Stories aren’t always simple. In fact, although you sometimes meet a story that drives single-mindedly to its conclusion like a bowling ball dropped out of a fourth-story window, usually a story will have frills and complications. Much like our world today, many of the best stories, especially if they are long ones, have multiple causes that pile up and turn into a big, beautiful story.
When we were in class the first year, we spent a lot of time talking about main plots. There had to be one protagonist, one antagonist and one major conflict that drives the story. (-: More than once, I got the comment, “Pick a lane!” on my submissions.
We didn’t discuss sub-plots that much, and how they fit into the story, but sub-plots are mostly there to support and drive the main story even faster to its conclusion.
For example, in Pride and Prejudice we’re talking about Elizabeth Bennet and Mr. Darcy. Elizabeth wants a partner she can love and respect. Darcy thinks he wants a partner he can respect – she must be pretty, witty, kind, cultured and above all, a book reader who has shaped her mind into intelligent channels. Initially, Elizabeth sees a proud man who has no real reason, and Darcy sees a country bumpkin.
The subplots promote these initial views. Mrs. Bennet’s actions when searching for husbands for her daughters reinforce Darcy’s ideas that the neighborhood is provincial and not up to his standards. Darcy’s snubs of Mr. Wickham reinforce Continue reading