Nancy: The Hardest Hundred Pages

A few weeks ago, I told you about the steady progress I’ve been making on my WIPs by working to a 20-page-per-week commitment with my writing coach. That’s approximately 6,000 new words per week. At that pace, I’d be able to write a 25K story in 4-5 weeks.

So now let me tell you about the 25K story it took me 2 years to write.

OK, I’m being a bit melodramatic. I didn’t take me 2 years to get through the new pages of the first draft. That took a few months, then the story went to critique readers who (rightfully) had some problems with the story. Then there were the inevitable months of compiling critique comments, formulating a revision plan, going back to the story drawing board, drinking before 4 PM, and reconsidering my poor life choices. And then I walked away from the story for a year.

Not to worry! I was not defeated, and the story wasn’t abandoned. I just needed to take a break. See other stories. Decide what I really wanted out of that novella. The answer was, a lot, and that’s why my time away from it was so important for fixing the story. My critique readers could give you lots of details about what was wrong with this book, like a heroine who was rather selfish, an out-of-the-blue physical encounter that would be a tough sell in a contemporary, let alone an historical, and that perennial first-draft favorite – wishy-washy goals.

But pulling back from all of that to take an big-picture view of my novella, I realized I’d written it too soon. It was under-proofed, under-baked, and just not ready for prime (or even critique) time. So how did I make such a mess of it? Oh, let us count the ways. Continue reading

Jilly: Vicarious Thrills

Regular readers of this blog will no doubt be aware that our Jeanne’s debut novel, The Demon Always Wins, is now available for preorder on Amazon and will be released for sale on 1 September. Squee!

Some of the 8 Ladies have been published before, so it’s not technically our first book, but it’s the one Jeanne was working on when we all first met (virtually) in class at McDaniel College. When she said it was a re-telling of the story of Job as a paranormal romantic comedy I remember thinking, “that’s interesting, and different.”

Because we spent a whole year in class talking about our stories and critiquing each other’s scenes, I think we all feel a certain sense of ownership of this book. We got to know Jeanne’s dark, snarky, funny voice. We saw her delete a fantastic opening scene only to replace it with one even better. We watched her polish her manuscript until it became a Golden Heart winner, and then take it up another level with the help of rigorous professional editing. Continue reading

Nancy: Novella (.5) Cover Copy

As I’ve mentioned a few (hundred) times recently, I have a lot of writing balls in the air right now. Partly this was intentional: I knew the writing and editing tasks for my multiple books in my Victorian Romance series would have to overlap to meet a rather aggressive publishing schedule (set by yours truly, so no one to blame but myself for that). Partly this was unintentional: I got behind schedule on a few different things, shifted some dates, zigged when I should have zagged, and suddenly multiple deadlines converged and…well, here I am.

Last week, I asked for your help for a 50-word pitch and 250-word opening sequence for Take the Money and Run, my Women’s Fiction manuscript. This week, I’d love some feedback on a totally different task for a completely different book, the back cover copy for Too Clever By Half, the kickoff novella of my Harrow’s Finest Five series. I’ve been working on this slippery sucker for a while, and now it’s time to get it nailed down so I can get my cover completed (and then share it here!). The goal of the cover copy? Convince a reader to pick up the book from a bookshelf or click on the ‘look inside’ option online. In brief, the cover copy should include a high-level hook, introduce you to the protagonist(s), introduce the conflict, and make you eager to read more.

Your task today, should you choose to accept it, is to tell me whether this cover copy does that for you. The more specificity you provide about what you like, what you dislike, or what makes you say ‘oh hell no!’, the more I can improve it. So leave your thoughts and – really importantly – your first reactions to reading this in the comments, please and thank you!

Two fierce competitors engaged in a battle of intellects might just be outwitted by love… Continue reading