The Grand Sophy

by

Jilly: What’s on Your Id List?

What things in fiction, big or small, really do it for you? Tropes, characters, premises or details that you enjoy so much you’d auto-buy a book or stick with a really bad movie because of them?

A couple of weeks ago I listened to Writing For Your Id, a workshop presented at this year’s RWA National conference by Dr. Jennifer Barnes, a psychologist, cognitive scientist, and YA romance author. I’m super-grateful to 8 Lady Jeanne for recommending it.

The first part of the presentation, which would have been worth the price of admission, was that certain universal pleasures have become hard-wired into our brains, and encountering those treats when we read gives us a deep-seated hit of happy. Stories or scenes depicting sex, touch, beauty, wealth, power, competition and danger push our pleasure buttons. Different genres are associated with different pleasures, and the workshop offered suggestions about different ways to create pleasure-centric stories and to work with and against the typical pleasure buttons.

Lots of food for thought there, but what really resonated with me was the second part of the presentation: that you make your stories distinctive and memorable by adding in to them stuff that you, the writer, personally really, really like.

The idea is to develop a list of all the things that do it for you and use those things to bring excitement to your writing.

Work out which pleasures recur. Which ones you’re strong on and vice versa. And if you’re not looking forward to writing, get yourself in the mood by adding in something from your Id List.

Dr. Barnes said she has a list of more than a thousand items. I just made a start on mine, but here are a few things I came up with.

Sensible, smart, plain heroines who get the hot guy
Especially the overlooked bluestocking sister with a drop-dead gorgeous sibling.
I’d put Lizzy Bennet top of this list—Jane is beautiful, but Lizzy’s smart and interesting. Or quiet, competent Mary Challoner from Heyer’s Devil’s Cub.

Heroines who shoot the hero
That would be Mary Challoner again. And Jessica from Lord of Scoundrels. And Sophy from The Grand Sophy (well, she shoots a friend to prevent the hero from challenging him to a duel, but I think it counts). Continue reading →

by

Elizabeth: Vulnerable Characters

You remember Achilles, right? He had that “heel” problem.

I read two books this past weekend (it seemed much more appealing than cleaning the garage).  One was a keeper and the other probably not; one had a historical setting and the other was contemporary; but both had something in common:  a realistically vulnerable hero.

First off was Lori Foster’s Under Pressure, book 1 in her Body Armour series.  It was one of the freebies from the recent writing conference and, since I’d read and enjoyed her books before, I figured it would be a relaxing way to spend a Saturday afternoon.

Though I’m pretty sure I’m not the target reader for this particular series, there were a couple of elements that I thought worked really well.  The first was the chemistry between the hero and heroine.  It can be difficult to capture instant (or very quick) attraction between characters, but in brief brushstrokes the author did just that.  The story features a resourceful heroine (Cat), a hunky bodyguard hero (Leese), and a nefarious Bad Guy threat.

As the story opens Continue reading →

by

Jilly: Did They Live Happily Ever After?

Did They Live Happily Ever AfterWhat makes you feel confident that a relationship will stand the test of time?

Last week my husband and I celebrated a landmark wedding anniversary. You don’t need the numbers – suffice it to say that we were teenagers when we met, and twentysomethings when we tied the knot, so it’s been awhile. Then a few days ago I had lunch with a friend who’s managing the fall-out from two family divorces within the first year of marriage. The juxtaposition set me to thinking about what makes a relationship work – or not – in real life, and how I could use that information to give my fictional characters every chance of a genuine, lasting HEA.

We judge relationships instinctively all the time – for ourselves, for our friends, families and colleagues. How many times have we been introduced to a new ‘other half’ or attended a wedding and thought privately this will never last? Or Continue reading →