Kay: The Train Wreck of Traditional Publishing

Did you ever wish you had a traditional publishing contract? Count your lucky stars. Since our pandemic began, traditional publishing has gone off the rails.

Kristine Kathryn Rusch breaks it down for us on her blog. It all began when she tried to order a book in June and was informed that the book would ship in September. Surprised that it wouldn’t arrive sooner, she looked into why that should be.

And guess what? It turns out that traditional publishing isn’t all that nimble when it comes to crises. Here’s the story.

What the heck happened?

When the pandemic hit and bookstores closed, some publishing companies moved their biggest spring and summer releases to the fall, hoping that the situation would have recovered by then. But as the pandemic dragged on, the schedule fell apart, because the fall schedule was already mostly full. Continue reading

Kay: Quiz for Y’all–Which Cover Works Best?

The “calm” one

I’m sorry to plague you all with yet another cover query, but I’ve been looking at this thing for so long that I’m not sure what I’m seeing any more.

The new cover for Betting on Hope is essentially done. The copy has been tweaked since you saw it last, and the last thing to be decided is the color saturation. I have three variations, and they vary only slightly: One is the “calm” one, one is the “hot” one, and one is “the other one.”

The “hot” one

I’d like to know what you think: Which one is easiest to read? (I realize that if you’re looking at this post from a phone, none of them will be easy to read—it’s scarcely readable from my computer screen.) Does any of them appeal to you more than the others? What about the color on that back cover?

Any thoughts on these or other matters gratefully received.

The “other” one

Kay: 2019 Trends in Publishing

For those of you who are interested in publishing news and trends (and who among us isn’t?), Jane Friedman’s newsletter for traditionally published and indie-published authors, The Hot Sheet, is a great resource. The annual subscription cost is $59, but there’s a free trial period. And for those who don’t want more stuff coming into their inbox, Friedman did a roundup of trends on her web site that I thought was interesting. She covered both fiction and nonfiction; here are a few highlights about fiction for 2019:

  • Print sales are flat, and the ebook market for traditional publishers has declined every year since 2014.
  • Digital audiobooks are doing well. Binge listening is a thing. One editor received an audio rights offer for a wordless picture book. (I wonder how that works?)
  • The top YA fiction category is science fiction/magic.
  • Psychological suspense remains popular, but has started to fade. Horror and dystopian novels are experiencing a resurgence.
  • The current reader mood: escape combined with nostalgia. Millennial readers are nostalgic for life before social media (the cutoff is around 2006).
  • High concept can sell a book, but it doesn’t necessarily lead to a long sales life. Long-term sales success depends on good storytelling and voice, books with deeper layers that move readers, who give it strong word of mouth. However, a good hook never hurts.
  • Authors are more responsible than ever for marketing. Authors who think of themselves as public figures are well positioned to succeed.
  • All publishers are buying graphic novels, and readers of every age group are reading them.
  • Studios and producers are open to all kinds of voices and stories and are buying more middle grade and YA work for TV and movie adaptations. Works that are better suited to episodic format find a place among the streaming options.

Some of these trends looked familiar, but I was surprised by some of this news, too. My view is that authors shouldn’t try to write to a trend, but if you have a bunch of ideas rattling around and you can write fast, maybe it’s worth trying to hit a current sweet spot.

What about you? Have you witnessed any of these trends yourself, or does any speak to what you’re working on?

Justine: The Exhilarating, Nerve-Wracking, Terrifying Moment of Publishing a Book

Last week was a monster moment for me. Late Saturday night a week ago (when I totally wasn’t expecting it), I got an email from KDP telling me that my first book, His Lady to Protect, was available for pre-order on Amazon.

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AACKKK! THAT’S MY BOOK!

A multitude of emotions swirled through me. Happiness. Fright. Panic…lots of panic. I can’t take this book down. I really DO have to finish it now!

I cried, laughed, danced around the kitchen, shared my news with my husband (who was busy playing Fortnite with the kids, so it was a bit anti-climactic at first), and told my critique partners, who have been my day-to-day sanity over the last several years. They cheered!

When I’ve been out and about and friends ask about my book (better yet strangers that I meet when I’m in an airplane!), it’s nice to be able to tell someone that your book is up for pre-order (because all I’ve been saying for the last 6 years when asked if I’m published is “not yet”).

But now the real scary work begins. I received edits from my developmental editor (she made great suggestions) and it’s time to get my rear in gear and make changes to my manuscript. Once that’s done, I have to get my book loaded for pre-sale on the other e-retailers, plus come up with a marketing plan, get my full-wrap cover done, solidify my release schedule, and keep working on my second book.

In other words, only a few moments to…well…enjoy the moment. I’m sure more exhilaration, anxiety, and fear will abound when my book is actually out there for the world.

Have you hit “publish” yet? What emotions did you experience?