personal priorities, timelines and ambitions.
I attended a number of the indie-focused workshops in Orlando, and I was surprised to discover how much I already knew. So instead of recapping my learnings from the conference, I thought perhaps I should share the online resources I find most valuable: Continue reading
Have you made a major step change recently, in your writing, or your work, or any other part of your life, big or small?
Shortly after this post is published, I’ll be packing my bags ready to fly to Orlando for my fifth RWA National conference. I’m really looking forward to it, but I’m also expecting it to be my last, at least for a little while.
Partly it’s the expense. I think the conference itself is excellent value at $500 for three full days of quality workshops, keynotes, pitch sessions, awards and so on. Likewise, hotel costs of just over $100 per night for a shared room is reasonable. The problem is that when I add on a transatlantic airfare, plus an extra night or two for recovery time, plus meals, transfers and other incidentals, I’m looking at a fairly significant investment, and I feel as though I’m now at the point where I could make better use of that kind of money.
If you’d told me four years ago that by July 2017 I’d still be unpublished and unagented, I don’t think I’d have believed you. The biggest lesson I’ve learned Continue reading