Welcome to Week Two of how to write awesome pitches (’cause conference season is soon upon us!). Last week, I covered how to write a log line. This week, it’s the dreaded synopsis.
As most of you know, a synopsis is a short version of your story, a sort of 10,000 foot view. When agents and editors ask for a partial and a synopsis, they’re looking for two things:
- Can this person write (they’ll determine that from the partial), and
- Can this person plot (is their story a series of unfortunate events, or is there some smokin’ GMC going on?)
To many people, writing the synopsis is incredibly intimidating. You think about all the great story pieces in your book that you’re sure the agent/editor needs to see. Well, they don’t. Continue reading
It’s that time of year here at Eight Ladies Writing – RWA Nationals is upon us, just a few months away – and it’s time to start perfecting (and memorizing) our pitches.
Actually, for me, it’s more than my pitch. It’s my logline (which I’ve struggled with), my synopsis (which I’m pretty happy with), and my “high concept” (which I don’t yet have for Three Proposals).
Over the next three weeks, I’m going to break down how to write each of these, using Three Proposals as an example. This week, I’ll start with the logline.
The history of the logline is interesting. It started Continue reading